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Chicago

GOLDEN GALLERY

Exhibition Detail
Matters
3319 N. Broadway
Chicago, IL 60657


January 15th, 2010 - February 20th, 2010
Opening: 
January 15th, 2010 6:00 PM - 9:00 PM
 
Dedicated to All Human Beings, Joseph CassanJoseph Cassan, Dedicated to All Human Beings,
2009, Paper towel, woven copper, fabric, magic marker, plaster, on mdf pedestal with matte spraypaint, 29" x 8" x 8"
© J. Cassan
Nothing More Than Feelings, Joseph CassanJoseph Cassan, Nothing More Than Feelings,
2010, Steel, polymer clay, epoxy resin, oil & acrylic paint, black velvet, plastic, on mdf pedestal with latex house paint, 65" x 24" x 9"
© J. Cassan
A Moment of Clarity, Joseph CassanJoseph Cassan, A Moment of Clarity,
2010, Latex house paint, Dimensions variable
© J. Cassan
Small Section of the World, Joseph CassanJoseph Cassan, Small Section of the World,
2010, Plaster, plastic, gravel, oil paint, epoxy resin, spray paint, 4" x 27" x 27"
© J. Cassan
Minimalist Construct, Joseph CassanJoseph Cassan, Minimalist Construct,
2010, Carved basswood, enamel paint, epoxy resin, hand cut glass, clear silicone adhesive, on polystyrene base with gloss latex house paint, 24" x 21" x 11"
© J. Cassan
Venus Inferred, Joseph CassanJoseph Cassan, Venus Inferred,
2010, Aluminum, steel, copper, oil paint, enamel paint, with clear acrylic base, 35" x 13" x 10"
© J. Cassan
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> QUICK FACTS
WEBSITE:  
http://goldengallery.co
NEIGHBORHOOD:  
North Side
EMAIL:  
info@goldengallery.co
OPEN HOURS:  
WED - SAT, 12 - 6PM
TAGS:  
sculpture
> DESCRIPTION

GOLDEN is pleased to present the first solo exhibition of new sculptures by Joseph Cassan.  Cassanʼs sculptural practice unfolds from a desire to concretize the ephemeral.  Using commonly
found hardware store materials, each sculpture is concerned with realism and iconography.  A swan, seen in the round, made out of polystyrene and caulk creates the illusion of the bird and its reflection.  A hovering pair of pink panties, meticulously crafted out of wire and metal mesh, curiously monumentalizes adolescent sexuality, and even further, the creation of man.  Cassanʼs sculptural vignettes lack the context, or support structures (swan without water, underwear without body), that we are accustomed to seeing.  The artistʼs omission heightens our viewing.  We are being shown what is essential, creating a humorous tongue-in-cheek spiritual presence.  In a Pop play on scale, we
see an oversized sculpture of a bar of soap that is ripe with an elegant configuration of bubbles, which the artist has cut from glass.  The beauty of the bubbles captures Cassanʼs theme of secular spirituality.     

Cassanʼs flirtation with realism stems from his interest in classical sculpture and religious art.   
The illusionism that is at play here breaks down upon closer inspection, revealing the messiness of human creation.  The imperfection and gesture of the artistʼs hand, as opposed mechanical fabrication, subtly addresses the idea of sculpting and making.  Cassanʼs work intensifies when he starts to break down the lines of straightforward representation.  A crumpled paper towel and an artist-rendered bandage becomes a humble, yet delicately beautiful Pietà.  Throughout all of his pieces, Cassan strives to validate his existence by embracing that which is beautiful, and by doing so he reveals a distinctly human attribute: frantically attempting to connect everything with greater spiritual
meaning.

Joseph Cassan, (b. 1977) received his BFA from University of Illinois—Chicago in 2001.  Recent group shows include Kluster Crusts, Butcher Shop/Dogmatic, and Poetry:  Literal Visual & Otherwise, Monique Meloche Gallery.


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