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Chicago

The Art Institute of Chicago

Exhibition Detail
Fabric of a New Nation: American Needlework and Textiles, 1776–1840
111 South Michigan Avenue
Chicago, IL 60603


December 16th, 2011 - May 13th, 2012
Opening: 
December 16th, 2011 10:30 AM - 5:00 PM
 
Bedcover (Nine Patch Quilt),  New England or Mid-Atlantic, United States,
Bedcover (Nine Patch Quilt), New England or Mid-Atlantic, United States,
1800/20
© Courtesy of The Art Institute of Chicago
> QUICK FACTS
WEBSITE:  
http://www.artic.edu
NEIGHBORHOOD:  
Michigan Ave/Downtown
EMAIL:  
ckrause@artic.edu
PHONE:  
312-443-3600
OPEN HOURS:  
Mon-We, Fri-Sun 10:30-5; Thu 10:30-8;
TAGS:  
printed handkerchiefs, needlework, coverlets, bedcovers
> DESCRIPTION

Featuring over 45 bedcovers, coverlets, needlework, printed handkerchiefs, and other household textiles from the permanent collection of the Department of Textiles, this exhibition explores the evolution of an American textile tradition as home creation, cottage industry, and commercial production developed between the years 1776 and 1840. While some needlework and textiles during this period were born out of necessity, others evoke refinement and sophistication, reflecting the overall growth, ingenuity, and prosperity of a new nation.

Traditionally textiles, whether made in the home or commercially, were considered prized possessions, but their value was not merely monetary; they often held special significance for the makers and their descendants. Many such textiles bear the maker’s name, and as treasured heirlooms were passed from one generation to the next serving as family record.

The sewing of textiles was also vital to the maintenance of a household. This important female skill not only provided the necessities of clothing and bedding but also a socially acceptable activity for women. The sewn and embroidered textiles in this exhibition represent the work of schoolgirls and women who had the means and time to pursue the needle arts. The works’ highly skilled execution and complex designs are evidence of the artistic and personal expression they provided.

A bridge from home to commercial production can be seen in the exhibition’s woven coverlets. Coverlet weavers in homes and separate workshops formed a cottage industry that would eventually grow into a full-scale commercial business by the mid-19th century. Printed textiles, on the other hand, were a product of the innovations and technological advancements of the Industrial Revolution, part of the commercial manufacturing industry that disseminated affordable textiles to a wider audience. With the mechanization of production and printing, textiles were able to keep pace with fashion and current events.

Whether sewn, woven, or printed, the textiles in this exhibition trace the development of an American textile tradition—one in which industrialization played a dominant role transforming raw materials into finished products but one that was also impacted by changes in the American home from creation out of necessity to a burgeoning consumer economy. Within these diverse textiles and their development, one can witness the innovation and progress of an early but thriving new United States.


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