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Schneider Gallery

EVENT
Exhibition Detail
Lalla A. Essaydi
230 West Superior St.
Chicago, IL 60654


May 1st - June 20th
Opening: 
May 1st 5:00 PM - 7:30 PM
 
Harem Beauty,Harem Beauty,
2008, C-Print, 20x24; 30x40 & 48x60 (ea.panel)
© Lalla A. Essaydi
The Grande Odalisque,Lalla A. EssaydiLalla A. Essaydi, The Grande Odalisque,
2008, C-Print, 30x40 & 48x60 inches
© Lalla A. Essaydi
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> QUICK FACTS
WEBSITE:  
http://schneidergallerychicago.com
NEIGHBORHOOD:  
River North/Near North Side
EMAIL:  
jennifer@schneidergallerychicago.com
PHONE:  
312-988-4033
OPEN HOURS:  
Tues-Fri 10:30-5; Sat 11-5
TAGS:  
photography, conceptual
COST:  
Free and open to the public
> DESCRIPTION

 Artist will be present at opening reception

It is with great pleasure that the Schneider Gallery presents the new work of Lalla A. Essaydi.  Essaydi continues to challenge, to complicate, and disrupt assumptions of the Western eye on the East. 

 These works are personal and collective, historic and contemporary.  Some narratives grow from personal experience, others from "Western masters."  The fact that some of the works directly reference iconic Western paintings depicting the East is notable, deliberate, and to be expanded upon.  Essaydi's photographs work against the Western fantasy of the harem and the Arab Woman. 

 The Western view of the East, predominantly those of the Orientalists painters, persists.  The weight of these references points to a continued struggle felt by the Arab Woman caught in Western projections: either seen as women to be rescued or women to be controlled.

 Essaydi's photographs deny the Western vision; these women have self-ownership.  Rather than nudes they are draped in text-covered fabrics, and set in more "realistic" domestic scenes.  The gaze of the women, unlike the Orientalists depiction, is direct and works against both the tradition of voyeurism and the dominance of the male gaze. 

 The desire of Essaydi to question, to revaluate, and to eradicate these projections is accomplished, particularly in these works, for the women have absolute presence.  What sets these new works apart from earlier pieces is their particular and delicate beauty, their confidant inviting strength.


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