Hello frends! I am an artist. My roots take place in St.Petersburg, which has great architecture, culture and history that influenced me once and forever. Today, in the times of technical progress, mass production and new artificial materials I search for inspiration in the foundation of the Arts - old Russian Orthodox icons, Renaissance and folk cultures. I seek out look for new shapes and images within my themes using different materials, but my favorite is glass for its plasticit... [more]
The current art market status of video art is comparable to that of photography in the early nineties. Back then photography wasn’t considered "real art" requiring hard-won skills going beyond simply pointing a lens and pressing a button. Moreover, prints could be reproduced endlessly rendering the work devoid of true artistic aura, a Benjaminesque nightmare. For video art too, controlling editions and authentication are the biggest obstacles to overcome, even more than trying to convince... [more]
The moving image has a long-standing relationship with trickery: deceiving the eye, suspending disbelief, displaying the impossible. In fact, it's devilishly good at it.
Everybody's heard about the audience who ran screaming from the oncoming train at the premiere of the Lumiere Brothers’ L'Arrivée d'un train... (1895). I recently read a suggestion that they ran partly to avoid being crushed by a steam train and partly because they knew doing so offered them bit parts in an anecdote... [more]
To be talked about—positively or negatively, it hardly matters—is the principle aim of every art prize with an exhibition attached to it. Of course, reward or encouragement are the motivational labels attached to them but PR is the true driving force. For a good many years the Turner Prize was the prime example of a "successful" art prize exhibition. All of Britain would be talking about the nominees and the winners, down to the proverbial cab driver, who wouldn’t need a lot of... [more]
A few years ago, I was working for a not-for-profit art space in Tel Aviv. One of the most successful shows there was a group exhibition of video works. One afternoon, a woman entered the dark space of the gallery, stopped at the reception desk and asked me: “Are there only video works?”
“Yes,” I replied. She turned her back and walked away.
Since this incident, I often encountered sentences such as “I hate video art,” “all video works are bad,” and &ldqu... [more]
Hip Hop and capitalism could be said to share the same ideals. American Hip Hop and the American Dream promote the same goal of self-made material success through carefree consumerism. Money—and spending it—saturates songs and artist monikers (Curren$y, Rich Gang, 50 Cent, All$tar, etc.).
Hip Hop’s aesthetic identity has traditionally communicated just as much about consumerist society as its songs. But as confidence in capitalism is waning, with the mass disillusionment followi... [more]
In his essay “Why I Hate Post-Internet Art” Brian Droitcour complains that “the post-internet art object looks good online in the way that laundry detergent looks good in a commercial.” He bemoans the art object that looks like it has leapt off the screen into the gallery to pose for its photo before being disseminated online. His criticism is that such objects are too aware of the gallery system, playing to the capitalist brand mentality of the art world—the image/ob... [more]
Now entering its 14th year, Artissima’s Present Future is an acknowledged launch pad for the careers of emerging young talent. Indeed, internationally renowned artists such as Dora García, Jeremy Deller, Ryan Trecartin, and Phil Collins all had early presentations in this section of the fair. This year, 20 artists have been selected by a team of five international curators: Luigi Fassi, Catalina Lozano, Piper Marshall, Jamie Stevens, and Xiaoyu Weng. Each curator’s distinctive aesthetic... [more]
Around 80 percent of the art encounters I have these days begin on my phone, tablet, or computer screen. In most cases I am attempting to find out what's going on and where, so I can then see it in person. But the "where to see it" question is a digital art minefield. Pretty quickly we’re into the daft question of whether it is more real to see a digital work on a large format screen in a gallery than on a phone. Does a show need to have an opening with warm beer and too many people to have... [more]
Guimarães, Portugal, Oct. 2014: When South Korea won the Golden Lion at the 2014 Venice Biennale of Architecture, architect Minsuk Cho said the award could help “trigger the reality of a unified Korea.” While North Korea is making art at the Mansudae Art Studio, South Korea is building the next generation of art stars—in New York. With Korean art increasingly in the spotlight, “The Lineage of Vision: Progress through Persistence,” which opened Wednesday at the... [more]
Fresh Paint 7, Israel's largest contemporary art fair, which attracts more than 30,000 visitors annually, open tonight. The fair brings together the major forces of culture in the country, from galleries and institutions to established artists and curators working both locally and globally. While its exhibition model generally resembles those of other commerical art fairs—with their commercial motives, thematic sectors, and programming iniatives such as the Artists' Greenhouse, which presen... [more]
Last week the Calvert Journal, an online journal produced by the Calvert 22 Foundation, released a 20 Under 40 list of Russian artists to look out for. The Foundation's exhibition space, Calvert 22, is the only not-for-profit gallery in London dedicated to contemporary art from Russia and Eastern Europe. Its program often contextualizes contemporary Russian artists’ output with the country’s rich historical and cultural past. The gallery's current exhibition, Beyond Zero (installed throu... [more]
Time is the one thing we can all agree to call supernatural. It is at least neither energy nor matter… and yet it is the beginning and end of the creation of the world.
Joan Jonas concluded her performance at Pirelli HangarBicocca in Milan with these words from Under the Glacier (1968), a little known, visionary novel by the Icelandic writer Halldór Laxness. The acclaimed New York video and performance artist looked like a Lilliputian creature, an aged little fairy; her snow-whit... [more]
There's something new happening at FIAC this year. Not exactly the quickest to catch on to a trend, the Parisian art fair has created its own satellite, with a focus on introducing new art and artists from the international scene through a showcase of 68 galleries from 14 countries. Judged by a selection panel of art historians and curators, the tangential fair's emphasis is on supporting the underdog—not only the up-and-comings, but also "outsiders" and artists who have been overlooked h... [more]