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Chicago

Linda Warren Projects

Exhibition Detail
“Before the Grave and Constant”
327 N. Aberdeen
Suite 151
Chicago, IL 60607


June 7th, 2013 - August 10th, 2013
Opening: 
June 7th, 2013 6:00 PM - 9:00 PM
 
11-sided bucket fror "Before the Grave and Constant" exhibition, Conrad FreiburgConrad Freiburg,
11-sided bucket fror "Before the Grave and Constant" exhibition,
2013
© Courtesy of the artist and Linda Warren Projects
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installation
> DESCRIPTION

We proudly open on June 7th at 6pm, our two summer exhibitions:  Conrad Freiburg’s  “Before the Grave and Constant” and Eric Esper’s “Chicago Calamities, Catastrophes and Conflagrations” as we celebrate Linda Warren Projects’ 10 year anniversary in Chicago.  

While conceptual artist Conrad Freiburg continues his ongoing investigation of the “void,” seeking to explore the many unknowns and invisible forces at play within the realm of consciousness, his attention, not surprisingly, steers to one of mankind’s greatest concerns and mysteries: mortality. From this terrainsprings the perfect fodder for Freiburg’s well-known intellect, imagination, craft and his humorous “Rube Goldberg”-like aesthetics.It is the thing that isn’t there that is always the most interesting for Freiburg, fueling his quest to create objects that embrace and recognize the beauty of the here and now.His works are enriched with both a playfulness and a ridiculousness that succeeds in expressing the weighty certainty of mortality, the sublime quality of uncertainty, and everything else beyond materiality, to emphasize the notion that art, like life, is laden with the unexplainable and that every good story is not logical.

At the core of Freiburg’s exhibit in Gallery Y, “Before the Grave and Constant,” is the experiential, interactive sculptural installation that joyfully deals with the idiom “kicking the bucket.” Upon entering the gallery, one will find that the opening and closing of the front door will actuate a mechanism which literally kicks a bucket filled with little metal balls.  These reflective balls go to various places and sculptures around the room where participants can set them in motion, enabling them to pour into additional sculptures and buckets, until eventually they return back to their origin. Each point along the path is like a different ride at an amusement park beseeching you to experience and enjoy, acting as metaphor for consciousness with a very clear message:  live life, love better and appreciate beauty while you still can.

Both shows, while obviously in extremely different manners, address the subject of death. They connect our shared humanity and take us on a journey through the past into the present, instilling in us recognition of life’s fragility and the need to embrace and savor the moment.  We aim on this evening to rejoice in our relationships with each other, as we also put artwork from all of the gallery artists ondisplay in the office space, offering a sincere thank you to them and all of our community of supporters and art lovers for the good years behind us.  We will toast to the here and now, and share a few additional surprises that evening,as we look forward to the future with great anticipation and hope for further growth and consciousness.

 

Conrad Freiburg received his BFA from The School of the Art Institute in 2000.  Since then he has shown his work and performed his music in venues throughout the United States and abroad, including a solo exhibition at the Hyde Park Art Center in 2011 as part of his six month Artist-in-Residency.  He has been the recipient of numerous awards, including being named “Chicagoan of the Year” by the Chicago Tribune in 2007 for his awe-inspiring creation of the Slipping Glimpser.  He has been the recipient of numerous grants and awards, including a New York Foundation for the Arts fiscal sponsorship, as well as a frequent and welcomed resident at Harold Arts’ Artist in Residency program, where he created this new body of work as well as the work in a concurrentlyrunning show curated by Shannon Stratton at the Soap Factory in Minneapolis. His work has been reviewed in numerous publications, including Art Ltd, Artforum, Artnews, Time Out, New City, Bad at Sports, Chicago Public Radio and the Chicago Tribune.  This marks his fourth solo exhibition with the gallery.


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