Hello frends! I am an artist. My roots take place in St.Petersburg, which has great architecture, culture and history that influenced me once and forever. Today, in the times of technical progress, mass production and new artificial materials I search for inspiration in the foundation of the Arts - old Russian Orthodox icons, Renaissance and folk cultures. I seek out look for new shapes and images within my themes using different materials, but my favorite is glass for its plasticit... [more]
Aloha from My Enlightened Studio, After a Lifetime of Rejection in all My Social Circles & Abuse by All My Children, X-wives, Siblings and Close & Distant Relatives I Found a Safe Harbor Here in Hilo, where I can Create Imagery, How, When & Why I Choose, that is not influenced by any outside forces. It is Trully "Original" and I am a Master of Application. 60,000 years ago, a cave man using blood, pigments, animal & human feces, plant and fish material to create Cave Paintings started "ART" whic... [more]
Can graphic design ever truly be considered as a fine art form? Ren Adams has taken on that question by exploring the combination of printmaking and digital media into a collection of surreal two-dimensional images called “Alchemy of Image/The Language of Information Space.” These graphic pieces are striking aesthetically, yet leave something to be desired after initial observation.
Adams blends an interest in history, science, technology, art, and basically everything about the... [more]
Nov. 2014: Frank Bowling is a Guyana-born, London-based abstract painter who was one of the first black artists to have a solo show in America. Even still, he’s kind of an overlooked art star. His colleagues at the Royal Academy of Art include David Hockney, and Lucian Freud was his mentor. Bowling, who is known for dreamy abstract expressionist paintings, was championed by Clement Greenberg alongside artists like Jackson Pollock, Willem de Kooning, and Barnett Newmann. Bowling has a slic... [more]
Con Artist presents ISO 216, a collaboration between artists from New York and London. Named in honor of the world’s most common paper size ratio which, like so many of global standards of weights and measure, is notably rare in the US, ISO 216 celebrates the cultural parallels and unique individuality of the United Kingdom and United States. The two nations are ethnically diverse, share a common language, and are each massive exporters of art and culture, but as their slightly different pa... [more]
Rearrange your sock drawers. Rapper turned painter turned Lion turned hosier Snoop Lion just released a fresh line for your feet. Working with Swedish sock company Happy Socks, Snoop and the creative team at Cashmere Agency developed a collection of three designs inspired by his foray into painting.
"The Art of Inspiration" sock collection includes the navy and white paisley-patterned "Snoop Dogg Gin & Juice," the brightly colored paint supply-themed "Snoop Dogg Painter," and "Snoop Dogg Stripes... [more]
It's Turner Prize time again. Britain’s most hated art award celebrates its 30th year this year. What has it achieved in over three decades?
For one thing – its brought contemporary British art to the public attention – mostly to be lampooned by the tabloids. Who can forget headlines surrounding Tracey Emin’s winning entry My Bed (dubbed ‘My Turd’ by Private Eye) or the fury roused by Damien Hirst’s formaldehyde tiger shark entry in 1992?
The “national joke” has provoked walk outs and protests (the Stuckist... [more]
Something I'm working on at the moment.. A Deep and Gathering Roar
a drastic change in the composition since working on the piece back in 2012
sketching out the painting so far - working out what will go where
a patch work forest with patch work fire
some of the brush work close up
... follow the rest of the piece coming together here [more]
In dishonor of the longtime US holiday celebrating the beginning of the colonization of the Americas, we here at ArtSlant thought it might be a good idea to round up some influential postcolonial artworks that interrogate and deconstruct the long-lasting effects of colonization on identity.
Props to the states that have opted out of Columbus Day:
AK, AR, CA, DE, FL, HI, MI, MN, NV, OR, SD, TX, VT, WA, WI, WY.
Coco Fusco and Guillermo Gomez-Peña - Couple in a Cage, 1992 and 1993
Kara Walker, A Subtlety, 2014
When Matthew Christopher said "ruins porn" at his recent "Abandoned America: The Age of Consequences" Preservation Austin talk, sponsored by Suzanne Deal Booth, I was so guilty of it I blushed. I've had a penchant for the urban decay aesthetic for as long as I can recall. Fortunately I live downtown in a city that is constantly undergoing major construction and rapid population growth, so decomposing eye candy is part of my daily environment. Above is a snapshot I took of broken windows in my... [more]
...In thinking about the act of choreography, the concept of visualizing music is one that has inspired my work - particularly this past year, in my paintings which illustrate personal responses to different songs. For example, my print above is a metaphorical mashup of Prince and Bob Dylan, combining lyrics and concepts from both artists.
There is an interesting quote from Balanchine on Ballet Austin's site about making art from music:
"Music like Stravinsky’s cannot be illustrated; one... [more]
My first introduction to performance art that reclaims public and architectural spaces was meeting the brilliantNoemie LaFrance, acclaimed site-specific Choreographer, Director and Producer of Sens Production, in 2003 in New York City. Subsequently I attended her debut work, "Descent" which took place on a spiraling staircase. Having also created a piece on a stairwell that I'd titled the same name, I connected with LaFrance's creative vision. Here is my "Descent" image which I shot in 1999 ato... [more]
The magnitude of entropy overcomes one who moves along the two floors of Dominique Lévy’s gallery, viewing Roman Opalka’s five-decade quest to render the spectrum of time’s (ir)relevance. Two early series prognosticate the honed laboriousness arriving in the French-born Polish artist’s most renowned final series OPALKA 1965 / 1 – ∞ (1965-2011). In this series, comprising 233 paintings in total, 11 shown by the gallery—each titled Détails&mdas... [more]