ArtSlant - Openings & events http://www.artslant.com/cn/Events/show en-us 40 Yan Xing - Galerie Urs Meile Beijing - August 29th 4:00 PM - 7:00 PM Mon, 20 Jul 2015 18:01:52 +0000 http://www.artslant.com/cn/Events/list http://www.artslant.com/cn/Events/list Wong Chak Hung - Art Experience Gallery - September 5th 3:00 PM - 6:00 PM <p>Art Experience Gallery is delighted to present a Solo Exhibition by WONG CHAK HUNG, a renowned Hong Kong artist.</p> <p>Date: 5 September (Saturday) to 23 October (Friday)<br />Time: Monday to Saturday | 11am - 6pm<br />Sunday and Public Holiday Closed<br />Opening: 5 September (Saturday) | 3 - 6pm<br />Venue: Art Experience Gallery</p> <div class="text_exposed_show"> <p>Painting acts as a daily meditation, Wong Chak Hung has been composing this harmony mosaic symphony for over a decade. Looking at Wong&rsquo;s ink work in the recent years, it leads to a higher intensity of calmness showing the artist has found new freedoms in the media. The small squares in ink behave with more gestures and personalities, created a spirited scenery on paper. Art serves as a personal religion in his everyday life, Wong has dedicated with pure concentration and a spiritual mind, offering the viewers to experience enlightenment in this bustling city.</p> <p><a href="http://artexperiencegallery.com/exhibitions/upcoming_en/" rel="nofollow" target="_blank">http://artexperiencegallery.com/exhibitions/upcoming_en/</a></p> </div> Tue, 04 Aug 2015 07:12:12 +0000 http://www.artslant.com/cn/Events/list http://www.artslant.com/cn/Events/list Shao Wenhuan - M97 Gallery - September 6th 2:00 PM - 5:00 PM <p style="text-align: justify;"><span style="font-size: small;"><big>M97 is pleased to present And All The Sounds Are Still, an exhibition of new work by Hangzhou-based mixed media artist Shao Wenhuan. The exhibition will open on September 6 and run through October 25, 2015. An opening reception with the artist will be held on Sunday September 6 from 2:00 to 5:00 PM at M97 Gallery [97 Moganshan Road 2nd Floor]. This is the artist&rsquo;s first exhibition at M97. </big></span></p> <p style="text-align: justify;"><span style="font-size: small;"><big></big><big>Spanning the entire gallery space, Shan Wenhuan&rsquo;s "And All The Sounds Are Still" exhibition features new painting and photographic works on canvas and silk, as well as small installation and video works. In this now post-analog era where the ubiquity of images and photography makes us question the uniqueness of photography, the viewer is forced to reassess and reevaluate what it is that we consider a photograph or photographic art. The mixed media artworks of Shao Wenhuan address this continuing dialogue head on with both an embracement and subversion of the core elements of what most consider &ldquo;photographic&rdquo;. Shao&rsquo;s artworks would argue, it seems, that the very delicate, controlled nature of what we consider a photograph is absurd in this post-analog age.</big><big> </big></span></p> <hr /> <p style="text-align: justify;"><span style="font-size: small;"><big>M97荣幸地宣布新展《万籁俱寂》开幕,这是来自杭州的综合媒介艺术家邵文欢的新作个展。展览将于9月6日开幕,一直持续到10月25日。艺术家本人将于6日的下午2点到5点亲临位于莫干山路97号2楼的M97画廊开幕酒会现场。这将是邵文欢于M97 的首次个展。</big></span></p> <p style="text-align: justify;"><span style="font-size: small;"><big>邵文欢《万籁俱寂》展将占据整个画廊的空间,展出包括在帆布和丝绸上创作地最新绘画和摄影作品,以及小型的装置和影像作品。</big></span></p> <p style="text-align: justify;"><span style="font-size: small;"><big>在这个后胶卷的时代中,影像和照片的无处不在使我们开始怀疑摄影的独特性,观者不得不去重新度量和评估什么是一张照片或什么才是一件摄影艺术品。邵文欢的 综合媒体作品正是正面去针对这个持续性话题的探讨,包括对被认为是&ldquo;摄影作品的&rdquo;元素的拥抱和颠覆。 他的作品似乎在强调:我们通常所认为的摄影作品中精巧细致、控制感极强的本质在如今的后胶卷时代中显得有些荒诞。</big></span></p> Mon, 17 Aug 2015 15:01:45 +0000 http://www.artslant.com/cn/Events/list http://www.artslant.com/cn/Events/list Zhang Enli - ShanghART Gallery (main gallery) - September 6th 2:00 PM - 4:00 PM <p style="text-align: justify;">ShanghART Gallery is pleased to launch ZHANG Enli solo exhibition in both main and H-space on 6 September, 2015. Focal characterized series paintings of &ldquo;old tree&rdquo;, &ldquo;line&rdquo; and &ldquo;object&rdquo; will be exhibited. The exhibition will last until 18 October 2015. <br /><br />Seven years have passed since ZHANG Enli&rsquo;s last solo exhibition held in ShanghART Gallery, this coming solo show in September is undoubted a reinforcing exploration and self precipitation regarding the observation to &ldquo;static object&rdquo;. From the early portrayal of characters to the pursuit of the origin of mundane objects in everyday life, artist regains the vitality of routine stuff from his gradually simplified images. Painted &ldquo;winding lines&rdquo;, &ldquo;withered branches&rdquo;, &ldquo;piled implements&rdquo; etc. are ordinary substances which trigger the nature and essence of matters in a subtle perspective, simultaneously reflecting the imperceptible extension artist adopted from physical entity to abstraction. <br /><br />ZHANG Enli<br />1965 born in Ji Lin China<br />1989 graduated from Arts &amp; Design lnstitute of Wuxi Technical University, Jiangsu<br />Now, he works and lives in Shanghai</p> <hr /> <p style="text-align: justify;">2015年9月6日,香格纳画廊将在主空间以及H空间荣幸地推出《张恩利》个展。本次展览将呈现以&ldquo;老树&rdquo;、&ldquo;线&rdquo;、&ldquo;东西&rdquo;为核心元素的系列绘画作品。展览持续至2015年10月18日。<br /><br />距 上一次张恩利在香格纳的个展已有7年,此次九月的又一个展无疑是对&ldquo;静物&rdquo;观察的再次探索和沉淀。从早期作品的人物描绘到生活中寻常事物的追本溯源,艺术 家以其逐渐简化的画面内容恢复生活中平常物的活力。作品中&ldquo;缠绕的线条&rdquo;,&ldquo;枯虬的枝干&rdquo;,&ldquo;堆积的器物&rdquo;等寻常物,以细微的角度触发事物的本质与核心, 同时也体现艺术家从实物到抽象潜移默化的延伸。<br /><br />张恩利,1965年出生于中国吉林省。1989年毕业于无锡轻工业大学艺术学院。现今工作生活于上海。</p> Mon, 17 Aug 2015 16:46:08 +0000 http://www.artslant.com/cn/Events/list http://www.artslant.com/cn/Events/list Zhang Enli - ShanghART H-space - September 6th 2:00 PM - 4:00 PM <div class="ap-whitebox-body description"> <p style="text-align: justify;">ShanghART Gallery is pleased to launch ZHANG Enli solo exhibition in both main and H-space on 6 September, 2015. Focal characterized series paintings of &ldquo;old tree&rdquo;, &ldquo;line&rdquo; and &ldquo;object&rdquo; will be exhibited. The exhibition will last until 18 October 2015. <br /><br />Seven years have passed since ZHANG Enli&rsquo;s last solo exhibition held in ShanghART Gallery, this coming solo show in September is undoubted a reinforcing exploration and self precipitation regarding the observation to &ldquo;static object&rdquo;. From the early portrayal of characters to the pursuit of the origin of mundane objects in everyday life, artist regains the vitality of routine stuff from his gradually simplified images. Painted &ldquo;winding lines&rdquo;, &ldquo;withered branches&rdquo;, &ldquo;piled implements&rdquo; etc. are ordinary substances which trigger the nature and essence of matters in a subtle perspective, simultaneously reflecting the imperceptible extension artist adopted from physical entity to abstraction. <br /><br />ZHANG Enli<br />1965 born in Ji Lin China<br />1989 graduated from Arts &amp; Design lnstitute of Wuxi Technical University, Jiangsu<br />Now, he works and lives in Shanghai</p> <hr /> <p style="text-align: justify;">2015年9月6日,香格纳画廊将在主空间以及H空间荣幸地推出《张恩利》个展。本次展览将呈现以&ldquo;老树&rdquo;、&ldquo;线&rdquo;、&ldquo;东西&rdquo;为核心元素的系列绘画作品。展览持续至2015年10月18日。<br /><br />距 上一次张恩利在香格纳的个展已有7年,此次九月的又一个展无疑是对&ldquo;静物&rdquo;观察的再次探索和沉淀。从早期作品的人物描绘到生活中寻常事物的追本溯源,艺术 家以其逐渐简化的画面内容恢复生活中平常物的活力。作品中&ldquo;缠绕的线条&rdquo;,&ldquo;枯虬的枝干&rdquo;,&ldquo;堆积的器物&rdquo;等寻常物,以细微的角度触发事物的本质与核心, 同时也体现艺术家从实物到抽象潜移默化的延伸。<br /><br />张恩利,1965年出生于中国吉林省。1989年毕业于无锡轻工业大学艺术学院。现今工作生活于上海。</p> </div> Mon, 17 Aug 2015 16:47:44 +0000 http://www.artslant.com/cn/Events/list http://www.artslant.com/cn/Events/list Matthias Weischer - Lehmann Maupin, Hong Kong - September 8th 6:00 PM - 8:00 PM <div id="press_823" class="unit-copy text-less"> <p style="text-align: justify;">Lehmann Maupin is pleased to present <em>Traces to nowhere</em>, an exhibition of new works by artist Matthias Weischer, on view at the gallery&rsquo;s Hong Kong location from September 8 through October 3, 2015. Showcasing a group of new paintings, Weischer is presenting a solo exhibition in Asia for the first time.&nbsp;<br /> &nbsp;</p> <p style="text-align: justify;">Weischer, a graduate of the Leipzig Academy of Visual Arts, is known for his association with the &ldquo;New Leipzig School&rdquo; a group of painters who came to prominence roughly a decade after the fall of the Berlin Wall. Originally schooled in classical painting techniques, the artist has since developed, in a broad sense, two conceptual approaches in his practice. Of primary interest is Weischer&rsquo;s exploration of new ways of perceiving and depicting three-dimensional space. Weischer is also attuned to identifying the scope, importance, and historical meaning of painting as a medium and system of representation. The artist is keenly interested in the process of composing paintings, examining the balance between chaos and harmony, and situating his works at the intersection of the realistic and the imagined.<br /> &nbsp;</p> <p style="text-align: justify;">In many of the artist&rsquo;s works, contained spaces such as yards, domestic interiors, parks and gardens present regions of illusory and enigmatic narratives. Weischer explores his depicted spaces in great detail, disrupting any superficial harmony and exposing the disorder that exists directly beneath the surface. The artist omits any trace of the figurative form, prompting the viewer to mentally occupy the spaces of his paintings. While the figure is omitted, he does fill his depicted spaces with traces of a human's presence, including ornaments and d&eacute;cor that infer personal choices. Accentuated by his collage-like approach to constructing imagery, Weischer employs forced perspectives that challenge how viewers perceive space. Patterned walls give way to unexpected views of interiors and fragments of truncated spaces, reaching past logical boundaries.<br /> &nbsp;</p> <p style="text-align: justify;">The artist&rsquo;s recent works, such as those included in his Lehmann Maupin exhibition, have become more spontaneous and poetic with the incorporation of landscape and natural elements. While Weischer continues to paint with forced perspective, the inclusion of singular, flat elements that appear to be floating in the picture plane add another level of complexity. Weischer utilizes these figurative forms to explore new ways of harmonizing the relationship between objects and space within the pictorial plane.&nbsp;</p> </div> Mon, 17 Aug 2015 16:42:55 +0000 http://www.artslant.com/cn/Events/list http://www.artslant.com/cn/Events/list Hugh Scott-Douglas - Simon Lee Hong Kong - September 10th 6:00 PM - 8:00 PM <p style="text-align: justify;">Simon Lee Gallery Hong Kong is proud to present an exhibition of new work by New York based artist Hugh ScottDouglas; his first with the gallery in Hong Kong, and following the exhibition Consumables in London earlier this year, his second solo show with Simon Lee Gallery to date.</p> <p style="text-align: justify;">Scott-Douglas' most recent works, printed using an ink jet process onto eighty-inch aluminium panels, continue his investigation of the limits of the generation and production of the photographic image. In the first examples of this methodology, shown in his solo exhibition at Blum and Poe in New York earlier this year, parts from a disassembled automatic watch movement were scattered over the glass of a flat bed scanner. As the scanner's sensor passed below them it created an image, recording the toothed gears as well as particles of dust and ambient light. This source image was then blown up and printed in multiple passes using an industrial ink jet printer. Shifts in registration generated geometric compositional structure, while the build up of ink, image onto image, gave the works a material presence which recalled the physicality of their source. Like the cyanotype works on canvas with which Scott-Douglas first came to prominence, these photographs unite image and object, material and process, source and surface in a reflexive and hermetic process, beguiling in its simplicity.</p> <p style="text-align: justify;">For the works in this second part of the series, shown here for the first time, Scott-Douglas makes a simple change in the mechanics of the process. The lid of the scanner, which for the previous series of images had been removed, is now replaced by an LED light panel. This modification allows the control and manipulation of the hermetic environment, while also paradoxically blowing out the content of the photographic image. Where before the parts were registered scattered across a black ground, graduating at times to an inky violet, now they themselves register as reflected light on background light, white on white. The subject dissolves into itself through the enforcement of strict control. Where, in the previous series of works, structure was generated by shifts in registration, now the image is tiled across the surface of the support, and run through the printer 16 times with the same registration marks. As the image repeats, the ink builds up, stretching the graphic content and inflating the currency of its own materiality.</p> <p style="text-align: justify;">&nbsp;</p> <blockquote> <p style="text-align: justify;"><em>&ldquo;Repetition is a fantastic way to make a lot from a little.... to extract the maximum from the subject.... here the same content performs the same task again, and again, and again, and again, and again...&rdquo; </em>Hugh Scott-Douglas</p> </blockquote> <p style="text-align: justify;">Although conceived and executed entirely in the conceptual framework of photography, these new works bear as many references to recent developments in painting. In their structural composition, in their fascination with surface and material, and in their yielding of control to the technically expedient, predetermined or merely to chance, they might suggest resonances as much to Christopher Wool's roller paintings on aluminium or to Rudolf Stingel's pattern or gauze paintings, as to those photographic works to which they more strictly relate. And in as much as many of those developments have been generated through an interaction with the photographic and printed image, in this respect too they suggest a closing of the conceptual circle. They also propose a protocol of image making which unites subject and process, which conflates the deconstructed representation of the automatic watch with the automatic generation of pattern and image.</p> <blockquote> <p style="text-align: justify;"><em>&ldquo;What is the integrity (<strong>authorship</strong>, legality) of the producer (<strong>photographer</strong>, worker) over their product (<strong>artwork</strong>, commodity) as it is pushed through various protocols (<strong>formats</strong>, factories) &ndash; especially as related to a decentralized (<strong>mechanized</strong>, networked) style of production? The automatic watch as a workforce... Hyper Fordist in nature each unique analog component contributes one specific function in the ecosystem that is the watch&rsquo;s movement. No two parts are exactly the same. Running off a body&rsquo;s surplus energy the watch documents both its own and its host&rsquo;s passing time.... tick tick tick tick tick tick tick tick...&rdquo;</em> Hugh Scott-Douglas&nbsp;</p> </blockquote> <p style="text-align: justify;">Hugh Scott-Douglas (b. 1988 in Cambridge, UK) lives and works in New York. Recent solo exhibitions include Blum &amp; Poe, New York, NY (2015); <em>Promises to Pay in Solid Substance</em>, Jessica Silverman, San Francisco, CA (2014); <em>Hugh Scott-Douglas, eyes without a face</em>, Croy Nielsen, Berlin, Germany (2014). In 2014, the solo exhibition <em>A Broken Mule </em>was held at Kaikai Kiki Gallery, Tokyo. Recent group exhibitions have included <em>Out Of Office</em>, Museum of Contemporary Art, Chicago, IL (2015); <em>Stars &amp; Stripes: American Art of the 21</em><em>st </em><em>Century from the Goldberg Collection</em>, Museum &amp; Galleries of NSW, Sydney, Australia (2014); <em>In ___ We Trust: Art and Money</em>, Columbus Museum of Art, Columbus, OH (2014); <em>In Transit: Between Image and Object</em>, MASS MoCA, North Adams, MA (2014); <em>Pattern: Follow the Rules</em>, Eli and Edythe Broad Art Museum at Michigan State University, MI (2013). His work is included in public and private collections internationally including The San Francisco Museum of Modern Art (SFMOMA), CA; Eli and Edythe Broad Art Museum, Michigan State University, MI; Dallas Museum of Art, Dallas, TX; Museum of Contemporary Art, Chicago, IL; Sammlung Goetz, Munich, Germany; and AGO - Art Gallery of Ontario, Toronto, Canada. Forthcoming solo exhibitions include Tochigi Prefectural Museum of Fine Arts, Tochigi, Japan (2015) and Rosenwald-Wolf Gallery, The University of the Arts, Philadelphia, PA (2015).</p> Sat, 29 Aug 2015 16:04:14 +0000 http://www.artslant.com/cn/Events/list http://www.artslant.com/cn/Events/list Mable Lam, Forbes Chung - New Gallery on Old Bailey - September 11th 6:00 PM - 8:00 PM <p style="text-align: justify;">New Gallery on Old Bailey is please to present &ldquo;<strong>Double Impact</strong>&rdquo;, the duo Chinese ink panting exhibition of Hong Kong emerging contemporary artist Forbes Francis Chung and the artist&rsquo;s mother Mable Lam. At the age of 21, Forbes had held 5 solo exhibitions and 12 joint exhibitions in Hong Kong and South Korea. For the first time, Forbes will be exhibiting a new series of paintings alongside with artworks by Mable Lam, his beloved mother who is also a contemporary artist. Forbes and Mable have built a strong mother and son bond. &ldquo;<strong>Double Impact</strong>&rdquo; demonstrates their close relationships through the creative process.&nbsp; Their artworks create an implicit dialogue, revealing how the world is reinterpreted through the eyes of both mother and son. Forbes and Mable will be in attendance during the <strong>opening reception</strong> at <strong>New Gallery on Old Bailey</strong> on <strong>Friday Sept 11, 2015 from 6 &ndash; 8pm</strong>. The exhibition will be on display from <strong>Sept 11</strong> until <strong>Oct 11, 2015</strong>.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;">Forbes was diagnosed with severe Dyslexia and other inborn medical problems, but together Forbes and Mable have overcome challenges and motivated one another along life&rsquo;s way. Their compassion in art explores the emotional connection of mother and son. They studied Chinese ink art under the guidance of Chinese painting Master Lam Tian Xing. Each of them develops their own unique artistic styles, and gradually both become professional artists. &ldquo;Our relation becomes extraordinary unique. By blood, we are of course mother and son. In real life, we are teacher and friend. Emotionally, we are buddies.&rdquo; said Mable.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;">Forbes&rsquo; recent works retain the same exquisite quality that has made his name synonymous with creativity and true excellence. He is known for his application of vivid colors and Calligraphy embodied masculine traits. His incorporation of calligraphy from literature, poetry and news has drawn audiences closer to his thought. His &ldquo;City&rdquo; series explains the metropolitan vicissitudes of life and things that revolve around him. Forbes&rsquo; paintings have the charm to move people&rsquo;s emotions, touch their feelings and inspire their imagination.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;">Mable&rsquo;s &ldquo;Flowery Skyfall&rdquo; series use colors as an expression of mood and atmosphere. Her artworks are feminine, vibrant and transmit high emotions to the audiences, capturing a sense of tenderness and tranquility through the soft brush strokes and ink washes.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;"><strong>About Forbes Chung</strong></p> <p style="text-align: justify;">Forbes was born in 1994 in Hong Kong. He was diagnosed with severe Dyslexia and other inborn medical problems during his early childhood. Having difficulties with academics in Hong Kong, Forbes was sent to the United States to receive special training and education. Upon his return to Hong Kong, he continued his secondary education at the Lee Shau Kee School of Creativity, and further graduated from the Art College, a subsidiary College by the University of Arts London, in Guanzhou, China.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;">In 2006 Forbes practiced Chinese calligraphy and painting under the guidance of Master Lam Tian Xing, and his career in art embarked since then. In 2011, Forbes achieved the Gold Award of National Chinese Painting Competition in Youth Category at the age of 16, and hosted his first solo exhibition at the Lee Shau Kee School of Creativity. His paintings received high acclaims and have been collected by local and foreign art enthusiasts and collectors. His works have appeared at auctions and sold for far above their estimates.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;"><strong>About Mable Lam &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </strong></p> <p style="text-align: justify;">Mable is the mother of Forbes Chung, a local contemporary artist, who also learned Chinese ink art under Master Lam Tian Xing. She combines Western composition and Chinese ink painting techniques through the use of rich and vibrant colors. Mable has held solo and joint exhibitions, and her artworks are not only collected by local and foreign art enthusiasts and collectors, but also received acclaims from the other art professionals.&nbsp; Her ink works are also praised by Mr. Wu GuanZhong, one of the recognized greatest contemporary Chinese painters.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;"><strong><sub>For further press information and enquires please contact Alisa Fung at 852-2234-9889 or via email at </sub></strong><a href="mailto:info@ngoob.com" rel="nofollow"><strong><sub>info@ngoob.com</sub></strong></a><strong><sub>.</sub></strong></p> Sat, 08 Aug 2015 08:04:41 +0000 http://www.artslant.com/cn/Events/list http://www.artslant.com/cn/Events/list Lu Lei - ShanghART Gallery Beijing - September 12th 4:00 PM - 6:00 PM <p style="text-align: justify;">ShanghART Beijing is pleased to present Lu Lei&rsquo;s Solo Exhibition- Echo on 12th September, 2015. As one of the most important installation artists in China, Lu Lei&rsquo;s works present his great sensitivity of the material texture and capability to keep everything under control in an accurate way. A sense of allegory and classical mystery could be easily captured in his works. <br /><br />As Lu Lei&rsquo;s first solo exhibition at ShanghART Gallery, it will present three big installations. One of the installations was created in 2005 but unfinished. While restarting and managing to complete the work, the exact existing form and texture of &lsquo;echo&rsquo; then have been described and illustrated through outlining the surrounding atmosphere and unveiling the roles that the artworks have been playing. <br /><br />Each work is individual and independent, but complements one another as well, which helps to create various scenarios with a sense of quietness, descriptiveness, accuracy but uncertainty. This is also how people think of echo: it might be just in front of us, might be in a distance, might be from the past, might be from the future.<br /><br />This exhibition will last until 11th October, 2015.<br /><br />Lu Lei (b.1972) works and lives in Beijing, graduated from Sculpture Department of China Fine Arts College in 1998. Recent exhibitions include: Li Pinghu, Li Ran, Lu Lei: Semi-automatic Mode, ShanghART Beijing, Beijing (2014); Jungle II, Platform China, Beijing (2013); Evidence, Newage Art Gallery, Beijing (2012); Lu Lei solo exhibition-Floating Ice Biography, Other Gallery, Beijing(2011); Blackboard, ShanghART H Space, Shanghai (2009); Present: Lu Lei Solo Exhibition, Hanart TZ gallery, Hong Kong (2008); Amateur World, Platform China, Beijing (2007); 6th Shanghai Biennale: Hyper Design, Shanghai Art Museum, Shanghai (2006).</p> <hr /> <p style="text-align: justify;">香格纳画廊北京空间隆重的宣布,将于2015年9月12日推出艺术家陆垒个展&mdash;回声。作为中国当代装置艺术重要的艺术家之一,陆垒的作品呈现出的是对材料质感的敏感和精准控制力。他的作品往往散发出古典的神秘主义的气息,以及寓言式的内在气质。<br /><br />作为陆垒在香格纳画廊的第一次个展,此次个展将展出三组大体量的装置作品,展览围绕着艺术家2005年一件未完成的大型装置作品展开,通过恢复并完成这件作品,并试图通过场域的构成,作品所扮演的不同角色,勾勒出&ldquo;回声&rdquo;在内心产生的形态和质感。<br /><br />三组作品之间单独成立又互为补充,形成的场景抑或是片段,沉静并带有描述感,准确又飘忽,一如&ldquo;回声&rdquo;近在眼前,或在过去,或在远方。<br /><br />展览将持续到2015年10月11日。<br /><br /><br />陆 垒(陆磊),生于1972年,1998年毕业于中国美术学院。目前生活和工作在北京。近期展览包括:李平虎,李然,陆垒:半自动方式,香格纳北京,北京 (2014);丛林计划2, 站台空间项目,北京(2013);证据,新时代画廊,北京(2012);浮冰记-陆垒(磊)个展,其他画廊,北京(2011);黑板,香格纳画廊H空间, 上海(2009);陆垒个展-在此之前,汉雅轩,香港(2008);业余人间:当代艺术展,北京(2007);第六届上海双年展:超设计, 上海美术馆, 上海(2006)。</p> Mon, 17 Aug 2015 15:48:45 +0000 http://www.artslant.com/cn/Events/list http://www.artslant.com/cn/Events/list - CAFA Art Museum - September 13th 10:00 AM - 12:00 PM <p style="text-align: justify;">为推动文艺繁荣发展,促进高等美术院校在校生的创作实践,中央美术学院造型学院发起了由中央美术学院、中国美术学院、四川美术学院、清华大学美术学院共同参予的&ldquo;学院本色2015&mdash;&mdash;美院在校生创作展&rdquo;。<br /> <br /> 展览以知识传承性、学术专注性、实验探索性为价值导向,旨在鼓励美院学生积极展开创作实践,鼓励学生开阔视野、发现生活;鼓励在学术传统中融入个人的思考 与活力,鼓励独立的思考、独特的视角和视域、独具的艺术表现;同时,在各美术院校之间搭建创作教学的共享平台,推动学术交流。<br /> <br /> &ldquo;学院本色&mdash;&mdash;美院在校生创作展&rdquo;希冀以长久办、高水平的形式成为今后院校常规展览,邀请更多美术院校参加,通过展览带动中国青年艺术家的创作,推动中国当代艺术的发展。<br /> <br /> 本次展览为在校创作展,体现毕业创作以外的探索。主要参展学生是来自中央美术学院、中国美术学院、清华大学美术学院、四川美术学院造型类专业本科三、四年 级学生和全体硕士、博士研究生。参展作品为学生自由选择的油画、版画、雕塑、国画、壁画等造型艺术手法创作作品。总共参展作品约200件。<br /> <br /> 配合此展览将开展一系列的活动,包括&ldquo;学院本色副展&mdash;&mdash;教学案例展&rdquo;,将于地下展厅、旋转展厅同步展出,展示体现造型学院教学痕迹过程的优秀精品课程。相关研讨会将于开幕当日即9月13日下午2点在美术馆贵宾室进行。&nbsp;</p> Mon, 17 Aug 2015 16:32:00 +0000 http://www.artslant.com/cn/Events/list http://www.artslant.com/cn/Events/list Liu Wei - White Cube Hong Kong - September 16th 7:00 PM - 9:00 PM Mon, 17 Aug 2015 17:07:23 +0000 http://www.artslant.com/cn/Events/list http://www.artslant.com/cn/Events/list Nam June Paik - Gagosian Gallery Hong Kong - September 17th 6:00 PM - 8:00 PM Mon, 17 Aug 2015 14:42:58 +0000 http://www.artslant.com/cn/Events/list http://www.artslant.com/cn/Events/list