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Chicago

ArchiTech Gallery

Exhibition Detail
Alfonso Iannelli: Modern By Design
730 North Franklin St.
Suite 200
Chicago, IL 60654


September 7th, 2012 - December 29th, 2012
Opening: 
September 7th, 2012 5:00 PM - 8:00 PM
 
Design for Modern Movie Theater (A), Alfonso IannelliAlfonso Iannelli,
Design for Modern Movie Theater (A),
1931, Crayon on paper, 11 x 16 inches
© Courtesy of ArchiTech Gallery
Wooden Nude 1931, Alfonso IannelliAlfonso Iannelli, Wooden Nude 1931,
1931, Carved Pinewood, 21 1/2 inches high, 6" wide, 3 3/8" deep
© Courtesy of ArchiTech Gallery
Nude/Chair, Alfonso IannelliAlfonso Iannelli, Nude/Chair,
Circa 1920s, Pencil on notepaper, 9 x 5 inches
© Courtesy of ArchiTech Gallery
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> QUICK FACTS
WEBSITE:  
http://www.architechgallery.com
NEIGHBORHOOD:  
River North/Near North Side
EMAIL:  
architechgallery@earthlink.net
PHONE:  
312-475-1290
OPEN HOURS:  
Wed-Sat 12-5, or by chance or appointment on Monday or Tuesday
TAGS:  
sculpture, stained glass
> DESCRIPTION

Alfonso Iannelli (1888-1965) was a throw-back to another age.  A Renaissance artisan lost in the Twentieth Century, he operated a successful design studio in the Chicago area and became very famous as a sculptor and industrial designer.  Then, in a familiar American pattern, he was forgotten.

As a Vaudeville illustrator, Iannelli was brought to Chicago in 1914 to sculpt for Frank Lloyd Wright.  His "Midway Gardens" concrete Sprites brought him delight as well as heartache as Wright's name alone was remembered for the famous project and not the sculpting talent Iannelli had brought to it.

For fifty years, Iannelli Studios in Park Ridge designed theaters, churches, advertisements, fountains, houses and monuments.  His bronze corner panels for the Adler Planetarium and monumental "Rock of Gibraltar" carving for the Prudential building are well known icons in Chicago.

He designed numerous pavilions and exhibits for "A Century of Progress," the 1933 World's Fair and countless kitchen gadgets for America's countertops.

His sculptures, drawings and stained glass windows were exhibited in 1925 at the Art Institute.  But after World War II, his name and face were forgotten by the public and he died with the products of his invention consigned to basements and storerooms in another man's masterpiece.

Over the last two decades, ArchiTech Gallery acquired hundreds of his drawings and the bulk of his office archives.  Years of reading those archives and writing this story have produced the definitive monograph of this amazing artist and the book  Alfonso Iannelli: Modern By Design will be released this Fall.

 


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