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Collector's Catalogue Vol. 5, Issue 2: The Return of the Zine
by ArtSlant Team

Bibliophilia in Technophobia, Pt. II: The Return of the Zine

Mara Goldwyn on the new zine-makers of today

Some years back an acquaintance who I guess is about eight years younger than I am (I’m thirty-seven now, so at the time I was probably thirty-two and she twenty-four), sent out an email telling people about her “zine.” In the text, she said something like, “don’t know what a zine is?” and then included a link to a Wikipedia article … on zines.

I smiled a bit haughtily; this somehow brought me back to my teens and early twenties, when I never quite fully understood why my mother was so tickled by my recycling of fashions she knew from her younger years. I would dig through her archival closets and extract dashikis from the sixties and wide-lapelled pleather trench coats from the seventies and wear them just that moment in the nineties when they made sense again. Seeing me off to school she would shriek or furrow her brow or laugh and shake her head.

Since I had never lived through the first iteration of such fashions, it didn’t occur to me why my wearing such things would be humorous-but-kind-of-sad to her. But now, living in the Never-Never Land of contemporary Cultural-Capital-Capital Berlin, where no one grows up and leisure and industry are incestuous canoodlers – if not out and out indistinguishable – I get a front seat to the latest trends.  These are of course also recycled similarly to the abovementioned interval – and now the nineties are back in a big way. And it’s pretty funny-sad to me, too.




It’s a bizarre parade of much younger and skinnier women (close to those described in the nightmare in Part I of this article) all with the accessories and accoutrements that had the jocks taunting me in my early nineties cafeteria: Doc Martens, piercings, flannel, head-to-toe black – grunge with a dash of Goth and rave. And in the midst of all this, as appendages to the art fairs and galleries these PYTs frequent, zines, in the tradition of the now canonized Riot Grrrrls (about whom, by the way, there is a touring exhibition called “Alien She”), are "back".

Nowadays there are zine fairs, book fairs crowded with neo-zinesters, pop-up “reading rooms” in major museums filled with independent publications, mobile zine libraries and twenty-somethings everywhere, advertising their zines using social media. Though, children, believe it or not, back in the day we used to trudge ten miles through the snow, barefoot, to sneak into the Language Arts classroom when it was empty during study hall to run off Xerox copies of our adolescent concrete poetry, collages of personal photos developed at the Thrift Drug, and hand-typed album reviews …  we would then walk them over to the record store to leave them in the windowsill or put an ad with an address with a P.O. box number in the back of another zine…


But it’s not with one-upmanship or bitterness that I tell these things; I know that most young people engaging in zine-making in the twenty-teens are generally pretty savvy as to their place in history. It’s just that they’ve been dealt the shitty hand. We got to slack – and now they gotta pick it up. Perhaps those of us who came of age in the nineties are to the Millennials – that’s what they’re calling the twenty-five-year-olds of today, right? – like the Boomers were to us: this sort of impenetrable resource-sucking generation with fascinating clothes and music and sometimes arrogant aesthetic habits that seem in retrospect so very authentic, if such a term has any currency anymore...

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ArtSlant's Collector's Catalogue is a special edition publication focused on bringing new artists and new work to the attention of our worldwide audience of seasoned buyers, committed art lovers, and first-time purchasers. The artists included in our Collector's Catalogue can be contacted directly or through their galleries. ArtSlant is pleased to present them for your consideration.  


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Posted by ArtSlant Team on 11/27/13

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