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Galerie Mario Mazzoli is pleased to present the first s olo exhibition in its space by Christina Kubisch.

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 \;At a lecture in San Francisco earlier this year\, Christina Kubisch talked as much about seeing as heari ng. This fact might be considered unusual\, or paradoxical even\, for an ar tist who has made a career predominantly out of creating and capturing soun d. And yet\, it is precisely through promoting an intense interplay between the eye and ear that Kubisch&rsquo\;s works afford an opportunity to &ldqu o\;see&rdquo\; the world more clearly\, to apprehend its subtleties in a mo re nuanced way.

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 \;Wh at does Kubisch reveal and how does she allow us to understand our contempo rary reality differently? How can sound be anything other than something &l dquo\;hidden from view&rdquo\;? While her early scores revel in the challen ges of annotating sound created through more unusual means (such as thimble s scraping on glass)\, Kubisch&rsquo\;s recent works immerse audiences in e xisting soundscapes. Her custom-made headphones\, for example\, induct the wearer into a parallel world of electromagnetic sound. The throbbing\, crac kling\, pulsating\, rhythms of this dimension are the manmade tracks that w e have overlaid onto nature&rsquo\;s compositions. They emanate from transi t systems\, buildings\, lighting displays\, security installations\, and mo re\, creating a giant sound symphony of sorts\, and animating the seemingly lifeless lumps of concrete and metal that generate them.

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In general\, Kubisch promotes this heighte ned awareness of our surrounds through relatively modest means. Often worki ng at sites which are disused and or burdened by their histories\, she crea tes environments that account for multiple histories\, and futures\, in a s pirit of true contemporaneity.

DTEND:20150731 DTSTAMP:20150525T114152 DTSTART:20150530 GEO:52.49896;13.3621 LOCATION:Galerie Mario Mazzoli\,Potsdamer Strasse 132 \nBerlin\, 10783 SEQUENCE:0 SUMMARY:Hidden from view\, Christina Kubisch UID:384481 END:VEVENT BEGIN:VEVENT DTEND:20150530T210000 DTSTAMP:20150525T114152 DTSTART:20150530T190000 GEO:52.49896;13.3621 LOCATION:Galerie Mario Mazzoli\,Potsdamer Strasse 132 \nBerlin\, 10783 SEQUENCE:0 SUMMARY:Hidden from view\, Christina Kubisch UID:384482 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150621 DTSTAMP:20150525T114152 DTSTART:20150529 GEO:52.49707;13.41897 LOCATION:Künstlerhaus Bethanien\,Kottbusser Straße 10 \nBerlin\, 10997 SEQUENCE:0 SUMMARY:Strategien der Defensive - Images and objects\, Roland Boden UID:384321 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150621 DTSTAMP:20150525T114152 DTSTART:20150529 GEO:52.49707;13.41897 LOCATION:Künstlerhaus Bethanien\,Kottbusser Straße 10 \nBerlin\, 10997 SEQUENCE:0 SUMMARY:Two Bodies\, two landscapes Zwei Körper\, zwei Landschaften\, Greg Semu UID:384320 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150621 DTSTAMP:20150525T114152 DTSTART:20150529 GEO:52.49707;13.41897 LOCATION:Künstlerhaus Bethanien\,Kottbusser Straße 10 \nBerlin\, 10997 SEQUENCE:0 SUMMARY:Close Your Eyes\, Youki Hirakawa UID:384319 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150621 DTSTAMP:20150525T114152 DTSTART:20150529 GEO:52.49707;13.41897 LOCATION:Künstlerhaus Bethanien\,Kottbusser Straße 10 \nBerlin\, 10997 SEQUENCE:0 SUMMARY:Half\, Olaf Brzeski UID:384318 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150621 DTSTAMP:20150525T114152 DTSTART:20150529 GEO:52.49707;13.41897 LOCATION:Künstlerhaus Bethanien\,Kottbusser Straße 10 \nBerlin\, 10997 SEQUENCE:0 SUMMARY:Room Service\, Susa Templin UID:384316 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Traces\, Nevin Aladag &rsquo\;s latest solo show at WENTRUP\, is named for her new 3-channel vide o work\, which is also on view concurrently at the Kunstmuseum Stuttgart. O n three separate projection surfaces\, Aladag creates a large-scale sound-a nd-image portrait of the city of Stuttgart. Here we encounter\, for instanc e\, an accordion that plays as it unfolds along the length of a lamppost\, or a frame drum that rolls loudly through a park landscape. A flute trills as it sails off into the sky with a balloon\; the chestnuts in a chestnut t ree play a gong and a violin turns on a merry-go-round.

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Traces is fascinating especially in moments of the orchestrated interaction of only partially controllable sounds. Are sou nd and image coming together here to tell a tale? As surprisingly as a symp honic interplay seems to arise\, it disintegrates just as quickly back into cacophony. The artist has neither designed a soundscape of pure noise\, no r has she composed an interpretive piece about the city. Rather\, Aladag ha s invented a remarkable hybrid. The most disparate urban situations become the players in an orchestra. Rocking horses in the pedestrian zone and the slopes of vineyards\, downhills on the main street and a carousel in a play ground constitute the ensemble that\, under Aladag&rsquo\;s direction\, per forms an audio rendition of their city on the accordion\, drum\, flute and violin &ndash\; and elicits wholly unexpected possibilities from each class ical instrument.

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In the second room of the gallery\, Alad ag shows the work Tusch\, a sequel to her work Marsch fro m 2014\, which was shown at several venues\, including an outdoor installat ion at Kunsthalle Basel. Castings of 17th century cannonballs ar e the basic elements in Marsch and Tusch. A Tusch is a fa nfare\, usually played in performative contexts to introduce\, conclude or emphasize speeches or performances by honored soloists or conductors. Alada g notates one such Tusch on the wall &ndash\; the heads of the notes are th e cannonballs\, which undergo a musical reinterpretation of their original ballistic milieu. Nevertheless\, Aladag leads us back to the projectile con text\, for it is a fanfare that introduces the shooting of the cannon in th e circus. The cannonballs&rsquo\; notation depicts the fanfare that acousti cally announces their entrance into the ring.

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Nevin Aladag has gai ned international attention for her installations\, video works and perform ances. Her works have been widely shown internationally\, in various solo- and group exhibitions at institutions including Kunsthalle Basel\; MOT-Muse um of Contemporary Art Tokyo\; Haus der Kunst\, Munich\; Hayward Gallery\, London\; Kunsthaus Zurich\; Kunsthalle Fridericianum\, Kassel\; Mathildenh& ouml\;he\, Darmstadt\; ARTER Vehbi Koc Foundation Istanbul\, TBA 21 Thyssen Bornemisza Contemporary\, Vienna\; Museo Tamayo in Mexico\, Pythagorion Ar t Space Schwarz Foundation\, Samos\, Greece\, ICA Institute for Contemporar y Art\, London\, Great Britain.
Aladag participated in the 2013 Sharj ah Biennial (UAE)\, in the 11th Istanbul Biennial in 2009 (TR)\, The 8th Taipei Biennial in 2008 (PR China) and the XIV Biennale Internazionale di Scultura\, Carrara\, in 2010 (I).

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Works of Nevin Aladag are in the collection of Neue Nationa lgalerie Berlin\, Centre Pompidou\, Paris\; Vehbi Koc Collection\, Istanbul \; Collection of Sheikha Hoor al-Qasimi\, TBA 21\, Vienna\; Pinakothek der Moderne\, Munich\, DEKA Bank\, Frankfurt\, Schwarz Foundation\, Munich amon g others.

DTEND:20150731 DTSTAMP:20150525T114152 DTSTART:20150606 GEO:52.4985087;13.3817055 LOCATION:Wentrup\,Tempelhofer Ufer 22 \nBerlin\, 10963 SEQUENCE:0 SUMMARY:Traces\, Nevin Aladağ UID:384314 END:VEVENT BEGIN:VEVENT DTEND:20150605T210000 DTSTAMP:20150525T114152 DTSTART:20150605T180000 GEO:52.4985087;13.3817055 LOCATION:Wentrup\,Tempelhofer Ufer 22 \nBerlin\, 10963 SEQUENCE:0 SUMMARY:Traces\, Nevin Aladağ UID:384315 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150718 DTSTAMP:20150525T114152 DTSTART:20150606 GEO:52.4045;13.4054 LOCATION:Galerie Max Hetzler (Goethestraße)\,Goethestraße 2/3 \nBerlin\, SEQUENCE:0 SUMMARY:Solo Exhibition\, Inge Mahn UID:384312 END:VEVENT BEGIN:VEVENT DTEND:20150606T200000 DTSTAMP:20150525T114152 DTSTART:20150606T180000 GEO:52.4045;13.4054 LOCATION:Galerie Max Hetzler (Goethestraße)\,Goethestraße 2/3 \nBerlin\, SEQUENCE:0 SUMMARY:Solo Exhibition\, Inge Mahn UID:384313 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150718 DTSTAMP:20150525T114152 DTSTART:20150606 GEO:52.50393;13.32028 LOCATION:Galerie Max Hetzler (Bleibtreustraße)\,Bleibtreustraße 45 \nBerlin \, SEQUENCE:0 SUMMARY:Happy Days in Mexico\, Frank Nitsche UID:384309 END:VEVENT BEGIN:VEVENT DTEND:20150606T200000 DTSTAMP:20150525T114152 DTSTART:20150606T180000 GEO:52.50393;13.32028 LOCATION:Galerie Max Hetzler (Bleibtreustraße)\,Bleibtreustraße 45 \nBerlin \, SEQUENCE:0 SUMMARY:Happy Days in Mexico\, Frank Nitsche UID:384310 END:VEVENT BEGIN:VEVENT DESCRIPTION:

"Painters come in two varietie s. There are those whose work is essentially premeditated\, and who seem to understand the journey upon which they are embarking even before they begi n. And then there are those for whom painting is a kind of river in full sp ate into which they jump and\, if mother luck and a good deal of pluck stay with them\, swim. You could call it a conflict &ndash\; or perhaps it is m erely part of a continuing conversation &ndash\; between the followers of C lassicism and the heirs of Romanticism. Ryan Mosley is of the second variet y." (Michael Glover)

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We're proud to a nnouce that from May 28 until July 4\, 2015 we're presenting british painte r Ryan Mosley in his first big solo show in our main space in Berlin. The n ew works have been created especially for this show named &bdquo\;The Mirro r Never Reflects&ldquo\;. The opening reception takes place on Thursday\, M ay 28\, 2015 from 5 to 9 pm. So see you very soon!

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"Es gibt zwei Sorten von Malern. Es gibt diejenigen\, deren Arbeit im Wesentlichen im Voraus ü\;berdacht wird und die sich\, schon bevor sie beginnen\, ü\;ber die Reise im Klaren zu sein scheinen \, zu der sie aufbrechen. Und dann gibt es diejenigen\, fü\;r die das M alen eine Art reiß\;ender Fluss ist\, in den sie hineinspringen und in dem sie (wenn ihnen die Gö\;ttin des Glü\;cks und eine gehö\;r ige Portion Courage erhalten bleiben) schwimmen. Man kö\;nnte es als Ko nflikt zwischen den Anhä\;ngern des Klassizismus und den Nachfahren der Romantik bezeichnen &ndash\; vielleicht aber ist es lediglich ein Teil ein es andauernden Dialogs zwischen diesen beiden Parteien. Ryan Mosley geh&oum l\;rt zu der zweiten Art von Malern." (Michael Glover)

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Vom 28. Mai bis 4. Juli 2015 zeigt die Galerie EIG EN + ART die erste groß\;e Einzelausstellung des englischen Malers Rya n Mosley in ihrer Berliner Galerie. Prä\;sentiert werden die eigens f&u uml\;r die Ausstellung &ldquo\;The Mirror Never Reflects&rdquo\; entstanden e Malereien.
Die Erö\;ffnung findet am Donnerstag\, den 28. Mai v on 17-21 Uhr statt. Wir freuen uns auf Euren Besuch!

DTEND:20150704 DTSTAMP:20150525T114152 DTSTART:20150528 GEO:52.5270315;13.3972275 LOCATION:Galerie EIGEN + ART (Berlin)\,Auguststrasse 26 D - 10117\nBerlin\ , SEQUENCE:0 SUMMARY:Solo Exhibition\, Ryan Mosley UID:384307 END:VEVENT BEGIN:VEVENT DTEND:20150528T210000 DTSTAMP:20150525T114152 DTSTART:20150528T170000 GEO:52.5270315;13.3972275 LOCATION:Galerie EIGEN + ART (Berlin)\,Auguststrasse 26 D - 10117\nBerlin\ , SEQUENCE:0 SUMMARY:Solo Exhibition\, Ryan Mosley UID:384308 END:VEVENT END:VCALENDAR