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Chicago

Museum of Contemporary Art (MCA)

Exhibition Detail
IAIN BAXTER&: WORKS 1958-2011
220 East Chicago Ave
Chicago, IL 60611


November 5th, 2011 - January 15th, 2012
 
, IAIN BAXTER&IAIN BAXTER&,
2011, Acrylic paint on reclaimed televisions; reclaimed pedestals; and reclaimed metal wall brackets, variable
© Courtesy of the artist and Art Gallery of Ontario
> QUICK FACTS
WEBSITE:  
http://www.mcachicago.org/
NEIGHBORHOOD:  
Michigan Ave/Downtown
EMAIL:  
EBird@mcachicago.org
PHONE:  
312.280.2660
OPEN HOURS:  
Closed Mondays Tue 10 am–8 pm ; Wed–Sun 10 am–5 pm
TAGS:  
conceptual, installation, photography
COST:  
$12 general admission, $7 students and seniors, free for MCA members, children under 12, and members of the military.
> DESCRIPTION

Iain Baxter legally changed his name to IAIN BAXTER& in 2005. He appended an ampersand to his name to underscore that art is about connectivity, contingency, and collaboration with a viewer. In 1965 he formed a collaborative art-making entity titled IT Works which subsequently evolved into N. E. Thing Company, a corporate-styled entity whose co-presidents were Baxter& and his ex-wife Ingrid. Producing a diverse array of projects that encompassed conceptually based photography, pioneering works of appropriation art, and gallery transforming installations, the N. E. Thing Company offered a new model of art making, allowing the artists to remain anonymous and masquerade in the guise of business people.

 

Collapsing the boundaries between art, commerce, and everyday life, Baxter&’s protean and peripatetic work that has unfolded over five decades has proved difficult to locate within conventional critical or art historical narratives. A relentless emphasis on reaching out to the viewer, a core concern with ecology and the environment, and a belief that art must assume plural means and media, inform Baxter&’s early credo: understanding that “art is all over.” This exhibition seeks to appraise the remarkable achievement of this artist, and to position his contribution in relation to mainstream histories of conceptual art, photography, and installation art.


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