Hello frends! I am an artist. My roots take place in St.Petersburg, which has great architecture, culture and history that influenced me once and forever. Today, in the times of technical progress, mass production and new artificial materials I search for inspiration in the foundation of the Arts - old Russian Orthodox icons, Renaissance and folk cultures. I seek out look for new shapes and images within my themes using different materials, but my favorite is glass for its plasticit... [more]
Aloha from My Enlightened Studio, After a Lifetime of Rejection in all My Social Circles & Abuse by All My Children, X-wives, Siblings and Close & Distant Relatives I Found a Safe Harbor Here in Hilo, where I can Create Imagery, How, When & Why I Choose, that is not influenced by any outside forces. It is Trully "Original" and I am a Master of Application. 60,000 years ago, a cave man using blood, pigments, animal & human feces, plant and fish material to create Cave Paintings started "ART" whic... [more]
Making the art world accessible to anyone with an internet connection.
Visual art is rarely understood unless it is reckoned with in person. Even then, it is often difficult to really see what an artist is trying to express, especially with the many abstract works that have come out of modernism. A huge part of the viewing experience involves being able to face works that artists created in real time and in real space. Being able to comprehend and feel what Mark Rothko felt when he... [more]
In his essay “Why I Hate Post-Internet Art” Brian Droitcour complains that “the post-internet art object looks good online in the way that laundry detergent looks good in a commercial.” He bemoans the art object that looks like it has leapt off the screen into the gallery to pose for its photo before being disseminated online. His criticism is that such objects are too aware of the gallery system, playing to the capitalist brand mentality of the art world—the image/ob... [more]
Can graphic design ever truly be considered as a fine art form? Ren Adams has taken on that question by exploring the combination of printmaking and digital media into a collection of surreal two-dimensional images called “Alchemy of Image/The Language of Information Space.” These graphic pieces are striking aesthetically, yet leave something to be desired after initial observation.
Adams blends an interest in history, science, technology, art, and basically everything about the... [more]
Where does digital art live? Today, it’s usually found on your computer. While networked practices, hacks, and coded mixed-media practices are supported through scattered exhibition spaces and sites like Rhizome, digital art—art made using digital tools (think gifs), including digital photography, created to be viewed on a screen—hasn’t found much of a home away from your computer screen. Until now.
Last year, in New York, a small start up raised hundreds of thousands of dol... [more]
Ever had the feeling weapons technology would be better suited to making love, not war? Brooklyn film company Ghost + Cow have too, and have made the world's first porno filmed by drone.The most immediate thing that hits you about the trailer of Drone Boning is how picturesque it all is; military tech manages to capture gliding shots over San Franciscan beaches, orchards, and mountain vistas. Rutting couples are placed artfully around the natural canvas in a way that wouldn't look out of place... [more]
Two recent New York exhibitions put a new spin on the specter of the drone within art and technology. This past Saturday was the last day to see Sky Burial, Rick Silva's solo show of drone art at Transfer Gallery in Bushwick. Meanwhile, across the East River, bitforms gallery presented its second week of Shellshocked with four drone pieces by Addie Wagenknecht.
Wagenknecht and Silva join a long list of contemporary artists making drone art, but the ways they approach drones are decidedly innovati... [more]
Breaking up has never been easy. It's also never been easier, thanks to text messaging.
In her first New York solo exhibition, Allison L. Wade presents an entire series of artworks devoted to the breakup text message. Set against painted and photographed backgrounds on differently sized canvases, each work features a single text sent during one of Wade's own romantic failures, either by Wade herself or one of her exes.
They range from the tragic, "I knew you would do this to me," and desper... [more]
Around 80 percent of the art encounters I have these days begin on my phone, tablet, or computer screen. In most cases I am attempting to find out what's going on and where, so I can then see it in person. But the "where to see it" question is a digital art minefield. Pretty quickly we’re into the daft question of whether it is more real to see a digital work on a large format screen in a gallery than on a phone. Does a show need to have an opening with warm beer and too many people to have... [more]
Con Artist presents ISO 216, a collaboration between artists from New York and London. Named in honor of the world’s most common paper size ratio which, like so many of global standards of weights and measure, is notably rare in the US, ISO 216 celebrates the cultural parallels and unique individuality of the United Kingdom and United States. The two nations are ethnically diverse, share a common language, and are each massive exporters of art and culture, but as their slightly different pa... [more]
In dishonor of the longtime US holiday celebrating the beginning of the colonization of the Americas, we here at ArtSlant thought it might be a good idea to round up some influential postcolonial artworks that interrogate and deconstruct the long-lasting effects of colonization on identity.
Props to the states that have opted out of Columbus Day:
AK, AR, CA, DE, FL, HI, MI, MN, NV, OR, SD, TX, VT, WA, WI, WY.
Coco Fusco and Guillermo Gomez-Peña - Couple in a Cage, 1992 and 1993
Kara Walker, A Subtlety, 2014
We've already recommeded Disabled Theatre, a "hip hop party"-like performance, and a Frieze Project at the zoo. Here are a few more events and performances to look out for this week:
Part of ICA London's Off-Site programme during Frieze this year is a series of panel discussions organized in collaboration with Rhizome. Taking place from Wednesday to Friday, the three panels of "Do you Follow? Art in Circulation" will focus on the politics of digital circulation and its effect on contemporary art... [more]