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September, cool breezes and a glut of exhibitions, it's our favorite time of year. Galleries set the tone for their exhibition schedule and we get to see a ton of new work.
To ease the visual overload, we're here to clarify your calendar. Check out the best openings from around the world below:
Get the most out of the ArtSlant Calendar! Plan gallery and museum trips, map venues and events, share exhibitions with... [more]
Stop me if you’ve heard this one before. A self-conscious avatar, pair of floating lips, and President Obama walk into an art show…
What seems like the beginning to a potentially funny joke is actually half of the nearly mirthless exhibition Suspended Animation at the Hirshhorn Museum. Eschewing humor as a staple of animation and postmodern critical tool, the show soberly promises to introduce the audience to six contemporary artists using computer animation to “challenge c... [more]
“Guilt is not the curse of the human – the body is.” These words, uttered in 1966, characterized a paradigm shift. These words, especially for women, formed the nucleus of the emergence and omnipotence of sin. As women came into existence, they became the synonym of sin and their bodies the essence of sin. It is not an accident that the woman’s body, rather than the man’s, was framed as sin. Forever, well, ever since forever existed, the man’s body was epitom... [more]
Xu Beihong (1895-1953) was a renown Chinese artist, who was uniquely accomplished in both western oil paintings and traditional Chinese paintings. The museum bears his name, Xu Beihong Museum in Beijing had many of fine representations of his works. One of his most famous oil painting was a portrait titled "Sound of Flute", which, though somewhat veered towards sentimentality, was redeemed by the heroine's shagginess, which transported her to the purer and more primitive and private world. Rather than... [more]
ROSAE NOVICHENKO, Brazilian worldwide awarded artist, with the International Art Exhibition RIO ART OLYMPICS 2016.
Curator: Salvo Nugnes
Rio de Janeiro - Al Tiffany's Ipanema Hotel Residence la mostra internazionale "Rio Art - Olimpiadi dell'arte"
Con il contributo straordinario di grandi personaggi della cultura e dello sport
Dal 5 al 21 agosto 2016, la splendida Rio De Janeiro sarà al centro dell'attenzione pubblica mondiale, ospitando la 31° edizione dei Giochi Olimpici. Pro... [more]
Transformation II by Chalchitra Academy
31 artists. 19 of them ‘contemporary’, 12 ‘traditional’.
This gathering of artmakers which include fine art degree holding artists, professional illustrators, a print collective, self-taught art object-makers, family-trained traditional art and ritual object makers, a 3D street artist, a performance artist and many more whose practice can’t be neatly categorised, is contrary to contemporary exhibition trends t... [more]
The main museum in my hometown, Manchurian city Shenyang, Liaoning Provincial Museum, boasted some magnificent artifacts and Chinese paintings, due to the fact that the last imperial dynasty was originated from Manchuria, and had kept a rich trove of art treasures in Shenyang, especially during and after World War II, when Manchu elites retreated back to northeastern China. Like many cities in China, Shenyang has experienced rapid expansion in the last decade or so, resulting in the move of it... [more]
Flipping the Gaze: How Do Women Artists Look at Men? by Olivia B. Murphy Berenice Abbott, Ellen Altfest, Ghada Amer, Diane Arbus, Gina Beavers, Lynda Benglis, Huma Bhabha, Louise Bourgeois, Katherine Bradford, Cecily Brown, Kathe Burkhart, Lois Dodd, Marlene Dumas, Tracey Emin, Katy Grannan, Grace Graupe-Pillard, EJ Hauser, Celia Hempton, Jenny Holzer, Chantal Joffe, Sarah Lucas, Catherine Murphy, Alice Neel, Catherine Opie, Collier Schorr, Dana Schutz, Joan Semmel, Cindy Sherman, Sylvia Sleigh, Betty Tompkins, Nicole Wittenberg, Lynette Yiadom-Boakye at Cheim & Read
June 23rd - August 31st
In 2009, Cheim & Read hung the provocative group show The Female Gaze: Women Look at Women, which showcased women artists taking control of their own images. In an encore presentation this summer, women artists turn their gaze this time toward men, reversing one of art’s most long-standing power structures. The Female Gaze Part II: Women Look at Men brings together work from 32 artists, all utilizing the subject of men, or the male body, as a way to confront, or even turn the tables on the Male Gaze,... [more]
To deal with art and approaching it are the first basic steps that every artist in his research must address.
To approach the various forms of artistic expression and to bring it into line for us, may often be a difficult but necessary challenge to us, when we place ourselves in front of an collective exhibition, in which different artists and their different visual languages interact, feel and live art together. The artwork reflects the individual expression of a general feeling, is influence... [more]
Pinacoteca Nazionale (National Gallery) di Ferrara, also known as Palazzo dei Diamanti, named for its rusticated façade of diamond spikes, impressed with effortless elegance of the building and its collections.
The first striking piece greeted visitors was an "Assunzione di Santa Maria Maddalena" by Maestro della Maddalena Assunta.
The highly stylized landscape was an idealized world, where animals, plants, and humans mingled together in harmony. The low vantage point and the r... [more]
The formidable and somewhat gloomy fortress, Castello Estense in Ferrara, Italy was surprisingly airy and even cheesy inside. Such as this whimsical ceiling painting, one of many, depicting carousing nude men and cherubim, who, despite in the drunken stage, allowed their stances and gestures to be regulated by some tidy order. Their pale flash tone worked really well against the elegant background of blue and pink walls and windows of a building façade, thus introduced another dimension of ord... [more]
THE NEW YORK TIMES
May 23, 1997
ART IN REVIEW
Art in Review
By GRACE GLUECK
Janos Gat Gallery
1100 Madison Avenue, at 82d Street
Through Sept. 30
Knox Martin arrived on the scene in the early 1950's, a young acolyte drawn to the work and climate of Abstract Expressionism. A couple of early paintings here show how much he was in its sway, particularly ''Susanna and the Elders'' (1953), a de Kooning-esque romp of bold, energetic forms in black and white marching di... [more]
During my brief day trip to Italian city Ferrara, I admired two bronze sculptures on top of the arch entrance to its Palazzo Municipale (City Hall) — Arco del Volto del cavallo (Arch of Horse Front).
On the left, there was the seated statesman Duca Borso d'Este & Marchese Niccolo III d'Este and on the right, equestrian sculpture of Marchese Niccolo III d'Este. Of these two equally impressive sculptures, the more flamboyant equestrian made more immediate impressions.
The overt masculinity and grandeur was reflected with his insolen... [more]
On the Front Lines by Jillian Russo, LINEA (June 9, 2015) by reviewer1 Sigmund Abeles, Charles Alston, Stanley Boxer, Terence Coyle, Jack Faragasso, Michael Goldberg, Peter Golfinopoulos, Daniel Greene, Al Held, John Hultberg, Paul Jenkins, Everett Raymond Kinstler, Hughie Lee-Smith, Alfred Leslie, Knox Martin, Frank Herbert Mason, Frank O’Cain, Anthony Palumbo, Robert Rauschenberg, Bill Scharf, Sidney Simon, GREG WYATT at Phyllis Harriman Mason Gallery at The Art Students League of New York
June 19th, 2015 - July 29th, 2015
On the Front Lines
by Jillian Russo | June 9, 2015
Since the passage of the GI Bill during World War II, thousands of veterans have studied at the Art Students League of New York. Returning World War II veterans rejuvenated the League, making it a site of experimentation and an incubator for postwar artists. The GI Bill made an art education accessible to those who might not otherwise have become engaged in the field, and the influx of students strengthened an ambitious community.... [more]
My brief excursion from Bologna to Ferrara led me to the wonderful Duomo, whose distinct façade of triple gables immediately brought me to a purified world of classicism.
True to the expectation, my favorite sculpture inside was a sculpture of a bishop (and a saint?) standing in a niche with minimal decoration. The most striking feature was the resolute and clean lines of the soaring figure, reminiscent the works of the great Bernini, such as his masterpiece of "Ecstasy of S... [more]
“Paintings of Women by the Handful,” by Benjamin Sutton, L Magazine (September 29, 2010)
Since very nearly the earliest chapters of art history, women have been among artists’ two or three preferred subjects (or objects, following feminism’s reframing of that history). Two new solo exhibitions three doors from one another on Eldridge Street attest to the feminine figure’s inexhaustible appeal. For Knox Martin, the female form remains a sensual muse that he dissects and... [more]