The city is a cosmic place. It is home, playground, office, and dreamland all in one. Stadt/Bild: Image of a City is the second time four Berlin institutions have collaborated in their contemporary art program. The project, initiated and funded by the city of Berlin, is part of the city’s pursuit of prestige events that draw attention to Berlin Art Week and its commercial epicenter, the abc art fair. Two years ago, Painting Forever! was thought banal and unexciting but successful enough (i... [more]
Independent project spaces have an inherently tenuous nature. But don’t misinterpret that as an inadequacy. Often working within more confines than their established gallery and institutional counterparts, project spaces leverage their upstart spirit by converting restricted budget, resources, and square meters into an enticing enthusiasm that yields lively results.
Project Space Festival is proof positive of this resourcefulness. Recently, it’s hit its stride in maximizing the potentia... [more]
The first edition of Germany’s Preis der Nationalgalerie in 2000 included three of today’s most well known Berlin-based artists: Olafur Eliasson, Katharina Grosse and Christian Jankowski. Strangely, the fourth nominee and that year’s winner, Dirk Skreber, has had less shows since 2000 than the four nominees for the 2015 Preis der Nationalgalerie.
Museum award competitions give artists considerable amount of exposure in the media and tend to catapult the artists’ careers, their market... [more]
Now in its fourth year, Berlin Art Week is fast becoming a fixture in the German capital’s art scene. While blockbuster exhibition Stadt/Bild is taking over four of the main art institutions, the week is also a moment for smaller galleries, project spaces, and non-profits to shine. And then, of course, there are the art fairs: Art Berlin Contemporary and platforms for emerging art, Positions and Liste.
Ubiquitous at any major art event these days, there are also a vast number of talks, panel discussions and one-off tours, but it&rs... [more]
Berlin Art Week starts on Tuesday and features seven different locations around the city of Berlin. As always, it's a celebration of the diversity of spaces and artistic practices that the European artistic capital has become known for.
If you need a hotel room for Berlin Art Week, visit Cheaprooms.co.uk. On this website you will find a selection of affordable hotel rooms in stadtmitte Berlin.
Below is a quick preview of the best events during Berlin Art Week:
Neue Nationalgaler... [more]
Like other industries, the art world should come under the scrunity of fair and equitable business practices. With so much privatization in the gallery and museum world, it's as good a time as any for consumers of culture to question where funds come from—and where profits are going. This summer, we're seeking out the best not-for-profit and community conscious art spaces in the most commercial cities on the global art circuit. As part of our mission to give art a social slant, the fourth st... [more]
Fire and Forget: Artists Respond to Modern Warfare by Vanessa Gravenor Marina Abramovic, Ron Amir, Roy Brand, James Bridle, Luis Camnitzer, Mircea Cantor, Joan Castro, Marcelo Cidade, Jem Cohen, Martin Dammann, Chto Delat, Öyvind Fahlström, Harun Farocki, FRANK&ROBBERT/ROBBERT&FRANK, Daniil Galkin, and Keren Yeala Golan, Rudolf Herz, Damien Hirst, Clara Ianni, Emily Jacir, Hunter Jonakin, Joachim Koester, Korpys/Löffler, Barbara Kruger, Armin Linke, Robert Longo, Jazmin Lopez, Kris Martin, Michael Müller, Timo Nasseri, NEOZOON, Katja Novitskova, Tal R, Pipilotti Rist, André ROBILLARD, Julian Röder, Henning Rogge, Martha Rosler, Hrair Sarkissian, Ori Scialom, Timur Si-Qin, Santiago Sierra, Javier Téllez, Ulay, Julius von Bismarck, Sharif Waked, Gillian Wearing, He Xiangyu, Amir Yatziv, Ala Younis at KW Institute for Contemporary Art
June 14th - August 30th
Entering Fire and Forget. On Violence, the viewer passes through two of the four rotating gates in Daniil Galkin’s installation Tourniquet. Beyond this eerie passage, a provocative text speculates on the impact of technology on modern warfare. Its thesis can be characterized as follows: since modern technology has largely emancipated warriors from a traditional active sense of duty—allowing them to literally fire and forget—does this change in confrontation halt the production and inev... [more]
It’s often said that originality is simply undetected plagiarism. In the past couple of years, several major art institutions and museums have revisited the work of American artist Elaine Frances Sturtevant (1924–2014), known simply as Sturtevant, who was both as original as they come, but also a well-known plagiarist. Recent exhibitions include Double Trouble at the MoMA, New York City, and MOCA, Los Angeles (2014–2015), Leaps Jumps and Bumps at the Serpentine Gallery (2013), and Image O... [more]
For the first time, Amnesty International awarded their annual Ambassador of Conscience Award to a visual artist.
Ai Weiwei received the international honor, which was presented at an award ceremony Thursday night at the Berliner Festspiele in Berlin, in absentia. The artist can’t leave China, being under government surveillance and having his passport revoked.
In place, he designated London’s Tate Modern curator Chris Dercon to accept the award on his behalf. The award is devoted to... [more]
Truth is complicated. We live in a world bombarded by coded messages that urge us to perk up, pay attention, take sides, and weed out those that are trustworthy from those that are less so. In film, television, print, and online we are in a constant state of self-definition: this is us, that is them. We define ourselves against a backdrop of trusted leaders, voices, guides, and influencers. But ultimately, how can you tell the truth? How can you tell the truth?
As part of this year’s Gallery... [more]
You know who I'm talking about: sipping the dregs of an hour-cold flat white, hidden amidst a fortress of MacBooks and Moleskines, using a public cafe as their own personal workspace. Yeah, you've see them—you may even be one of them. And I confess to you: I too am one of those people.
It wasn't always like this. I used to rent a studio space. It was cold, smelled of fish (from the market below) and the WiFi was more selective than the bouncers at Berghain. More and more often, I found myself... [more]
It’s laid out like an obstacle course of sensory imagination—works mindfully scattered throughout the space, hung on walls, towering like disembodied limbs amidst the void, protruding from their designated places threatening to shape shift.
In conjunction with the German premiere of British filmmaker Emily Wardill’s When You Fall into a Trance at carlier | gebauer, the artist has curated an adjacent group show in conversation with curator Jesi Khadivi, who joined carlier | ge... [more]
“There is a lot of freedom to being a freelancer,” once said journalist Don Gibb. “You get to work any 13 hours of the day you like.”
The same can be said for any self-employed entrepreneur—including artists. Much is to be learned from this year’s “Capture All" edition of Transmediale, the annual digital art festival famous for its screenings, performances, exhibitions, and conference that hash out media art every year in Berlin. This year the festival's ma... [more]
Dedicating its programming to the work of seven noted filmmakers, KOW in Berlin gives its exhibition space over to the moving image in 2015. The year’s roster includes Germany representatives for this year’s Venice Biennale, Tobias Zielony and Hito Steyerl, pioneering feminist and experimental cinematographer Barbara Hammer, Russian activist collective Chto Delat?, Mario Pfeifer, Renzo Martens, and Clemens von Wedemeyer.
Why is it so important to show and engage with film and video work?
Hung salon style and packed to the brim for the opening, You’re Just Too Good To Be True is Contemporary Fine Art’s most attended show to date. Outside in the cold, a long queue snakes around the block, steam rising. Inside, in a sea of tortoiseshell glasses, camel hair coats, and variations-of-rouge lipstick, Berlin’s art world glitterati coerce their way through the crowds and around the baby strollers that block the exits, entries, and quiet solitary corners of the rooms.