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with tag: installation [clear]

GRAFT, ArtSlant Prize winner Edra Soto's exhibit opens today at Cuchifritos Gallery + Project Space, NYC  
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4/1/16 Posted 4/1/16

Curated by Albert Stabler, GRAFT is an installation work by ArtSlant Prize 2014 winner, Edra Soto, opening this Friday, April 1st from 6 - 8 pm at Cuchifritos Gallery + Project Space. The exhibition will be on view until May 1st, 2016. Galley Hours: Tuesday - Sunday, 12-6 pm. Located inside Essex Street Market, New York. Image: Edra Soto, Photo Documentation (Cement Bus Stop, San Juan, Puerto Rico), 2016. Photo courtesy of the artist. Born in Puerto Rico and residing for decades in Chicago,... [more]

20160124053045-siera_hyte_04 Here, There and Everywhere: Siera Hyte's Adventures in the Embodied  
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Siera Hyte at Queer Thoughts > New York
December 18th, 2015 - January 24th
Posted 3/9/16

Siera Hyte, Installation views of Me and the king, 2015 © Siera Hyte, Courtesy of Queer Thoughts, New York. For a pint-sized, square room, Queer Thoughts’ current Tribeca location doesn’t afford much in terms of spatial twists and turns. That didn’t deter things here; the newly arrived gallery from Chicago kept proceedings quick-witted, and edgy. However, much of that edge had to do with the Siera Hyte, the San Diego-based artist who warmed the space up for its first winter... [more]

20160303162741-uu ARTFORUM Critics' Pick  
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Luke Murphy at Canada > New York
February 20th - March 20th
Posted 3/6/16

http://www.artforum.com/picks/id=58389 [more]

20151029035806-carl-solo-liu-sep2014-14ia1 "Picturing The Unsyable" Editor's Choice, - BOMB MAGAZINE  
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Carl E. Hazlewood at Salena Gallery, Long Island University > New York
September 29th, 2014 - October 29th, 2014
Posted 3/4/16

Picturing the Unsayable: Carl E. Hazlewood by Patricia Spears Jones From the New York Quotidian series, 2012, pigment print, 15 × 10 inches. Images courtesy of the artist and Skoto Gallery, New York. I met Carl Hazlewood in that most millennial of ways: Facebook. His daily postings of his and other artists’ works intrigued me; I had to “friend” him. What started as an interest in daily musings and pictorial renderings became a full-fledged 3D friendship. But Car... [more]

20160203191802-pulsating_ 'DESIRING TO BE DATA FOR OTHERS' - Amanda Turner Pohan at FiveMyles Gallery  
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Carl E. Hazlewood, Amanda Turner Pohan, Joan Snitzer, Hanne Tierney at FiveMyles > New York
February 7th 4:00 PM - 5:00 PM
Posted 3/4/16

'DESIRING TO BE DATA FOR OTHERS' Amanda Turner Pohan at FiveMyles GalleryBy curator: Carl E. Hazlewood for FiveMyles.- Feburary 2016 Installation Pictures: C. E. Hazlewood Amanda Turner Pohan's practice seems a cool and rational one—at first. It is based on precise scientific manipulation of chemistry with additional aural and visual elements. While her installation appears clean, methodical, a presentation organized with minimalist clarity and order, one senses a vague urgency to quantify the un-quantifiable. Vials contain various arcane liquids; vapors and perfumed formulas derive from 'recorded data measured by sensors of the heartbeat of the artist.' Yet, the clinical easily transmutes into the poetic and the personal. The effect is oddly sensual, even erotic as the artist manages an olfactory manipulation that is subtle and evocative. Finally, Pohan's creative processing, packaging, and ordering, conjures a self-portrait that becomes a metaphor for the bodied and disembodied nature of human response. At the entrance to the exhibition stands an ablution station filled with coffee beans and lemons to cleanse the olfactory palette. A freestanding glass shower recirculates a heated and steaming perfumed liquid through its system; hanging on the wall is a four by eight foot sheet of plexiglass with remnants of hair, dust, dirt, and skin from a carpet adhered to it. A parabolic speaker hangs from the ceiling and plays a looped conversation between two women; a collection of glass jars containing the fluid used in the shower is arranged on a shelf. The formula for the perfumed shower is derived from recorded data provided by sensors measuring the heartbeat of the artist. Residue adhering to the plexiglass is from the bedroom rug of Turner Pohan's's deceased mother. An interview between a female doctor and nurse attempting to quantify bodily sensations is looped on a speaker. The fluids in the glass vials will replenish or replace whatever the shower loses as a result of natural evaporation over time. ... [more]

20160227152646-ultraviolet_sun Ultraviolet Sun  
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Vanya Balogh, Nathan Birchenough, (BBKP) Nicholas Brown, 
Tom Estes, Sarah Gavin, Craig Kao, Jahan Nazeer, Savvas Papasavva, Riffy Powerz, Barbara Rosenthal, Annabelle Stapleton-Crittenden at WAC Waterloo Action Centre > Worldwide London
February 27th 6:00 PM - 9:00 PM
Posted 2/27/16

Greg Sholette describes a “Mockstitution” as a mock institution that is an informally structured art agency that overtly mimics the name and to some degree the function of larger, more established organizational entities. Mockinstitution thrive within the voids left by an increasingly fractured social framework whose coherence is faltering thanks to rampant privatization, economic deregulation, ubiquitous social risk and day-to-day precariousness. Inserting themselves into these dete... [more]

20160227152646-ultraviolet_sun Ultraviolet Sun  
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Vanya Balogh, Nathan Birchenough, (BBKP) Nicholas Brown, 
Tom Estes, Sarah Gavin, Craig Kao, Jahan Nazeer, Savvas Papasavva, Riffy Powerz, Barbara Rosenthal, Annabelle Stapleton-Crittenden at WAC Waterloo Action Centre > Worldwide London
February 27th 6:00 PM - 9:00 PM
Posted 2/27/16

Greg Sholette describes a “Mockstitution” as a mock institution that is an informally structured art agency that overtly mimics the name and to some degree the function of larger, more established organizational entities. Mockinstitution thrive within the voids left by an increasingly fractured social framework whose coherence is faltering thanks to rampant privatization, economic deregulation, ubiquitous social risk and day-to-day precariousness. Inserting themselves into these d... [more]

20160227152646-ultraviolet_sun How The Internet Is Rewiring Your Brain  
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Vanya Balogh, Nathan Birchenough, (BBKP) Nicholas Brown, 
Tom Estes, Sarah Gavin, Craig Kao, Jahan Nazeer, Savvas Papasavva, Riffy Powerz, Barbara Rosenthal, Annabelle Stapleton-Crittenden at WAC Waterloo Action Centre > Worldwide London
February 27th 6:00 PM - 9:00 PM
Posted 2/27/16

Greg Sholette describes a “Mockstitution” as a mock institution that is an informally structured art agency that overtly mimics the name and to some degree the function of larger, more established organizational entities. Mockinstitution thrive within the voids left by an increasingly fractured social framework whose coherence is faltering thanks to rampant privatization, economic deregulation, ubiquitous social risk and day-to-day precariousness. Inserting themselves into these d... [more]

20160227152646-ultraviolet_sun How The Internet Is Rewiring Your Brain  
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Vanya Balogh, Nathan Birchenough, (BBKP) Nicholas Brown, 
Tom Estes, Sarah Gavin, Craig Kao, Jahan Nazeer, Savvas Papasavva, Riffy Powerz, Barbara Rosenthal, Annabelle Stapleton-Crittenden at WAC Waterloo Action Centre > Worldwide London
February 27th 6:00 PM - 9:00 PM
Posted 2/27/16

Emoticon by Artist Tom Estes for Communication Futures at The Old Royal Naval College during DRHA 2014 Greg Sholette describes a “Mockstitution” as a mock institution that is an informally structured art agency that overtly mimics the name and to some degree the function of larger, more established organizational entities. Mockinstitution thrive within the voids left by an increasingly fractured social framework whose coherence is faltering thanks to rampant privatization, economic deregulation, ubiquitous social risk and... [more]

20160216181744-alakananda_nag_s Working with available light: re-developing a boxful of found photographs  
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Sunandini Banerjee, Aditya Basak, Mamata Basak, Swarna Chitrakar, Sanjeet Chowdhury, Chhatrapati Dutta, Alakananda Nag, Prabir C Purkayastha, Amritah Sen, Sarbajit Sen, Alan Teller, Jerri Zbiral at Indira Gandhi National Centre for The Arts, New Delhi > India
January 11th - January 31st
Posted 2/16/16

Found objects have always been secret allies for visual artists. They are stumbled upon and acquired, magpie-like, because of a private vision of “intrinsic interest,” to be teased out and made concrete later. Found photographs, too, have long since found their place inside artists’ private wunderkammern. Following the Box, an exhibition of a particularly curious origin now on view at the Indian Museum, Kolkata, brings the aesthetic power of found photographs front and center. http:/... [more]

20151125151703-auerbach_les-miserables-5 Photography is growing up  
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Keith Auerbach, Priscilla Briggs, Carrie Burr, Tiffany Carbonneau, Mary Carothers, Debra Clem, Robert Ladislas Derr, Anita Douthat, Mitch Eckert, Julius Friedman, Dana Fritz, Laura Hartford, Celene Hawkins, Barbara Houghton, Brian Jones, Keith Kleespies, Cal Kowal, Tom LeGoff, Suzanne Mitchell, James Norton, CJ Pressma, Arturo Alonzo Sandoval, Jenée Rue Sastry, Mel Strawn, Alan Teller, Alex Traube, John Whitesell, Marilyn Whitesell, Jerri Zbiral, Jenny Zeller at Carnegie Center for Art & History > Worldwide New Albany
October 9th, 2015 - January 9th
Posted 11/24/15

It is hard to take any exhibition with a grandiose title such as Photography Since the Millennium seriously, but then again, we are just fifteen years into this new millennium. And there have not been any major strides in photography since the new millennium except for, well, the death of analogue, and video is accessible to all. Goodbye film, hello pixels. Has there been one year since the new millennium that has not seen a new release of cameras with enhanced numbers of pixels? It is the mega... [more]

20150909184755-germinating_postcard-1 Germination  
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Timothy Bergstrom, Heidi Norton, Derrick Piens at LVL3 Gallery > Chicago
September 26th, 2015 - November 1st, 2015
Posted 10/27/15

By: Amy Haddad A group show at LVL3 in Chicago brings together three artists that explore germination in multiple ways. Heidi Norton. “The Plight (feeding Systems).” Image courtesy of LVL3. Visitors attending the “Germination” exhibition at LVL3, a gallery in Chicago, should expect to be surprised by the connections the show offers. The title brings to mind seeds growing into plants. But the visitor cannot help thinking how the term germination has expanded after seeing an amalgama... [more]

20151023225251-8th_arte_laguna_prize Arsenale di Venezia  
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Exhibition of the 110 finalist from the 8th Arte Laguna Prize at Arsenal of Venice, Italy > Worldwide Venice
March 23rd, 2014 - April 6th, 2014
Posted 10/23/15

[more]

20151018124405-larger Daria Kudinova. New works  
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Daria Kudinova at Osnova Gallery > New York
October 18th, 2015 - October 18th, 2015
Posted 10/18/15

Artworks of Daria Kudinova charm with its composition, color palette and diversity of motives. You do not know for sure what kind of structures are presented at them. Is it something biomorphic or technogenic? What do they mean? What is the concept of those paintings? Besides, you will not understand the main idea of Dasha Kudinova’s artworks if you are not familiar with her biography. Before she developed her own style Dasha worked as a fashion photographer and as an assistant of more expe... [more]

20150916134940-screen_shot_2015-09-16_at_09 Thecloudmiami  
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Karl Allen, Julio Garcia at Downtown Project Miami > Miami
September 11th, 2015 - October 11th, 2015
Posted 9/16/15

[more]

20150614172830-invito_gap_infinito__copia Avanzi by Elena Mazzi, A Project Between Realities  
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Luca Bruno, Andras Calamandrei, Alessandro Carboni, Matteo Coluccia, Elena Mazzi, Andrea Melò, Daniela Pitrè at Guilmi (Ch) > Worldwide Guilmi (Ch)
August 13th, 2015 - August 31st, 2015
Posted 8/22/15

by Alexandra Chipkin On the evening of August 13th Guilmi seemed to be waking up. A cacophony of voices could be heard as townspeople and visitors gathered in a small piazza to listen to stories beingread aloud from inside a van. Later this van was opened up to reveal photographs lining the inside of the car: forming a small gallery. This gallery is in fact the perfect size for this town of no more than 200 people. The exhibition is called Avanzi, or leftovers. It is the result of about three we... [more]


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