A MET galéria Háromszög című sorozatának első kiállítása"PROCESS": Gábor Enikő, Detvay Jenő, Kecskés PéterA kiállítást megnyitotta: Nagy Zopán költő, író, fotográfus
Zakir Hussain’s latest works at Gallery SKE in Bangalore is a wonderful presentation of works to understand that originality can only be claimed as an unclaimed, seen as the other in the final omnipresent grand narrative of itself. The claim to originality that his works make in the beginning is by having a title ‘no title’. This is very interesting as the self proclamation of having no title negates the presence of the trace of the past. If there is any coincide... [more]
Adel Gorgy, "Permutation of Color...after Warhol" 60" x 84", Pigment Ink on Metallic Silver Medium, 2015
Crossing Lines, an exhibition featuring recent works by Adel Gorgy, Robert C. Morgan and Yun-Woo Choi at Able Fine Art NY Gallery, offers a fascinating glimpse at how three accomplished artists approach the challenging tasks of creating something new, pushing boundaries, and incorporating layers of meaning into singular works of art.
Adel Gorgy builds on the work he presented in his... [more]
Can graphic design ever truly be considered as a fine art form? Ren Adams has taken on that question by exploring the combination of printmaking and digital media into a collection of surreal two-dimensional images called “Alchemy of Image/The Language of Information Space.” These graphic pieces are striking aesthetically, yet leave something to be desired after initial observation.
Adams blends an interest in history, science, technology, art, and basically everything about the... [more]
On September 9th, a robot was released into the Gulf of Mexico, set adrift in the Gulf Stream. Off the southern tip of Portugal its transatlantic counterpart awaits sendoff into the strong Canary Current this week. Once offshore, these passive robots—floating spheres one-meter in diameter with sensors submerged below sea level—will be left on their own, without human intervention. Their mission: to unite in the middle of the Atlantic, carried only by currents and the forces of natu... [more]
Mungo Thompson fancies himself clever. He thinks that public affirmations of private struggle are curious, and can’t wrap his pretty little middle class head around the idea that they might be empowering.
He likes Bruce Nauman’s neon spiral form… he likes the idea that it takes up a commercial vehicle to advertise non-commodity slogan. He thought it would be cute to rifle through self-help books and AA 12-step guides, pick out phrases, and pay somebody to fabricate neon spir... [more]
Voynich Manuscript. image via Yale University's Beinecke Rare Book & Manuscript Library
We've never done this before. This year we launched our first-ever Curator's Open, where we asked you to use our massive database of art to curate our booth at EXPO Chicago. We then handed over the submissions to an expert jury of curators to decide which show we should put on. They selected Amsterdam-based curator and critic Manus Groenen's show "Cryptographics: a tribute to the Voynich Manuscript."
Word of Scottish artist Katie Paterson’s Future Library made the rounds this summer when the artist launched her 100-year-long project to build a library literally from the forest floor up. Future Library is back in the news again after it was announced this week that the first author to contribute a new work to the library will be none other than Man Booker Prize winner Margaret Atwood.
Paterson is known to think big—on a geological or even astronomical scale. She embedded a cell phone i... [more]
Middlesex by Jessie Zechnowitz Forrest Bess at Berkeley Art Museum and Pacific Film Archive
June 11th, 2014 - September 14th, 2014
Among the giants (Rothko, Still, and Pollock) represented by the Betty Parsons gallery in the 50’s and 60’s, there roamed the small but potent work of an artist named Forrest Bess. He hailed from Bay City, Texas, a bait fisherman and oil rig roughneck by day, and a conduit for the visualization of eternal truths by night.
Parsons heard his name through the grapevine, and when she came to Texas, she ate him up with her silver spoon. Parsons mounted no less than six solo exhibits of Bes... [more]
On August 11, 1977, the California Museum of Science and Industry in Los Angeles hosted Space Day, a carefully planned and tightly orchestrated media event organized by Whole Earth Catalog editor and environmental activist Stewart Brand. The symposium was an odd pairing, merging the utopian messaging of the back-to-the-land movement with a campaign to establish space colonies put forth by the military-aeronautics industry. In an opening speech, honored guest, astronaut Russell Schweickart spoke to... [more]
Published in http://www.artindiamag.com/quarter_04_03_14/index.html
Acts of drawing are sometimes summed up as dirtying the paper delicately,1 but Ayesha Sultana’s drawings in Outside the field of view, her first solo at Experimenter, Kolkata, mounted from the 9th of May to the 26th of June, are anything but delicate. Sultana ‘dirties’ the paper vigorously and obsessively, while reining in her mark-marking within perfectly geometric shapes. Nine graphite drawings of various si... [more]
Creation is a new painting series by American artist John C. Kuchera. He was born in Cleveland Ohio and has lived in New York City since the early 1980s. Creation 1,2 and 3 will be featured in a group art exhibit in Chelsea called the 20” x 20” art show. Opening reception is Sunday, August 17, 2014, from 6-8pm. 253 west 24 Street in New York City. The Art Exhibit will be on view from August 17 to September 14, 2014.
He likes to do at least 12 of each of the series to ensure... [more]
To borrow a thought from Deleuze and Guattari, art is not chaos, but a composition of chaos that makes possible a wide range of unpredictable new emotions and ideas. It pushes at the borders of the imagination, inviting new ways of seeing, and sharping our capacities for critical reflection. Truly powerful art may even change how we perceive our world, and re-situate our agency within it.
The Mike Kelley retrospective (currently on view at LA MoCA), reminds me of a quote by filmmaker David Lynch... [more]