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BLOGS FROM ARTSLANT'S OWN

ROMANOVA SVETLANA-ART  
by
3/31/20 Posted 3/5/09

         Hello frends! I am an artist. My roots take place in St.Petersburg, which has great architecture, culture and history that influenced me once and forever. Today, in the times of technical progress, mass production and new artificial materials I search for inspiration in the foundation of the Arts - old Russian Orthodox icons, Renaissance and folk cultures. I seek out look for new shapes and images within my themes using different materials, but my favorite is glass for its plasticit... [more]

STAINED-GLASS WINDOWS  
by
3/5/19 Posted 3/5/09

http://svetlana-romano.livejournal.com/ http://svetlana-romano.livejournal.com/ http://svetlana-romano.livejournal.com/ [more]

Group exhibition "The Trip" at Loft 594, Bushwick NY  
by
12/13/14 Posted 3/26/14

Group exhibition "The Trip" at Loft 594, Bushwick NY [more]

Ava  
by
8/27/14 Posted 8/27/14

To read full version go to: http://media.wix.com/ugd/14c0c3_50cbd9ecfb784a6bb2b4bc1ae926c40c.pdf For more information on the series go to: http://www.christinescangelosi.com/#!other/c254d February 17, 1976 Dear Margaret, I have been travelling and travelling, following the camera’s light from sunrise to sunset. We arrived in Panama a month ago. The air here is so warm and humid it is almost unbearable. Even the water at dinner feels too thick to drink. And there are... [more]

Ava  
by
8/27/14 Posted 8/27/14

For full version go to: http://media.wix.com/ugd/14c0c3_c43366ba2ad9459aa4f5d2436cfc87ef.pdf For more information on the series go to: http://www.christinescangelosi.com/#!other/c254d Finals Week, Winter 1981 I. One moment you are firing off emails to professors to discuss the details of your new, perfectly organized, concise dissertation outline that will magically manifest itself in to a 100 page document come next Spring. Next, you realize the apocalyptic nature o... [more]

Excerpts from Verso  
by
8/27/14 Posted 8/27/14

Exhibeted at Pure Surface, a performance series in Portland, Ore. where movement, text, and film happen together in the spirit of improvised collaboration. for Corrine, my sisterMay 5, 1975 - October 13, 1984 Two children die as I-84 rock slide hits car Yesterday on interstate 84 about 10 miles east of Cascade Locks when the car in which they were riding was struck by falling rocks. Hospital officials identified the dead as Jacob Peterson, 8, of Troutdale, and his cousin, Corrine Herrera, 9, of Gresham. Randy Herrera, 7, of Gresham, was not injur... [more]

世界近代艺术史 49 陈源初著  
by
8/26/14 Posted 8/26/14

分享 [more]

Ava  
by
8/26/14 Posted 8/26/14

To read full version go to: http://media.wix.com/ugd/14c0c3_f2618fb22d2e4a1e82ef440de24746cc.pdf For more information on the series go to: http://www.christinescangelosi.com/#!other/c254d November 3, 1971 Hello My Love, It has been three weeks since we said our final goodbyes in Kansas City. I hope you have safely arrived at your new apartment, and you are no longer tired from travelling so far. I also hope this letter- the first of our correspondence- will find you in the right place... [more]

Bryan Christie: This Image Tightly Held  
by
8/25/14 Posted 8/25/14

Posted by Omo Misha on 8/25 | View the full blog list HEREBryan Christie's new work is a walk through a dimly lit dream. Biomorphic shapes, drenched and floating, appear more necessary than aesthetic. Yet, there is a subtle beauty about each image - haunting, unsettling and almost archaic. Perhaps you are drawn by Christie’s use of mysterious hues; or grasping at something academic, hovering just above your intelligence. Whatever it may be, your inquiry continues until you have at last unearthe... [more]

Conversations in the Dark: Bill Hart  
by
8/25/14 Posted 8/25/14

[Originally published: Artlink » vol 33 no 3, 2013 » Conversations in the Dark: Bill Hart On the occaision of Dark MOFO, the wintertime festival at the Museum of Old and New Art (MONA), Tasmania, Australia] It is no surprise that Dark MOFO, MONA's wintertime festival of art, sound, and light, would contain artworks related to deviance. What is more surprising is that the festival opened with such a modest start. Hobart-based Bill Hart’s multimedia installation Conversations in t... [more]

Familiar With Apparition  
by
8/25/14 Posted 8/25/14

Written for The Reanimation Library’s Word Processor series in response to Willy Ley’s The Poles (1962). A scientist searching for sleep and privacy, taken from The Poles. Rarely Left Alone In the introduction to The Poles, Albert P. Crary lists the many problems of the polar scientist: the arduous life, the inefficiency of the work, the accumulation of data only by scattered fragments, and that he is “rarely is left alone” to experiment.[1] A penchant for solita... [more]

Art and the 99%  
by
8/25/14 Posted 8/25/14

[Originally published: Art in America, Jan2012, Vol. 100 Issue 1, p31-2] WHO REALLY RUNS—and most profits from—the current art system? Not 99% of artists and not 99% of the general public, now forced to pay ever-escalating museum admission fees to gaze at contemporary artworks they could never afford. Such hip luxuries are sold to the richest 1% in galleries that many ordinary people find too intimidating to enter. And it’s no secret that the moguls who sit on museum boards ar... [more]

Taking Positions A Conversation with Derek Guthrie, Founder of the New Art Examiner  
by
8/25/14 Posted 8/25/14

[Originally published: A Blade of Grass blog, June 5, 2012] Last October, I wrote an article entitled Art and the 99%, reflecting my initial thoughts on the art world in relation to Occupy Wall Street. It was published in January in Art in America. Shortly thereafter, I received an email from Derek Guthrie, who along with his wife was the founder of the New Art Examiner, the only nationally distributed art publication to ever come out of Chicago. Derek Guthrie and Jane Addams Allen met in... [more]

Unspecific Index catalogue text: artist descriptions  
by
8/25/14 Posted 8/25/14

[Artist profiles I wrote for exhibition I curated: Unspecific Index, 601Artspace, New York, NY; 11/15/2012-02/02/2013] BALDESSARI, John Work in Show John Baldessari, GOYA SERIES: AND THERE IS NO REMEDY, 1997. Inkjet print and hand lettering on canvas, 75 x 60 inches. Biography Much of John Baldessari’s work famously involves pointing, in which he tells the viewer not only what to look at, but how to make visual selections and comparisons. Baldessari often points simply for the sake of... [more]

Faux  
by
8/24/14 Posted 8/25/14

Written while a Research Fellow at the Artist's Institute during Lucy McKenzie's season Artifice and Deception Faux, a loanword from French meaning false, refers to that which is created in imitation: something made to appropriate another object’s materiality. Faux’s closest synonyms include simulated, artificial and unreal. The words counterfeit and camouflage are more distant relatives to faux, but when the three are taken together they represent a constellation of strat... [more]

Conversation  
by
8/23/14 Posted 8/25/14

Written for The Paris College of Art’s 72 Assignments: The Foundation Course in Art and Design Today. Description of assignment The self-portrait is a quintessential assignment to the foundational arts course. Creating a self-portrait lets us consider our own personhood and represent this externally to our own self. By expanding upon the idea of what constitutes a self-portrait, we can begin to reconsider the boundaries of our own “self” and how it exists within the world.... [more]


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