ArtSlant - Closing soon http://www.artslant.com/ber/Events/show en-us 40 Vadim Zakharov, Niklas Nitschke - Neuer Berliner Kunstverein - March 5th, 2013 - April 26th, 2013 <p>Since 2009, Vadim Zakharov and Niklas Nitschke have worked together under the name OBAMAINBERLIN travelling though the German-Polish border regions, which they explore as a “dead zone” by way of absurd, open-ended acts. The exhibition at the Showroom of Neuer Berliner Kunstverein presents video documentations of actions, photographic works, and artifacts created as part of these artistic explorations. <br /><br />Vadim Zakharov (b. 1959) lives in Moscow and Berlin. He is one of the best-known artists of Moscow Conceptualism and will represent Russia at this year’s Venice Biennale. Zakharov works with video, photography, installation, performance, typography, and computer graphics, consciously avoiding any clear interpretation. He works with fictional characters, most recently with the “stupid Father Zond from Cologne,” which he sets in relationship to one another with constantly shifting perspectives to create complex narratives. Like the Russian literature of the nineteenth century, the motif of failure is a constant motif in these humorous (self) stagings.<br /><br />Niklas Nitschke (b. 1970) is currently based in Breslack, Brandenburg. He develops his artistic system of reference not only using his own works, but also with works of others. In the process, he isolates certain elements that he doubles in his complex, in part ephemeral work, achieving the absence of the object, and freeing the work from representation.</p> Mon, 15 Apr 2013 14:25:05 +0000 http://www.artslant.com/ber/Events/list http://www.artslant.com/ber/Events/list Group Show - Kunsthandel Jörg Maaß - April 27th, 2013 - April 27th, 2013 Sat, 27 Apr 2013 22:56:29 +0000 http://www.artslant.com/ber/Events/list http://www.artslant.com/ber/Events/list Douglas Gordon - Blain|Southern Berlin - February 7th, 2013 - April 28th, 2013 <p>Blain|Southern Berlin is delighted to present a new group of video works by Douglas Gordon during the 63rd Film Berlinale, 2013. Gordon is one of the most important and influential artists of his generation. In addition to films and video installations, his work embraces photography, the written word, sculpture and music.</p> <p>For <em>Sharpening Fantasy, 2012 </em>Gordon travelled to Tangier, where he filmed traditional knife grinders in different locations within the Kasbah of the seaport city. The viewer watches as the effortlessly repeated movements of the men are set to the soundtrack of their day’s work. Following the recent large-scale, site-specific works by Jannis Kounellis and Lawrence Weiner, the installation transforms the former production hall of <em>Der Tagesspiegel </em>newspaper into an experiential, audio-visual space. The work presents collisions between Europe and the ‘Orient’, perception and prejudice, desire and fear.</p> <p>Unlike the films of snake charmers in <em>Natural Historie on the Parapet </em>and <em>Natural Historie on the Altar</em>, which Gordon recorded in Marrakech four years previously, <em>Sharpening Fantasy, 2012 </em>blurs the boundaries between the different sensory perceptions, between reality and fairy tale, between dramatic imagination and a more muted gaze.</p> <p>Douglas Gordon has long been affiliated with Berlin; he won a DAAD scholarship in 1998 and has lived and worked there since 2008.</p> Mon, 08 Apr 2013 14:44:51 +0000 http://www.artslant.com/ber/Events/list http://www.artslant.com/ber/Events/list Alexander Rodtschenko - Galerie Berinson - January 18th, 2013 - April 28th, 2013 Wed, 16 Jan 2013 01:27:24 +0000 http://www.artslant.com/ber/Events/list http://www.artslant.com/ber/Events/list Guido Canziani Jona - Galerie Mario Mazzoli - March 19th, 2013 - April 28th, 2013 <p align="JUSTIFY"><span color="#000000" style="color: #000000;"><span size="2" style="font-size: small;"><span face="Arial, sans-serif" style="font-family: Arial, sans-serif;">Galerie Mario Mazzoli and the Neue Berliner Räume are delighted to present the first solo exhibition of Guido Canziani Jona in Berlin. The main focus in the work of Canziani Jona is the merging of sound, painting and video into one central work, with the idea of vitalizing the static one of his main concerns. For this, Canziani Jona finds an artistic form of expression in the invariably stronger interconnection of video, painting and sound. The process of fusion is not concealed with Canziani Jona. Quite the opposite, it has more to do with creating and making visible those areas of tension that arise in the merging of autonomous elements. In this process, the sound is the complete penetration of the picture and the picture is the full counterpart of the sound. This total synchronicity, this absolute merging of all parts into a work that is literally charged with tension is the goal of this artistic process.</span></span></span></p> Mon, 25 Mar 2013 09:00:33 +0000 http://www.artslant.com/ber/Events/list http://www.artslant.com/ber/Events/list Franco Maurina - galerie son - April 26th, 2013 - April 28th, 2013 <p></p> <p>On the occassion of Gallery Weekend Berlin visitors will have the chance to see the full room installation "Frame Theatre" by Franco Maurina even on a Sunday - combining old and new techniques, music and visualization into a unique experience of moving art.</p> <p></p> <p>watch this:</p> <p><iframe src="http://www.youtube.com/embed/MFIeX5mayfw?autoplay=1&amp;autohide=1&amp;modestbranding=1&amp;rel=0&amp;showinfo=0" allowfullscreen="" frameborder="0" height="315" width="560"></iframe></p> <p><span style="font-size: x-small;">recommended by <a href="http://www.berliner-art.com" title="berliner art" rel="nofollow" target="_blank">berliner-art.com</a></span></p> <p></p> <p></p> Fri, 19 Apr 2013 07:53:15 +0000 http://www.artslant.com/ber/Events/list http://www.artslant.com/ber/Events/list Ralf Dereich, Simone Lanzenstiel, Gerhard Mantz, Elisabeth Sonneck, Marianna Uutine, Michaela Zimmer - Kunstraum Kreuzberg / Bethanien - April 26th, 2013 - April 28th, 2013 <p>“Popsicle” ist die Urform von Wassereis am Stil und ein Wortspiel aus soda<br /> pop und icicle, also Limonade und Eiszapfen.<br /> <br /> Der 11jährige Frank Epperson mixte sich 1905 auf der Terrasse seines<br /> Elternhauses in San Franzisko Brause und ließ das Getränk samt Mixstab<br /> dort stehen. In dieser Nacht erreichten die Temperaturen ein Rekordtief und<br /> der Junge entdeckte am nächsten Morgen ein gefrorenes Getränk am Stil.<br /> Das pinkfarbene Wassereis wurde zu einer Marke, die in Englisch sprachigen<br /> Ländern als „popsicle” bekannt ist.<br /> <br /> Der „frozen moment in time”, der „eingefrorene Augenblick” beleuchtet in<br /> Bildern das Flüchige. Energie wird sichtbar.<br /> Wie visualisiert sich diese wichtigste Ressource einer Generation zwischen<br /> burn-out und Hochleistung in Informationsverarbeitung in Bildern?<br /> <br /> Die Arbeiten der beteiligten 6 KünstlerInnen thematisieren Energie und ihre<br /> Komprimierung in Computeranimation, Installation und Malerei.<br /> <br /> <br /> 'Popsicle', a portmanteau of soda pop and icicle was discovered in 1905.<br /> Eleven-year-old Frank Epperson was mixing a powdered flavoring for<br /> soda and water out on the porch. He left it there, with a stirring stick still<br /> in it. That night, temperatures reached a record low in San Francisco,<br /> and the next morning, the boy discovered the drink had frozen to the stick,<br /> inspiring the idea of a fruit-flavored pink popsicle.<br /> <br /> In still images it is the “frozen moment in time” that shows transitory<br /> movement. Energy becomes visual.<br /> How is this important resource of a generation between burn-out and<br /> high performance in information processing visualized?<br /> <br /> The work of all 6 participating artists addresses energy and their<br /> compression in computer animation, installation and painting.</p> Thu, 25 Apr 2013 22:55:15 +0000 http://www.artslant.com/ber/Events/list http://www.artslant.com/ber/Events/list Wilhelm Rudolph, Hermann Glöckner, Wilhelm Lachnit, Hans Theo Richter, Hans Körnig, Gerhard Kettner - Neue Nationalgalerie - January 15th, 2013 - April 28th, 2013 <p>Dresden war neben Berlin und Leipzig eines der wichtigsten Kunstzentren der DDR. Zu Beginn des 20. Jahrhunderts hatte sich die Elbmetropole durch Künstler wie die Brücke-Gemeinschaft oder Otto Dix zu einem bedeutenden Ort der Graphik entwi-ckelt. Zahlreiche in Dresden ausgebildete Künstler belebten nach dem Ende des Zweiten Weltkriegs diesen Schwerpunkt mit stilistischer Vielfalt neu.</p> <p>Die Studioausstellung zeigt mit einer Auswahl von rund 30 graphischen Arbeiten der sechs in Dresden wirkenden Künstler Wilhelm Rudolph (1889-1982), Hermann Glöckner (1889-1987), Wilhelm Lachnit (1899-1962), Hans Theo Richter (1902-1969), Hans Körnig (1905-1989) und Gerhard Kettner (1928-1993) einen kleinen Ausschnitt des umfassenden Bestands des Berliner Kupferstichkabinetts an Kunst-werken aus der DDR.</p> Tue, 08 Jan 2013 20:22:27 +0000 http://www.artslant.com/ber/Events/list http://www.artslant.com/ber/Events/list Ursula Biemann - Neuer Berliner Kunstverein - March 2nd, 2013 - April 28th, 2013 <p>Ursula Biemann (born in 1955) is an artist, theorist, and curator. Since 2002 she has been researching at the Institute for Theory at Zurich University for the Arts. Biemann was awarded an honorary doctorate by the University of Umeå (2008) and the Prix Meret-Oppenheim (2009). Lately her works were exhibited at: Alexandria (2012); LENTOS Museum, Linz (2012); Center for Art and Media Karlsruhe (2011); Cooper Union, New York (2011) and 7th Shanghai Biennale (2008); 10th Istanbul Biennale (2007); Liverpool Biennale (2004), among others.<br /><br />The exhibition Egyptian Chemistry – Deep Weather – Sahara Chronicle at Neuer Berliner Kunstverein presents a selection of Biemann’s large-scale projects in spatial staging, focusing on two current works that are shown for the first time on the European continent: the single channel projection Deep Weather (2013), which offers insights into the global causes and impacts of climate change, and Egyptian Chemistry (2012), an installation with a water laboratory and a five channel video that sheds light on the hybrid ecology of Egypt and the role of the Nile in this system. To complement the two new works, Sahara Chronicle (2006–2009) investigates clandestine migration within northern Africa, but also the points where migration routes and the extraction of resources like uranium and fisheries intersect.<br /><br />Subtle and profound, Biemann’s work makes use of existing knowledge, reflecting upon correlations and subjective impressions and combining them with academic findings. Biemann’s artistic approach creates a new way of organizing knowledge and provides a platform for all actors upon which they can leave aside their classical roles as victim and enter into a differentiated dialogue on a par with the beholders. The non-linear narrative structure that characterizes Biemann’s works presents a narrative and visual mosaic of impressions that ultimately compose a complex image. For this reason, her impressive works are not documentaries in the representative sense, but rather coalesce subjective statements of eyewitnesses with academic questions and contrast knowledge from the public media with surprising images and contrary viewpoints from politics, history, culture, and sociology.</p> <p>The exhibition is accompanied by the catalog Ursula Biemann: Mission Reports—Künstlerische Praxis im Feld, published by Verlag für moderne Kunst Nürnberg, with a preface by Marius Babias, Simon Maurer, and Stella Rollig and contributions by Ursula Biemann, T. J. Demos, Brian Holmes, and Jörg Huber, in German language, 208 pages with numerous color illustrations.</p> Wed, 13 Feb 2013 01:25:01 +0000 http://www.artslant.com/ber/Events/list http://www.artslant.com/ber/Events/list Marcel Eichner - Villa Schöningen - April 18th, 2013 - April 28th, 2013 <p>Für nur 10 Tage wird die Ausstellung "Marcel Eichner | Die Villa Schöningen Bilder" gezeigt: Vom 18.04. bis zum 28.04.2013. Wir laden Sie herzlich zur Vernissage am 17.04.2013 um 18 Uhr in der Villa Schöningen ein.</p> Mon, 22 Apr 2013 15:49:52 +0000 http://www.artslant.com/ber/Events/list http://www.artslant.com/ber/Events/list Vicente B. Ballestar - The Wall at In:Surgo! Berlin - October 19th, 2012 - May 1st, 2013 <p>Vicente B. Ballestar, born in Barcelona in 1929, is a Spanish illustrator known worldwide for his genre-defining dark pulp and supernatural realist illustrations. Throughout his long career, he has been beloved by aficionados of the genre worldwide, especially for his cover illustrations for Geisterjäger, John Sinclair (Ghosthunter, John Sinclair). From the beginning of the series in the 70s to his retirement in 2007, Ballestar created almost one thousand striking scenes in his preferred medium watercolour, giving the adventures of John Sinclair their unmistakable graphic character and certainly greatly contributing to its cult status. In the horror detective fiction series, published weekly since 1973, Scotland Yard chief inspector John Sinclair is the eponymous protagonist of the German pulp fiction written by Helmut Rellergerd under the pen name Jason Dark.<br />In his unique style, characterised by a masterful command of light and dark and dynamic linework, exploring the many nuances of shadows and extreme emotions in the figures’ facial expressions and postures in eerie settings, danger always lurking nearby, the master watercolourist Ballestar captured the uncanny universe of the series. His dramatic illustrations made the hero and his battles with demonic and undead opponents come to life, leap off the pages and populate the readers’ imagination.<br />For over thirty years, Ballestar has also painted the background scenes of Spanish bullfighting posters. His vi-vid scenes have become synonymous with the breathless tense energy, physical rigour and captivating danger of the arenas.<br />Ballestar has collaborated widely with international publishers such as Bastei (Germany), Robert Hale (England), Clevalend (Austria), Semic (France and Sweden), Winthers (Denmark) and more. As a writer, he has published several titles on drawing and painting techniques.</p> <p></p> <p><img src="http://dbprng00ikc2j.cloudfront.net/userimages/11731/i3r/20121016170519-oceanhandsdress.jpg" /></p> Wed, 03 Apr 2013 00:48:24 +0000 http://www.artslant.com/ber/Events/list http://www.artslant.com/ber/Events/list Johann Büsen - G.A.S-station - April 20th, 2013 - May 2nd, 2013 <p>Digital prints on paper and video animations on monitor</p> Fri, 19 Apr 2013 23:10:08 +0000 http://www.artslant.com/ber/Events/list http://www.artslant.com/ber/Events/list Marc Bijl, Peggy Franck, Lena Henke, Ada van Hoorebeke, Jana Müller, Björn Wallbaum - Autocenter - April 21st, 2013 - May 4th, 2013 Mon, 22 Apr 2013 15:49:44 +0000 http://www.artslant.com/ber/Events/list http://www.artslant.com/ber/Events/list Shezad Dawood, James Howard, Juliana Cerqueira Leite, Shana Moulton, Matthew Stone, Mark Titchner, Margo Trushina - DUVE Berlin - March 9th, 2013 - May 4th, 2013 <p class="P1">An astrological age lasts for approximately 2,150 years – the time it takes for the vernal equinox to move from one constellation of the zodiac into the next. In our era, this is a procession from Pisces to Aquarius. Some believe that such changes affect mankind, influencing the rise and fall of civilizations or cultural tendencies: The age of Aquarius is said to be associated with love, unity, integrity, freedom, modernization, rebellion, veracity and transparency. Its colors are silver, aqua, purple, electric pink and blue. But no one can agree whether this age has already arrived or if it is still far away.* Have we experienced a new dawn for mankind or are we still under the sign of the Piscean values - power and control? Can we pin our hopes on the stars? The works in this exhibition paint a picture of cosmic and earthly desires; they invoke other possible worlds and in some cases reject them. This Age of Aquarius catalogues artists’ wrestling with hope and doubt, questioning the effectiveness of new age symbolism in the 21st century.</p> <p class="P1">* * *</p> <p class="P1">Shezad Dawood (b.1974) trained at Central St Martin’s and the Royal College of Art before undertaking a PhD at Leeds Metropolitan University. Dawood works across many different forms of media, looking at a discursive model of practice that takes in both mystical and literary/historical narratives. Often drawing on his complex heritage, his projects have been influenced by Sufism as much as Samuel Beckett and his large-scale interventions often work with musicians, actors and other collaborators across a breadth of global locations: including the Middle East, Europe, India and the Americas. Recent projects include ‘Waiting (Insha’allah)’, a restaging of Samuel Beckett’s ‘Waiting for Godot’, working with children of Arab immigrants in Milan and ‘Until the End of the World’, a large-scale neon installation at The Third Line in Dubai (both 2008), which was subsequently acquired by the Museum of Modern Arab Art in Qatar. Dawood is one of the winners of the 2011 Abraaj Capital Art Prize. His work has been exhibited internationally, including as part of ‘Altermodern’, curated by Nicolas Bourriaud, at Tate Britain, the 53rd Venice Biennale (both 2009) and the Busan Biennale in Korea (2010). His further extensive exhibitions include projects in cities such as Dubai, Mumbai, New Delhi, Fribourg, Amsterdam, Sydney and Winnipeg. Future projects include a new feature-length science-fiction film to be exhibited in a solo show at Modern Art Oxford (2012) and a collaboration with contemporary dance choreographer Jasmin Vardimon at Sadler’s Wells in London (2013). Dawood currently lives and works in London, where he is Senior Lecturer and Research Fellow in Experimental Media at the University of Westminster.</p> <p class="P1">James Howard (b. 1981) is fascinated with spam emails whose intent is fraudulent or which attempt to sell questionable consumer products.  A student of internet scam strategies and an aficionado of the low-grade communication often associated with them, his recent work samples texts and images hijacked from real emails in his junk folder. The resulting collages are displayed as posters and screen grabs . The effect is a litany of enticement, preying on our perceived insecurities , and a garish portrait of the background/marginal commercial communication of our day. His work has recently been exhibited at the Saatchi Gallery and at the Frankfurter Kunstverein.</p> <p class="P1">Juliana Cerqueira Leite (b. 1981) engages the history of figurative art, re-formulating representation to reflect volition in form. Her practice explores notions of control over matter and the body’s physical translation of will and desire, investigating how form is produced through repeated intention. Primarily a sculptor Leite makes use of traditional sculptural processes and materials while breaking away from the historical syntax of figurative representation. Leite makes use of physically demanding activities such as digging, rolling, climbing, and falling, to resolve sculptural concerns, approaching these themes also through drawings, photography and video. Leite’s practice unites performance and sculpture to represent the physical mutability at the core of everyday being. Juliana Cerqueira Leite completed an MFA Sculpture at London’s Slade School of Fine Art in 2006, followed by an MA in Drawing at Camberwell College of Art. She has since exhibited her work internationally with recent group shows in Lithuania, California and London including Newspeak at the Saatchi Gallery, Bold Tendencies IV at the Hannah Barry Gallery, the 4th Marrakech Biennial and recently a solo show at Galleria Lorcan O’Neill in Rome. Juliana is recipient of the 2006 Kenneth Armitage Sculpture Prize and the 2010-11 A.I.R. Gallery Fellowship. She was also in residence in 2009 at the Banff Arts Center in Alberta Canada. Her work is held in private collections in New York and London.</p> <p class="P1">Shana Moulton’s (b.1976) installation and performance practice begins with her fictional alter- ego, Cynthia, a hypochondriac housewife fixated upon miracle cures , tv- shopping products and New Age rituals. Although Cynthia believes in the unity of the universe, she lives in a social vacuum. Nevertheless, the sculptural setting in which the videos are presented involve the viewer in her vision. For a brief moment the audience par takes of her low- tech Pop fantasy life in which objects and consumer products are at once banal and uncanny. Her video work has been screened and exhibited internationally, including at Art in General, New York , Migros Museum, Zurich; Contemporary Museum of Ar t , Uppsala; Rencontres internationales Paris /Berlin, Paris; Aurora, Edinburgh; Darklight Festival, Dublin; Impakt Festival, Utrecht ; Internationale Kurzfilmtage, Oberhausen; Broadway 1602, New York ; and Gimpel Fils , London. Moulton‘s performances have been presented at venues including The Kitchen, New York ; PERFORMA 09, New York ; Aurora Picture show, Houston; Electronic Arts Intermix, New York ; The Bluecoat , Liverpool; Socrates sculpture Park , New York ; among others .</p> <p class="P1">Matthew Stone (b. 1982) is an artist and shaman. These two interconnected roles are defined by his activities as photographer, sculptor, performance artist, curator, DJ, Optimist and cultural provocateur. He has shot covers for i-D magazine, Dazed &amp; Confused, Clash and GQ Style and directed music videos for These New Puritans and others. His recent exhibitions and performances have taken place at the Baltic, the Royal Academy, the ICA, the 4th Marrakech Biennale and Tate Britain.</p> <p class="P1">Mark Titchner (b. 1973) Working across a number of media including digital print, wall drawing, video, sculpture and installation, Titchner’s practice explores systems of belief, both secular and spiritual, often focusing on the marginalized, discredited or forgotten ideologies and objects we place our faith in. Using the impersonal language of the public realm, ranging from the quasi-mysticism of corporate mission statements to the maxims of revolutionary socialism, his work exhorts us to believe in it. Motifs taken from advertising, religious iconography, club flyers, trade union banners, prog-rock and political propaganda all vie for our attention. The common denominator of this quest for idealism is a quest for enlightenment; a desire for some form of transcendence; and yet, abstracted from its original context, the message appears drained of meaning. We know that we are being asked to respond but the purpose is unclear, leaving us only with the formal means of exhortation and our own desire for meaning.</p> <p class="P1">Margo Trushina (b. 1981) works with the mechanisms of perception and the complexities of our relationship to space. Her practice includes interactive installations and outdoor sculptures, that invite us to consider how build spaces function as social, psychological and perceptual environments. Trushina studied Photography at the Moscow State University and Institute of Problems of Contemporary Art under Josef Bakhstein in Moscow. She then went to obtain her MA in Fine Art from the Chelsea College of Art in London. Since 2006 she has shown in various exhibitions in Russia, Europe and the UK. In addition to gallery shows, her works recently featured in a number of public exhibitions, including at Castello De Rivoli Museo D’Arte Contemporanea, Turin, Italy, Multi-Media Art Museum, Moscow; Chelsea Parade Ground, London; Archstoyanie Land Art Festival, Moscow, and others. Trushina will be participating in the Young Art Biennial 2012 in Moscow and Summer Exhibition at the Royal Academy, London.</p> <p>Nadim Julien Samman read Philosophy at University College London before completing a doctorate at the Courtauld institute of Art. He has written for publications including Third Text, The Art Newspaper, Art review, Contemporary, Asian Affairs, Art india, Artchronika, Erotic review, Naked Punch, Under/current and WestEast. in 2011 he was Co-curator of One of a Thousand Ways to Defeat Entropy – an Official Collateral Project of the 54th Venice Biennale, and in 2012 he curated the 4th Marrakech Biennale with Carson Chan. 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5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]--><strong><span style="font-size: 8.5pt; font-family: 'Georgia','serif'; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Helvetica; color: black; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;">DUVE Berlin will be open throughout the Berlin Gallery Weekend.</span></strong><b><span style="font-size: 8.5pt; font-family: 'Georgia','serif'; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Helvetica; color: black; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;"><br /> <strong><span style="font-family: 'Georgia','serif'; mso-bidi-font-family: Helvetica;">This weekend the gallery hours are:</span></strong></span><span style="font-size: 10.5pt; font-family: 'Helvetica','sans-serif'; mso-fareast-font-family: 'Times New Roman'; color: #505050; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;"><br /> </span><strong><span style="font-size: 8.5pt; font-family: 'Georgia','serif'; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Helvetica; color: black; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;">Friday, April 26: 10 - 6</span></strong><span style="font-size: 8.5pt; font-family: 'Georgia','serif'; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Helvetica; color: black; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;"><br /> <strong><span style="font-family: 'Georgia','serif'; mso-bidi-font-family: Helvetica;">Saturday, April 27: 12 - 4</span></strong><br /> <strong><span style="font-family: 'Georgia','serif'; mso-bidi-font-family: Helvetica;">Sunday, April 28: 12 - 4</span></strong><br style="mso-special-character: line-break;" /> <br style="mso-special-character: line-break;" /> </span></b></p> Thu, 25 Apr 2013 23:52:42 +0000 http://www.artslant.com/ber/Events/list http://www.artslant.com/ber/Events/list Alessandro Lupi - Meinblau - April 20th, 2013 - May 4th, 2013 <p>Mit STANDPUNKT (punto di vista) präsentiert das Kunsthaus MEINBLAU neue Arbeiten des italienischen Künstlers Alessandro Lupi (*1975, Genua). </p> <p>Uhrzeiger, die das Zeitgefühl durcheinanderbringen, ein Spiegel, der das Ich grundsätzlich in Frage stellt, Schatten, die Illusionen erschaffen – in Alessandro Lupis Spiel mit Licht und Schatten, im Experimentieren mit Farbe, Licht und Raum offenbart sich sein zentrales Interesse: die Entstehung und Veränderlichkeit von Wahrnehmung. Von jeher interessiert an der Idee der Umkehrung, bietet der Künstler dem Besucher durch die Täuschung seiner Erwartung die Möglichkeit, den eigenen Blickwinkel zu überprüfen und eine andere Perspektive einzunehmen. Begleitend zur Ausstellung findet ein interdisziplinärer Workshop statt, der Experten aus Bereichen wie der Philosophie, Physik, Informatik und dem Kochen zusammenbringt, um eine gemeinsame Installation zu entwickeln. Präsentiert wird diese während einer Abschlussfeier am 26. April 2013 um 19 Uhr, mit einer Soundperformance von True West.</p> Tue, 19 Mar 2013 23:58:39 +0000 http://www.artslant.com/ber/Events/list http://www.artslant.com/ber/Events/list Kane DO, Wolf von Kries - General Public - April 20th, 2013 - May 5th, 2013 <p><b>ESPACES COMPLEXES/KOMPLEXRAUM</b> <br /> <b><br /></b>Der Begriff "complexe" wird hier im etymologischen Wortsinn gebraucht als etwas, das in einer Folge von Verkettungen und Verschachtelungen miteinander verwoben ist. <br /><b>KOMPLEXRAUM</b> bezieht sich implizit auf den Begriff der Dialogik, der von Edgar Morin eingeführt und entwickelt worden ist, als die "<i>Vereinigung zweier Prinzipien, ohne dass sich die Dualität in dieser Einheit verliert oder verunklärt. (…) Die Aufgabe besteht darin, gegensätzliche Begriffe zu vereinen, um gestalterische und kreative Prozesse in Gang zu setzen."</i> <br /> <br /> Indem wir dieses vertraute Prinzip aufgreifen, verfolgen wir unsere Überlegungen zum Ort des Werkes im Prozess der Ausstellung und seinen Bezug zu einem kuratorischen Konzept. <br /> In diesem Zusammenhang zeigen wir eine mehrteilige Ausstellung mit dem Titeln "KOMPLEXRAUM #1, #2, #3, #4", #... Die Summe der Teile konstituiert eine kollaborative, experimentelle Ausstellung. <br /> <br /> Künstlerinnen und Künstler werden nacheinander eingeladen, sich auf den Ort einzulassen, den Galerieraum einzunehmen und ihrerseits einen Künstler oder eine Künstlerin einzuladen, mit ihm/ihr gemeinsam die Konzeption einer Ausstellung zu entwickeln. Der Kurator macht lediglich die Vorgabe dieser Spielregel, die die künstlerische Autonomie respektiert in Bezug auf ihre theoretischen, ästhetischen und formalen Implikationen und die Auseinandersetzung mit einem Gegenüber initiiert. Auf diese Weise wird das Objekt der kuratorischen Auswahl zum agierenden Subjekt. <br /> <br /> Es ist die den Werken der ausgewählten Künstlerinnen und Künstler zugrundeliegende Beziehung zwischen formalen und konzeptuellen Gesichtspunkten, an der sich die Auswahl und Zusammensetzung der Gruppe orientiert hat. <br /> Für Komplexraum #5, wurde Kane Do eingeladen. Er lud wiederum Wolf von Kries ein. <br />  <br /> Komplexraum ist ein Projekt von Mj Ourtilane.</p> Thu, 02 May 2013 22:52:31 +0000 http://www.artslant.com/ber/Events/list http://www.artslant.com/ber/Events/list