"Workshop" for the "Contemporary Art & Investment" in January 2007 has been an important part founded, focusing on the creative young artists, showing their creative ideas and works; also investigated, research, and the younger generation of Chinese artists showing the most community experimental and creative individual artists, so far the last three years, a total of 37 referrals (group) artists, covering China, Taiwan and overseas.
"Workshop" editing, production work will focus on trying to clearly show the artist's core proposition: the concept of thinking about those who have passed, the possibility of factors continue to create experimental art production process and even started; part of the production, from 2007, located in the "Artists of the birth of a new work" to continue to evolve into focus "the integrity of the work of the artist."
In the "Contemporary Art & Investment," the editorial concept, we tried to explain, the magazine is displayed as a 'present tense' of the experimental, cross-border nature of contemporary art production. Our understanding, magazines should strive to break free of the traditional definition assigned to it, it's the "essence" of free and active as an open subject. That is, it is not just a cold, people look through the print media only, and should be a through exhibitions, events, publications, and the establishment in its construction of the various possible. Therefore, we may wish to "workshop", an exhibition practice known as "magazine - curatorial practice."
December 2009-January 2010, "Contemporary Art & Investment" joint Iberia Center for Contemporary Art organized, planned "Workshop: How does the artist work," the thematic exhibition of the first successful practice "magazine - curatorial practice "concept. September 18, 2010 opening of the "Workshop: Dissemination of the map and translated as" show based on the 2010 "Workshop" (Project) part of the research work is the "workshop" (Project) part of the research paper extension and response, focusing on research and analysis in the artists and exhibitions, events, publications, and other possible relationship between media works and material form of the concept of the subtle translation of what happened: Work and Communication in the works.