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Berlin

Arndt

Exhibition Detail
Jack Freak Pictures
Potsdamer Strasse 96
D-10557 Berlin
Germany


June 13th, 2009 - September 18th, 2009
Opening: 
June 13th, 2009 12:00 PM - 8:00 PM
 
CHURCH OF ENGLAND, Gilbert & GeorgeGilbert & George, CHURCH OF ENGLAND,
2008, mixed media, 226 x 190 cm
© Gilbert & George
MOONCALVES, Gilbert & GeorgeGilbert & George, MOONCALVES,
2008, mixed media, 151 x 190 cm
© Gilbert & George
INGERLAND, Gilbert & GeorgeGilbert & George, INGERLAND,
2008, mixed media, 254 x 302 cm
© Gilbert & George
HOKEY COKEY, Gilbert & GeorgeGilbert & George, HOKEY COKEY,
2008, mixed media, 127 x 151 cm
© Gilbert & George
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> DESCRIPTION

As the international tour of the last Gilbert & George retrospective (2007–2009) did not include Berlin, Arndt & Partner are now all the more delighted to present a solo exhibition of the celebrity artist duo in its gallery rooms behind the Hamburger Bahnhof. It is the first Gilbert & George solo show in Berlin for 14 years. The exhibition features a selection of 20 large-scale pieces from the Jack Freak Pictures, the largest Gilbert & George group of pictures to date. The thrust of the content is given by the colors and shapes of the Union Jack flag that dominate the bulk of the pictures as well as the recurring motive of medals, emblems and trees. In the Jack Freak Pictures the artist duo explores aspects of nationhood and of the sentient individual in the nets of society.


In his essay published in the catalogue accompanying the exhibition the British writer Michael Bracewell describes these pictures as “the most iconic, philosophically astute and visually violent works that Gilbert & George have ever created...”
Gilbert & George, who met as students of sculpture at St. Martin’s School of Art in London 42 years ago, embarked on a joint artistic career that was to encompass a wide range of media from drawing to video and their trademark pictures. Further, the pair revolutionized the concept of sculpture by presenting themselves as “living sculptures” dressed in the quintessentially British tailored suit, shirt and tie. But it was their monumental trademark pictures composed of a gridlike array of smaller images which they began to create in the early 70s that first brought them international fame. Figures, cityscapes, symbols, plants, bodily fluids, excrements and text interlock in pictorial messages as visually powerful as their content is provocative. The pictures, which started out in black and white and later assumed increasingly luminous, bold colors, generally also depict portraits of the artists themselves and seize on taboo subjects like sexuality, race, religion and national identity with a brash and fearless candor.


The Jack Freak Pictures again feature the bodies and/or faces of the artists. In these compositions, their bodies function as stylized representatives of the individual in society, whose relationship to social norms and categories, to national, religious and sexual identification processes is relentlessly explored and commented upon. Departing from their earlier oeuvre, some of their new pictures split the raw images into much smaller fragments before merging them into new forms. The result is a fascinating kaleidoscopic mix of the monstrously grotesque with an intricate ornamental structure reminiscent of sacred art. In ever new variations, Gilbert & George order the signs and fragments of social life they find in their neighborhood – the multicultural East End of London –, where solidarity and friendship are as visible as intolerance and marginalization.


An artists’ talk with Gilbert & George chaired by Hans Ulrich Obrist will take place at the exhibition venue on June 13, 2009, at 4pm.


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