Hello frends! I am an artist. My roots take place in St.Petersburg, which has great architecture, culture and history that influenced me once and forever. Today, in the times of technical progress, mass production and new artificial materials I search for inspiration in the foundation of the Arts - old Russian Orthodox icons, Renaissance and folk cultures. I seek out look for new shapes and images within my themes using different materials, but my favorite is glass for its plasticit... [more]
This is a “Season’s Greetings card” dedicated to the limited-edition of a 3 silk scarves series I created for my "Lacer/actions Art Project”. The images of dirty, torn, and worn paper of the publicity posters on outdoor billboard have become silk scarves too! After to be already transferred on canvases, lithographic prints and aluminium my "Lacer/actions" artworks were transformed in silk textiles designs thanks to collaboration of Bruno Boggia Disegni (Como, Italy) who... [more]
A significant moment for African American artists from the Southern states: the Souls Grown Deep Foundation, an organisation dedicated to the documentation and archiving of Outsider African American Art, has donated 57 works to New York's Metropolitan Museum of Art collection.
The works speak of a period in Art History that has received little attention until now, that began during the days of slavery and subsequent segretation in the Deep South, and evolved during the Civil Rights Movement in... [more]
900 sculptures of everyday objects that together comprise the work Up in the Air by Tom Friedman have arrived at the Tel Aviv Museum. Suspended from the museum's ceiling, pieces of chewing gum, miniature planes, sporting equipment, and fragments of fencing float alongside other recognizable tropes in Friedman's iconography such as crumpled boxes of cereal, cigarettes, FedEx, and big burgers, exploded into space.
The piece debuted four years ago at Switzerland's Magasin III gallery last year. Its orbit now continues in Israel where it has recently been installed, and... [more]
The ways by which men arrive at knowledge of the celestial things are hardly less wonderful than the nature of these things themselves.
Walking down Franklin Boulevard in Chicago’s Garfield Park, an otherwise nondescript bungalow stands out because of the strange, multicolored rock jutting out of its front yard; this object—like a meteor from a sci-fi B movie—hovers over 10 feet above the ground, mounted on a long metal pole. It marks the beginning of... [more]
Paint, in its ancient origins, was made from available materials: egg yolks to bind, sand, soil, plants, and so on for pigment. The whole process of manufacturing materials to make art has been steadily removed from the artistic process over time, but some artists still introduce the physical messiness of making art, by remolding everyday materials to provoke uncanny, humorous—and often, revolting—reactions to substance in the viewer. They might arouse strong responses, but they als... [more]
People familiar with Adamo Macri’s portraits may well experience an aesthetic shock to see a picture of the artist with his eyes wide open. So many of his self-portraits depict the eyes averted, lowered, askance, or rarely looking directly at the viewer that I was taken aback by a recent picture, entitled Damo, 2013. There are a few other pictures in his Facebook oeuvre wherein the artist opens his eyes and stares out of the canvas, Self-Portrait, 2013, for example, but that is... [more]
Material can be transcendent.
Postmodernism is failing.
History is a spiral.
These three assumptions underlie Oren Pinhassi’s work. Beginning with the familiar—towels, a backpack, a dwelling—objects are transformed through the addition of another common material, plaster. Through this addition, he transubstantiates the everyday into thematic sculptural and architectural forms, an act that Pinhassi describes as transcendent. There is a key definition being explored throug... [more]
The Institute of Contemporary Art hosted its inaugural show last night to a fanfare of eager art world denizens. Following its staff's departure from the now defunct Museum of Contemporary Art, North Miami, the ICA is now open in its temporary home in Design District’s landmark Moore Building. The edifice, built in the 1920s by the Moore Furniture Company, has been operating as a pop-up event space for some time and is for now serving as the location for the city's newest contemporary art muse... [more]
Luxury is so often determined by a price tag. But commerce is rarely how we interact with the phenomena of high-end merchandise—its excessiveness, its indulgence; its extravagance is almost always (and exclusively) experienced visually. We feel the texture of opulent velvets and silks first with our eyes, the metallic gleam of a smooth reflection through its cool touch on our sight, in jewels that refract their prismatic color back onto our gaze. There is something intensely tactile in the i... [more]
Positions, one of Art Basel Miami Beach's nine sectors, was conceived as a platform for established gallerists to present to one major project by a single artist they represent. Visiting curators and collectors meanwhile lick their lips at the presumed cream of the crop, with the new talents of 16 global commercial art venues being introduced to the arena. What is involved in a gallery's decision making process as they select an artist from their roster? How will their artist stand out to the ferve... [more]
True to their sometimes petty nature and deep-seated adversity to change the town folk of Amsterdam were up in arms last year when Jacqueline Grandjean made public her plans for the Oude Kerk (Old Church). The new director wanted the venue to become more than a glorified exhibition space filled with penurious looking temporary bulkheads. She envisioned large-scale installations by artists of international repute, in interviews casually mentioning the Unilever Series in Tate Modern’s Turbine... [more]
This is my new work for “Lacer/actions” project. It’s a collage made on a table using 1.258 waste-paper pieces of torn and decomposed outdoor advertisings. I gathered every single paper pieces along the streets, after the old publicity posters were torn down from the billboards. I titled it : "The Symptomatology Of Instability (Waves On Waves)". It covers a wood table; sizes: cms 108 x 51. I think images speak better than words… So I created a videoclip I posted on Yo... [more]
A few years ago, I was working for a not-for-profit art space in Tel Aviv. One of the most successful shows there was a group exhibition of video works. One afternoon, a woman entered the dark space of the gallery, stopped at the reception desk and asked me: “Are there only video works?”
“Yes,” I replied. She turned her back and walked away.
Since this incident, I often encountered sentences such as “I hate video art,” “all video works are bad,” and &ldqu... [more]