Chicago | Los Angeles | Miami | New York | San Francisco | Santa Fe
Amsterdam | Berlin | Brussels | London | Paris | São Paulo | Toronto | China | India | Worldwide

Corbett vs. Dempsey

Exhibition Detail
Xylophone Solo
1120 N. Ashland Ave.
3rd Fl. (above Dusty Groove)
Chicago, IL 60622

July 27th, 2012 - September 1st, 2012
July 27th, 2012 5:00 PM - 8:00 PM
Xylophone Player, Seymour RosofskySeymour Rosofsky, Xylophone Player,
1965, Gouache and watercolor on paper , 18 7/8 x 25 inches
© Courtesy of the artist and Corbett vs. Dempsey
West Loop/West Town
Tue-Sat 10-5 and by appointment
works on paper

For its second summer exhibition, Corbett vs. Dempsey is delighted to present Xylophone Solo, an exhibition of selected drawings by Seymour Rosofsky.

Rosofsky (1924-1981) is one of the key figures in twentieth century Chicago art. Emerging in the late 1940s as part of the movement later dubbed the "Monster Roster," alongside Leon Golub, Nancy Spero, June Leaf, and Dominick Di Meo, he initially painted grotesque, existentially angst-ridden figures, perfect little monsters. By the early 1960s, Rosofsky had begun to develop a singularly fantastical style rooted in observational painting, creating unflinching masterworks like "Unemployment Agency" (currently hanging in Mayor Rahm Emanuel's office) and "Homage to Spain, Thalydomide Children, Others" (in the collection of the Art Institute of Chicago). Rosofsky's brilliance as a painter is widely recognized, but he was also a spectacular draughtsman with a particular interest in drawing as both a process and a medium. Xylophone Solo spotlights fifteen great drawings – pencil, watercolor, pastel, charcoal – from the Rosofsky archives, some closely related to paintings, some imagined and executed entirely on their own. The exhibition is accompanied by a 44-page catalog with reproductions of all these and more Rosofsky works on paper.

Copyright © 2006-2013 by ArtSlant, Inc. All images and content remain the © of their rightful owners.