On the occasion of the publication of the book “Trinity”, Carl De
Keyzer (°1958 Kortrijk, BE) will exhibit some eighty photographs in the
S.M.A.K. from June 2009 on. It is a milestone in the work of Magnum
photographer Carl De Keyzer, a triptych on the theme of the
omnipresence of power and violence.
The title itself refers not only to the traditional image of the
Supreme Power in classical painting, but also, for example, to the code
name of the project with which Oppenheimer lead a team of atomic
physicists to the production of the first atom bomb. Based on three
probing themes, he grabs contemporary power, its senseless violence and
worldwide devastation by the hair with oppressive images: Tableaux d’
Histoire, Tableaux de Guerre and Tableaux Politiques. The first
tableaux cast a surprising light on the theatrical, that has
characterized power since time immemorial and without which it could
not exist.
The second perspective shows us violence as a timeless and placeless
phenomenon. War appears in an aesthetic of the sublime, although
subdued and painful, as glorification, heroism and justification are
absent. The third part takes us behind the scenes of political power,
which should, when all is said and done, actually be the power of the
people: the façade, the lobbying, the back rooms, the haggling.