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Ausstellung SIEGesIKONEN
by Jaworska
Guy Avital, Dobrochna Badora, Jacek Bakowski, Janusz Bakowski, Krzysztof Baran, Grazyna Bartnik, John von Bergen, Czeslaw Bielecki, Bozenna Biskupska, Jan Bokiewicz, Wojciech Bruszewski, Michal Brzezinski, Maciej Buszewicz, Piotr Bylina, Janusz Byszewski, Rafal Chmielewski, Krzysztof Cichosz, Erazm Ciolek, Bettina Cohnen, Witoslaw Czerwonka, Andrzej Dluzniewski, Kurt Fleckenstein, Borena Frasheri, Miroslaw Dembinski - Waldemar Major Fydrych, Henryk Gajewski, Varda Getzow, Stefan Gierowski, Teresa Gierzynska, Marek Glinkowski, Sylwia Gorak, Jan Gryka, Pawel Grzes, Ryszard Grzyb, Alexander Honory, Andrzej Janaszewski, Jerzy Janiszewski, Renata Jaworska, Beatrice Jugert, Wolf Kahlen, Andrzej Kalina, Jerzy Kalina, Lodz Kaliska, Edyta Jaworska Kowalska at SIEGesIKONEN / icons of victory - transform
August 30th, 2009 5:00 PM - 8:00 PM
Posted
4/14/13
Die Ausstellung SIEGESIKONEN - transFORM ist ein Versuch die diversen Facetten der Metamorphosen zu veranschaulichen, die sowohl ganze Nationen als auch uns selbst persönlich betreffen. Über 100 Künstler verschiedenen Alters und Nationalität nehmen teil. In Bildern, Collagen, multimedialen Arbeiten und dokumentarischen Fotos, welche manchmal sehr dramatische, manchmal lustige und oft auch absurde Ereignisse aus den 80er und 90er Jahren festhalten, betrachten die Künstler unterschiedliche Wege g... [more]
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Worth Going!
by ajenni
Christian Burnoski at Schillerpalais
January 11th, 2011 - January 27th, 2011
Posted
1/17/11
The artwork is thoughtfully put together and works well within the space. There's a lot in the show without over crowding. It's also fun to see how he displays the theme of doubles and triples. [more]
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Press Release
by Cruise&Callas
Frauke Boggasch + Adrian Lohmüller at Cruise & Callas
September 23rd, 2009 - November 7th, 2009
Posted
10/22/10
The pictures of Frauke Boggasch, painted in many glazed layers and sombrely romantic appearing, are conceptual and above all a confrontation with classic questions on painting. In the glazes she buries the knowledge of painting’s conditions. Archetypes, confrontations and allusions are hardly or not at all visible anymore. These layers and histories face up against the completed picture, which on the surface display impasto application and appear almost manically worked. Boggasch employs th... [more]
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Press Release
by Cruise&Callas
Dominik Steiner at Cruise & Callas
December 6th, 2008 - January 24th, 2009
Posted
10/22/10
Cruise & Callas are pleased to present the fi rst solo exhibition of Dominik Steiner. In his show “Totipotent”, Steiner is showing abstract painting and sculpture.
Dominik Steiner’s work shows a strong relationship to the artist’s self-image since the beginning of classic modern art. Sandro Bocola wrote in his art historical paper “The Art of the Modern” about Kandinsky and his contemporaries:
“In their non-objective works the unity of the sensual and the spiritual is neither procl... [more]
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Et facta est lux!
by WHITE SQUARE GALLERY
molitor & kusmin at WHITE SQUARE GALLERY
September 18th, 2010 - November 20th, 2010
Posted
9/14/10
With the exhibition “Et facta est Lux”, the White Square Gallery presents from September 18th until November 20th an extensive, space-oriented installation by the artist duo molitor & kuzmin.
Ursula Molitor (born 1947 in Lower Saxony, Germany) and Vladimir Kuzmin (born 1943 in Saporoshje, Ukraine) have created a light installation, especially for exhibition at the White Square Gallery, which combines pieces of previous installations with pieces of new ones.
In existence since 1996, the artist duo molitor & k... [more]
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The Sea of Plenty
by kunstumgebung
Michael Stokes at STYX Projects
September 8th, 2010 - September 29th, 2010
Posted
9/11/10
Stokes seems to have the creative freedom that may have other artists, serving more commercial or intellectual masters, becoming anxious. It seems like Stokes just makes whatever he feels like, or works with whatever the sea provides, as it were. It's as though a fisherman waits patiently to see what might bite. But surely this reading is too simple. A reading of this body of work involves a certain amount of time, for there are no dry references to art history or to art theory. Stokes also do... [more]
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