Chicago, Dec. 2013: David Corbett is a Portland, Oregon based artist whose current solo exhibition Old Order is on view now at 65GRAND gallery. It’s full of animated, often raw-edged and pop-y colored pieces, all engaged in serious play. Although there are works on paper and sculptural objects, each piece functions as a sort of hybrid sculpture/painting, comically messing with one’s spatial perception.
Corbett was kind enough to take time to discuss it with me below, and our conversation c... [more]
Berlin, Dec. 2013: Ulrike Theusner paints monsters, beasts and brutes that are most frightening for being familiar. Her luscious watercolors, ink drawings and oil paintings are juicy with pictorial depth and detail while her characters burst and bubble with energy. Yet, despite these surface delights, her content is serious, dark and timely. Theusner’s images recall Goya’s grotesqueries and Otto Dix’s brutally seductive social caricature. Many of her characters wear historical... [more]
Philadelphia, Dec. 2013: It could be considered that one of Song Dong’s most important collaborations was with his mother. In 2009, Song arranged the entire contents of his mother’s house, along with the house's small wooden frame, throughout MoMA’s expansive atrium. The installation, Waste Not (2009), revealed in its precise organization – neat rows, stacks and stockpiles of bowls, suitcases, plastic buckets, clothing, shoes, boxes, small scraps of fabric – his mo... [more]
New York, Nov. 2013: The digital age is currently facing certain adaptations that bring into question the modern’s faithfulness to understanding the past; texting incoherent typos being confused with Freudian slips was not considered by the original teacher and therefore could nullify the slip of the tongue theory. Psychological models in human development did not anticipate dualism in identity formation: the physical being and the digital projection of it via an online profile. Jacolby Satt... [more]
New York, Nov. 2013: John O’Connor is known for his colorful, intricately patterned drawings, often structured by a series of chance operations and other times informed by found text and data. Recently, O’Connor has added appropriated text from spam email and chatbots into these systems. We met on the occasion of his fourth solo exhibition at Pierogi Gallery, “The Machine and the Ghost” and his recently released catalogue featuring essays by Robert Storr, John Yau, Rick Moody, and Susan S... [more]
Oslo, Norway, Nov. 2013: I first met Ingri Haraldsen on an autumnal Saturday morning in Oslo, the day after the opening of the infamous Høstutstillingen 2013, Norway’s historic annual exhibition, which included a large-scale work of Haraldsen’s, Circular Story. I hadn’t yet met the artist then, and was blown away by the breathtaking depth and mastery of her work with pencil on paper, among the most impressive I’ve seen anywhere.
I was visiting the Norwegian capita... [more]
New York, Nov. 2013: I first met Gina Magid in the summer of 1999, at which point I had not seen her work, so we exchanged studio visits. Her studio then was in a big loft building in Williamsburg, and it was filled with a lot of fabric, wood, and other materials that she was using as grounds, as well as a lot of paintings that she described as all continuously in progress—an attitude toward painting that I shared and appreciated. We talked a lot about books and music, and I was really impre... [more]
Turin, Italy, Nov. 2013: Driant Zeneli is one of the most promising young artists in the contemporary art panorama. Born in Shkoder, Albania in 1983, he moved to Italy when he was eighteen. His video works tell people’s dreams, desires, hopes and failures, starting from performances and actions where chance plays an essential role. About two weeks ago at the Gallery of Modern and Contemporary Art in Turin, he presented his latest creation, Leave me alone, in the context of the show “Vitrine – Gente in s... [more]
New York, Oct. 2013: Following her double gallery show at CRG and Monya Rowe Gallery last fall [see Aldrin Valdez's review], and a residency at Yaddo over the summer, Bradley Rubenstein catches up with the painter Angela Dufresne. Dufresne's work is a kaleidoscope of image references to films, literature, and art history; Rubenstein and Dufresne discuss her large-scale, theatrical images, and the sources and inspirations for them.
Angela Dufresne, DJ Augustine, 2012, Oil on canvas, 84 x 132 inches; Court... [more]
Paris, Oct. 2013: On the eve of FIAC I managed to catch Marianne Paul-Boncour for a chat in what was probably the loudest workers cafe in eastern Paris. We struggled to be heard over the radio, the rattling of cups and glasses and the shrillest of barmaids, while simultaneously squinting into a setting sun. Despite these challenges we managed to talk about painting, New York City, France and FIAC.
James Loks: Can you describe your work in brief?
Marianne Paul-Boncour: I always come at things from two directions, but I'm working on a... [more]
London, Oct. 2013: Although we want more, the estimated hours that we spend in bed during our lives is 227,468. Yet only a handful of artists use this universal and vital forum as inspiration for their art. Lili Reynaud-Dewar is among them, and her installation for the Frieze Projects section of the 2013 fair addresses the manifold ways that beds represent our secret selves.
Reynaud-Dewar’s commissioned installation for Frieze references work by writers who reveal their personal lives through poetic te... [more]
New York, Sep. 2013: Laylah Ali isn’t a media guru by any means. Traditionally a painter, Ali is more at home poring over paint samples than messing with pixels. But after being asked by the Dia Art Foundation to create an online piece, she decided to venture outside her familiar mediums of paint and paper to explore the life and legend of militant abolitionist John Brown.
In John Brown Song! Ali assembled some nineteen videos of her friends, relatives, fellow artists, co-workers, and acquai... [more]
New York, Sep. 2013: As a performer, Larry Krone has appeared at music and art venues in New York including Joe’s Pub, PS 122, and the Whitney. Larry’s costume design and fabrication for his own performances has led to the creation of House of Larréon, his line of custom gowns and stage costumes, outfitting cabaret performers, dancers and rock singers including Bridget Everett, Neal Medlyn, Adrienne Truscott, and Kathleen Hanna. Larry is a 2013 Millay Colony fellow, a 2011 and 2... [more]
Amsterdam, Sep 2013: According to the public record on the gallery site: Galerie Gabriel Rolt is pleased to present an exhibition of new portraits by Dawn Mellor of members of the former collective The Austerians. This is Mellor's second solo exhibition at the gallery following 'The Conspirators' in 2010. Mellor is the oldest female artist never to have participated in a group exhibition nationally or internationally at many galleries, museums and public institutions in Europe, America and Scandinavia or... [more]
Chicago, Sep. 2013: When I came to Chicago in 2004, Goat Island was a prominent feature in the performance art landscape. Its reputation extended beyond the Midwest, across the ocean to Europe. The group began in 1987 and, until its ninth and last performance in 2009, conscientiously developed a collaborative body of performance work. Co-founder and Director Lin Hixson since went on with Goat Island’s other co-founder, Matthew Goulish, to form a subsequent performance group, Every house has... [more]
London/Tel Aviv, Sep. 2013: When are we ever going to be done with the onerous term that is 'street art'? Critics and writers are so fond of this repellent term yet the incompetence of this categorization, considering such a diverse range of practices, is startlingly evident, and ignores the way art is assimilated by public audiences.
Know Hope is a pertinent example of this unraveling of the 'street art' problem, having been tarnished with its indelible brush early on in his career: but it&rsq... [more]