by Joel Kuennen
Roy Lichtenstein at
The Art Institute of Chicago
On May 22, the Roy Lichtenstein Retrospective, an exhibit that’s been five years in the making, will open its doors. Expertly...
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by Kate Wolf
HERB RITTS at
Getty Center Los Angeles
For people of a certain age, much of the imagery of photographer Herb Ritts is ubiquitous, if not iconic...
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by Andrea Alessi
Johan Gelper at
Ricou Gallery
If line is the fundamental element in Johan Gelper’s sculptures – be it the smooth, arcing contours of his Spatial Drawings or...
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by Edward Sanderson
Taikang Space
With an abrupt reference in its title to a book by Roland Barthes (which appeared in English as Camera Lucida), this show gets und...
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by Lori Zimmer
Peter Blum Gallery- Chelsea
The current group show at Peter Blum Gallery in Chelsea asks visitors to do something that other shows do not -- to slow down and t...
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by Alex Field
Ambika P3
Only in its second year, the Other Art Fair offers a selection of one hundred artists who do not currently have galler...
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by Adriana Caneva
Émilie Pitoiset at
KLEMM'S
Émilie Pitoiset’s current exhibition Giselle is a small gem. Stepping into KLEMM’S modest space, it becomes clear that the...
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by Eduardo Alexander Rabel
Edouard Duval Carrie at
Bernice Steinbaum Gallery
Born in Haiti in 1954, Edouard Duval Carrié is an established Miami-based artist who has lived in Puerto Rico, studied in France...
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by Nicole Rodriguez
Roman Ondák at
Deutsche Guggenheim
There is an unmistakable wit that permeates Czech and Slovak contemporary art. A signature. A serious but minimalistic g...
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by Andrea Alessi
Charles Avery at
GRIMM (KEIZERSGRACHT)
As a grad student I once wrote a paper arguing for the usefulness of drawing in anthropology. Contingent (and seemingly “true”...
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by Robin Peckham
Para/Site Art Space
Part of curator Cosmin Costinas’s drive to revitalize the institution that is Para/Site involves negotiating its diminutive...
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by Philippa Snow
Mat Collishaw at
CGP London
Mat Collishaw’s The End Of Innocence was not produced for Dilston Grove (the work, in some form or another, has been on show for...
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by Bradley Rubenstein
Keith Haring at
Brooklyn Museum of Art
Not since Andy Warhol has an artist been as driven to achieve both popular and critical success simultaneously as Keith...
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by Kate Addleman
Palais de Tokyo
It’s hard to imagine that there’s more than this — more than the hundreds of works currently filling the immense, laby...
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by Ed Schad
Cy Twombly at
Gagosian Gallery - Beverly Hills
Cy Twombly, it's been my experience, was always at a distance. Most of his life, he lived across the world in whitewashed ancient...
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by Kara Q. Smith
Tom Marioni, Pat Steir at
Crown Point Press
I don’t know why I felt so driven to point this out, but I think it’s funny that Pat Steir is in a show with Tom Marioni at Crown Point Pre...
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by Natalie Hegert
Frieze New York
Some people living in New York have great views, most don’t. Where I lived in Greenpoint, Brooklyn, the view from the front...
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by Charlie Schultz
Art Critic’s Warning: an experience of Way Too Much may result in the mental and visual impairment known as “a...
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by Frances Guerin
La Maison Rouge
On the face of it, this exhibition, Néon. Who’s Afraid of Red, Yellow and Blue? is just plain fun. With the Maison Rouge all...
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