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Galleria Continua / Beijing

Exhibition Detail
Mostre in corso
Dashanzi Art District 798
2 Jiuxianqiao Road, Chaoyang Dst
100015 Beijing

March 29th, 2013 - September 8th, 2013
March 29th, 2013 5:00 PM - 7:00 PM
Diagram bushes Here and There and Everywhere , Loris CecchiniLoris Cecchini,
Diagram bushes Here and There and Everywhere ,
2013, welded steel modules, variable dimensions
Wallwave vibration (anatomy of a diagram) , Loris CecchiniLoris Cecchini,
Wallwave vibration (anatomy of a diagram) ,
2012, polyester resin, wall paint, Ø 220 x 8 cm
Sinapsis paradigms and Micrologies VI , Loris CecchiniLoris Cecchini,
Sinapsis paradigms and Micrologies VI ,
2013, welded steel modules, variable dimensions
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+86 1059789505
Tuesday to Sunday 11 am - 6 pm
installation, sculpture




With this solo exhibition by Loris Cecchini, Galleria Continua is proud to present in its Beijing gallery a new show designed especially for the space, together with a special project by Loris Cecchini and Francesco Simeti, in conjunction with Miroglio Textile.

Cecchini’s works explore open structures based on generative modules designed by the artist and
industrially produced in steel: every single element contributes to the creation of an “organism”, generating a context lying between a microcosm and a macrocosm that brings together and establishes a close relationship between different aesthetic categories and the scientific sphere. The artist’s inclination is to poetically elaborate space through the deconstruction of reality at different levels; in fact, through the forms and the cold, sophisticated materials selected by the artist, it acquires composite, creative and revelatory aspects.

Cecchini’s latest work focuses principally on diagrammatic models, searching in the alterity of artifice a key of ambivalence of Western systems of representation. Physical phenomena become an optical and emotive inventory of the environment, natural systems turn into algorithms of a non-homogeneous system, both complex and individual, in order to reveal the invisible processes of our present.

Searching for an analogy between grammar and anatomy, in their language the works recall formulas capable of generating auto-poietic systems in which the bursting out of the structures regenerates itself, contaminates and transforms itself, just as happens in an organism.

The sculptural installations, made up of hundreds of elements, seem to be a biological metaphor
– cells that open and flower, releasing molecular components that engage with the gallery space. The tall lamp post installed in the space – abandoned and at an angle – is an urban landscape element on which a new possibility of life and of a project is grafted. Like climbing plants, the sculptures propagate on it and in the space in a kind of writing that is at once emotive and organic: the resulting drawings bring out different narratives and ideas, outlining the speculative potential of
sculpture as diagram, where the “model of reference” moves from scientific representation through
artistic interpretation, and vice versa.

In the “Wallwave Vibrations” series, the alteration is introduced as the physical manifestation of vibrations expressed; the visual mesh is transformed into the echo of a purely physical phenomenon, like the succession of waves on a flat liquid or the effect of the movement of sound on a surface. It is as if the whole architecture, or a part of it, were suffering the consequences of a phenomenon that influences, modifies and leads it towards an organic symbiosis between sculpture and wall.

The number of surreal elements, and their formal complexity, take the works into a dual terrain between abstraction and the sublime, where the point of departure is a kind of equation for measuring the physical reactions of a wave in space.

The constant dialectic between nature and artifice – what is distinguishable from nature in that it is produced by humans – is never the exclusive end of Cecchini’s work, but should be considered as a means for discovering a technology that inevitably engages with the compendium of the natural and with a cultural artifice based upon it.

The special project involving Loris Cecchini, Francesco Simeti and the Miroglio Textile consists of two actions. The first is with Metri d’Arte on the second floor of the gallery; after doing a workshop in Alba with skilled workers from the Miroglio company, the two artists produced some works arising from the experience, on display in the gallery in Beijing.

Arising from the contact with the Miroglio Group, and pursuing one of our lines of action, we decided to ask Loris Cecchini and Francesco Simeti to donate the works for a charity evening to be held on 28 March at the Galleria Continua in Beijing. Organized in conjunction with Miroglio Textile and the Italian Institute of Culture in Beijing, the event will be attended by the Chinese artists Liu Ye, Zeng Hao, Ji Dachun, Zhan Wang, Chen Wen Bo

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