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Chicago

Hyde Park Art Center

Exhibition Detail
Jeremiah Hulsebos-Spofford: Hall of Khan
5020 S. Cornell Avenue
Chicago, IL 60615


April 14th, 2013 - July 28th, 2013
Opening: 
April 14th, 2013 3:00 PM - 5:00 PM
 
 The massive cathedral with palatial dome is Hall, and the orange-red saddle is called Maid, which is a film reference to The Passion of Joan of Arc, 1928 starring Renée Jeanne Falconetti , Jeremiah Hulsebos-SpoffordJeremiah Hulsebos-Spofford,
The massive cathedral with palatial dome is Hall, and the orange-red saddle is called Maid, which is a film reference to The Passion of Joan of Arc, 1928 starring Renée Jeanne Falconetti

© courtesy of the gallery
Maid, Jeremiah Hulsebos-SpoffordJeremiah Hulsebos-Spofford, Maid,
2012, foam, pigment and wood, 78 x 36 x 24 inches
© Image courtesy of Hyde Park Art Center
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> DESCRIPTION

Equestrian war monuments get a modern makeover from emerging artist Jeremiah Hulsebos-Spofford in a grand new site-specific installation, Hall of Khan, on view from April 14 until July 28, 2013 in Gallery 1 at Hyde Park Art Center. Live horses in the gallery will replace bronze sculptures and abstracted forms will take the place of historical riders whose lives and legends have shaped history through the present day. Having long been a celebratory symbol of territorial conquest and cultural domination throughout history and nations, the artist calls both the form and purpose of the monument into question in this exhibition.

Genghis Khan, Robert Oppenheimer, and Joan of Arc are some of the heroes and villains evoked to interrogate the typical construct of monument: that of the larger than life horse rider in bronze, usually set high on a plinth. The interactive exhibition will present symbolic constructions of historical place, cultural space, and living equestrian sculpture, including an architectural construction entitled “Hall.” Modeled after a graffiti-covered structure in the English Gardens in Palermo, Sicily, which is itself a replica of the Crystal Palace built in Hyde Park, England to house the Great Exhibition of 1851, “Hall” will conjure up the space of exhibition halls for World’s Fairs throughout the ages, and the excitement they generated around cultural advancement and scientific progress. Of particular interest is the connection between Hyde Park, England and Hyde Park, Chicago as sites for these fairs.

A full program of events exploring the connections between horses, technology, cultural progress, and the contemporary public art monument will accompany the exhibition. The Art Center will run a Horses and Heroessummer camp (June 24 – 28) for teens, a free art-making workshop for families (Second Sundays, April 14), trips to the Palos Hills Riding Stables and occasional visits from live horses in the gallery (check the website for dates and times). The closing picnic on Saturday, July 27 will include the Art Center as a stop in the 24th annual High Noon Ride organized by The Broken Arrow Horseback Riding Club, a south side group of nearly 200 African-American equestrians.

About the artist:
Jeremiah Hulsebos-Spofford, a 2012-13 Jackman Class resident artist at Hyde Park Art Center, approaches his practice as a conduit into many worlds, intervening in spheres of activism, art discourse, education, science fiction fandom, and equine technology. Recently he attended Skowhegan School of Painting and Sculpture, and received an MFA from the University of Illinois at Chicago and a BFA from Bard College in New York. He is a Fulbright grantee and the recipient of numerous awards, including an Illinois Arts Council Project Grant, a CAAP grant, and a grant from the Propeller Fund. He teaches Sculpture at DePaul University and the Chicago High School for the Arts. The Chicago-based artist is currently in residence at the Hyde Park Art Center from September 2012 through April 2013.

Click here to read a recent interview with the artist about how The Residency at Hyde Park Art Center has impacted his practice.

Hall of Khan is generously supported in part by the Harpo Foundation, a Community Arts Assistant Program grantfrom the City of Chicago Department of Cultural Affairs and Special Events, an Artist Project Grant from the Illinois Arts Council, a state agency, and with special assistance from Palos Hills Riding Stables/New Traditions Riding Academy.


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