ArtSlant - Galleries en-us 40 2x2projects, Geldersekade 58, Amsterdam, Netherlands <p style="text-align: justify;"><span style="font-size: small;">The Veemkade gallery location in Amsterdam, however beautiful, turned out to be inappropriate for the next steps in the evolution of the gallery. Moreover, the present economic situation also made clear, that the idea of a permanent exhibition space does not have to be followed at all cost. </span><br /> <br /><span style="font-size: small;"> By leaving Veemkade without immediately moving into a new permanent space, 2x2projects will now focus on rolling locations for the time being. These may be temporary locations, or spaces of galleries that have asked to cooperate </span><span style="font-family: arial,helvetica,sans-serif; font-size: small;">such as Vriend van Bavink. </span><br /> <br /><span style="font-size: small;"> This way, the 2x2projects programme will be able to rise and move to the occasion, locally and internationally. So stay alert, we are no longer bound to Amsterdam, <i>"we might come to a theatre near you very soon"</i>!</span><br /> <br /><span style="font-size: small;"> Please update our address for postal deliveries and correspondence to:</span><br /> <br /><strong><span style="font-size: medium;"> <small>2x2projects Office<br /> G. Doustraat 190 HS<br /> 1073 XA Amsterdam</small></span></strong></p> <p><input type="hidden" id="gwProxy" /><input type="hidden" id="jsProxy" onclick="jsCall();" /></p> <div id="refHTML"></div> <p><input type="hidden" id="gwProxy" /><input type="hidden" id="jsProxy" onclick="jsCall();" /></p> <div id="refHTML"></div> Tue, 08 Mar 2011 08:01:34 +0000 Annet Gelink Gallery, Laurierstraat 187-189 , 1016 PL Amsterdam, NL, Netherlands <p style="text-align: justify;"><span style="font-size: small;">Opened in 2000 with a project by Alicia Framis the gallery quickly conquered a leading position in the Dutch art scene. The gallery has been supporting the work of Carlos Amorales, Alicia Framis, Anya Gallaccio, Carla Klein, Kiki Lamers, Liza May Post and Barbara Visser for many years. </span></p> <p style="text-align: justify;"><span style="font-size: small;">Annet Gelink Gallery has made an international reputation as early promoter of a generation of young artist as Armando Andrade Tudela, Yael Bartana,&nbsp; Ryan Gander and David Maljkovic. </span><br /><span style="font-size: small;">Furthermore the gallery has made groupshows like: </span><br /><br /><span style="font-size: small;">Far From Us (2001) with Carla Klein, Michael Raedecker, Dirk Skreber and Robert Suermondt; </span><br /><br /><span style="font-size: small;">Gruppenausstellung (2002) with Martin Eder, Michael Kalmbach, Martin Kippenberger, Peter Rosel, Marko Lehanka and Andreas Slominski; The Human Face is an empty force a field of Death (2004) curated by&nbsp; Angelblood with works by Justine Kurland, Harmony Korine, Inez van Lamsweerde, </span><br /><span style="font-size: small;">Andro Wekua and Brian Degraw; What&rsquo;s New (2004) with drawings by old and new masters such as Vincent van Gogh, Henri Matisse, Cornelis Saftleven, Raymond Pettibon, Marlene Dumas, Virgil Marti and Rita Ackermann.</span></p> <p>&nbsp;</p> Tue, 20 May 2014 09:29:24 +0000 ARCAM - Amsterdam Centre for Architecture, Prins Hendrikkade 600 , 1011 VX Amsterdam, Netherlands <p style="text-align: justify;">ARCAM Amsterdam Centre for Architecture was set up as a foundation in 1986 and concentrates its activities in Amsterdam and the surrounding area.</p> <p style="text-align: justify;">ARCAM aims to reach the largest possible public in order to broaden architecture's appeal and zeros in on topical issues and developments in Amsterdam, so that the discussion about the future is constantly fuelled.</p> <p style="text-align: justify;">ARCAM also has a function as co-ordination centre and works together with a large number of institutes in order to support and co-ordinate existing programmes and to initiate new activities.</p> <p style="text-align: justify;">&nbsp;</p> Thu, 02 Oct 2014 13:13:49 +0000 Art Affairs, Veemkade 354, 1019 HD Amsterdam, Netherlands <table border="0" cellspacing="0" cellpadding="0"> <tbody> <tr valign="top"> <td rowspan="2"><span style="font-size: medium;">international contemporary art with a strong concept: sculpture, paintings, photography.</span></td> </tr> </tbody> </table> <p><input id="gwProxy" type="hidden" /><input id="jsProxy" onclick="jsCall();" type="hidden" /></p> <div id="refHTML">&nbsp;</div> Thu, 02 Oct 2014 13:14:11 +0000 Art Amsterdam Art Fair, Europaplein 22, 1078 GZ Amsterdam, Netherlands <p style="text-align: justify;">Van Krimpen, who founded the Art Fair Foundation with Martijn Sanders, became the first director of the KunstRAI in 1984. The first KunstRAI was held a year later. This covered almost 2,300 square metres and attracted some 15,000 visitors. The exhibition got off to a good start and had an international character from the outset. From 1989 onwards Van Krimpen introduced the concept of host countries and adopted a regional focus to give galleries from outside Holland's western conurbation the opportunity to exhibit.<br /><br />The KunstRAI played a pioneering role. Other than the exhibition in Basel, which was held for the 41st time in 2010, and the exhibitions in Cologne and Brussels, which were founded in 1975 and 1981 respectively, Europe had few art exhibitions. Art exhibitions had been held occasionally in the Netherlands, but there was no annual event. At that time the number of galleries in the Netherlands was still limited &ndash; in the early 1980s there were no more than 60 galleries for contemporary art.<br /><br />When Wim van Krimpen left the KunstRAI to join the Kunsthal in Rotterdam in 1989, he was succeeded by gallery owner Jacob Witzenhausen. After one exhibition under his charge, he was in turn succeeded by Erik Hermida. In 1992 Amsterdam RAI acquired the exhibition from the foundation. Hermida was given the job of turning the KunstRAI into an exhibition that would attract a wide public and have a strong national focus. The new formula proved popular and visitor numbers rose steadily, almost without interruption. The 2000 edition of KunstRAI attracted the all-time record of 28,000 visitors.<br /><br />However, there was dissatisfaction about the direction the exhibition was taking, especially among the more innovative galleries with an international reputation. In 1994 they set up their own event known as Art Amsterdam in the Beurs van Berlage (the former stock exchange building). Later the event moved to the Westergasfabriek. In 1996 Art Amsterdam merged with the KunstRAI, but this did not silence the critics and the number of complaints about the absence of a clear exhibition profile actually swelled. In 2002 Erik Hermida made way for Anneke Oele.<br /><br />Oele, who had been curator of the Museum of Modern Art in Arnhem and had previously been a gallery owner, immediately put in place a new, high quality concept. She halved the exhibition space and introduced stringent selection criteria. This &lsquo;small is beautiful&rsquo; approach achieved a drastic improvement in the quality of the exhibits. Visitors appreciated this: their numbers rose as did their approval rating. To emphasise the break with the past and underscore the exhibition&rsquo;s international ambitions, the name was changed to Art Amsterdam in 2006.<br /><br />The selection criteria for Art Amsterdam were tightened up still further in 2007. Galleries displaying jewellery, glass, ceramics and ethnographica were excluded from participation. At the same time, there was a rise in both the number of foreign exhibitors and the sales figures. In 2007 galleries from the United States, Korea, Denmark, Germany, France, Great Britain, Belgium and Poland took part. Sales totalled almost 5.3 million euro.<br /><br />In 2009 Art Amsterdam celebrated its silver jubilee. To mark the 25th anniversary all 135 participating galleries staged a solo stand. The exhibition was opened by Her Majesty Queen Beatrix&nbsp; and the media coverage was overwhelming. Almost 24,000 art lovers visited the exhibition, which put the crown on the work of Anneke Oele. Shortly before the exhibition she announced that she would be standing down as director. She has now been succeeded by Edo Dijksterhuis, former head of the art section of the financial daily Het Financieele Dagblad.</p> Fri, 20 May 2016 07:13:10 +0000 Boetzelaer|Nispen, De Clercqstraat 64, 1052NJ Amsterdam, Netherlands Thu, 18 Dec 2014 06:38:28 +0000 BORZO modern & contemporary art, Keizersgracht 516 , 1017 EJ Amsterdam, Netherlands <p style="text-align: justify;"><b>Historie</b></p> <p style="text-align: justify;"><br />In 1824 vestigde de in Italië geboren Joseph Borzo zich in ‘s-Hertogenbosch en trouwde met de eveneens uit dat land komende immigranten-dochter Anna Sala, telg uit een familie van kunsthandelaren uit Leiden en Den Haag.</p> <p style="text-align: justify;">‘s Hertogenbosch<br />‘s-Hertogenbosch, hoofdstad van de "nieuwe" provincie Noord-Brabant, belangrijke garnizoens- en bisschopsstad en zetel van Rechtbank en Gerechtshof bleek een goede vestigingsplaats voor een atelier waar kunstzinnige lijsten, spiegels en ornamenten werden vervaardigd. Internationale prijzen vielen de familie Borzo ten deel. De handel in prenten en schilderijen vormde al snel een logische aanvulling op die activiteiten.</p> <p style="text-align: justify;">20e eeuw en verder<br />In 1924 kocht Jan van Rosmalen sr. het pand en de firma, zette de zaak voort en loodste haar door crisis- en oorlogsjaren. Na de bevrijding trad de volgende generatie aan: Jan van Rosmalen jr., later met twee jongere broers, continueerde de zaak en breidde haar verder uit tot toonaangevende kunsthandel in Nederland in de volgende decennia.<br />Toen Paul van Rosmalen in 1987 Borzo overnam, wist hij dat zijn ambitie en liefhebberij verder in de kunstgeschiedenis zou liggen: het zwaartepunt van de collectie verplaatste zich van 19e naar 20e eeuw, van Haagse School naar Ecole de Paris, van Amsterdamse School naar De Stijl, Nul en Minimalisme, van impressionisme naar expressionisme, van het Nederlandse interessegebied naar kunst met een grotere internationale betekenis. Ook aan hedendaagse kunst zou meer aandacht besteed worden.</p> <p style="text-align: justify;">Van ‘s-Hertogenbosch naar Amsterdam<br />Met de grotere aandacht voor hedendaagse kunst tekende zich reeds een volgende stap af. Toen Cora de Vries in het voorjaar van 2004 te kennen gaf haar galerie "Collection d'Art" in Amsterdam te willen beëindigen, bood dat voor Borzo de gelegenheid in een - in potentie - prachtig en historisch pand de activiteiten van ‘s-Hertogenbosch naar Amsterdam te verplaatsen.</p> <p style="text-align: justify;">Borzo in Amsterdam<br />Onder leiding van architect Wiel Arets werd de verbouwing en restauratie ter hand genomen.<br />Kwaliteit, respect voor het verleden, voor Bodon, hand in hand met innovatieve oplossingen en aandacht voor detail, was de opdracht. Een huis dat niet alleen kunst huisvest, maar Kunst uitstraalt, waar Beeldende kunst en Architectuur elkaar ontmoeten, aanvullen en versterken. <br />In januari 2006 opende Borzo haar deuren in het nieuwe pand in Amsterdam.</p> <p style="text-align: justify;">Paul en Jory van Rosmalen nodigen u uit voor een bezoek.</p> <p style="text-align: justify;"> </p> Fri, 14 Jun 2013 17:39:04 +0000 Cokkie Snoei Amsterdam, Hazenstraat 11, 1016 SM Amsterdam, Netherlands Wed, 04 Jan 2012 11:06:03 +0000 Cokkie Snoei Rotterdam, Mauritsweg 55 , 3012 JX Rotterdam, Netherlands <p style="text-align: justify;">Rotterdam is not the first city that comes to mind when considering contemporary art. Cokkie Snoei is the only woman that comes to mind when discussing art and Rotterdam. <br /><br />Established in 1989 her gallery specialises in contemporary art and maintains a unique inventory of twentieth-century vintage photography.The gallery has built a reputation for it's strong association with both established and unknown artists. <br /><br />Cokkie Snoei's talent lies in mixing the experimental with the traditional, the glamourous with the conceptual, and style with attitude. Her exhibitions are humourous, erotic, surreal and sublime. <br /><br />Cokkie is cosmopolitan. You can find her in most of Europe's serious art fairs, including Basel, Cologne, Paris, Stockholm and Madrid. But you can also find her in New York. <br /><br />A frequent-flyer champion, our ebullient blonde matron of the arts is often in the company of one of the artists of her unique stable. They are sculptors, painters, designers, vidiots and photographers. Her fin de si&egrave;cle space is unmissable when visiting Rotterdam. <br /><br />A Cokkie Snoei fan</p> Sun, 06 Sep 2015 16:30:06 +0000 de Appel arts centre, Prins Hendrikkade 142, 1011 AT Amsterdam, Netherlands <div>De Appel is an internationally oriented arts centre in the centre of Amsterdam. Since it was founded in 1975 it has served as a leading platform for research and the presentation of contemporary art.&nbsp;</div> <div>&nbsp;</div> <div>De Appel has a programme of exhibitions and performances by visual artists, choreographers and theatre directors. In addition, under the title Appel on the side, it organizes a very broad programme of events, ranging from introductory talks to conferences lasting several days. As a publisher, de Appel publishes artist books and monographs, periodicals and anthologies of essays.&nbsp;</div> <div>&nbsp;</div> <div>De Appel has organized the eight-month Curatorial Programme since 1994. During this exploratory process, young curators from different parts of the world are taught a range of skills and offered various experiences which can be used as a source for their further professional career. The programme comprises theory lessons, workshops, excursions, assignments and educational confrontations. The thematic focus is on &ldquo;context-responsive curating&rdquo; and the presentation of art in the public space.</div> <div>&nbsp;</div> <div>De Appel arts centre is located in a historical building at the Prins Hendrikkade 142, Amsterdam, nearby the Central Station. The building has next to exhibition spaces a library/archive, a bookshop and a cafe-restaurant.&nbsp;</div> Mon, 20 Jun 2016 15:13:52 +0000 DE RIJK CONTEMPORARY ART, Noordeinde 95, 2514 GD Den Haag, Netherlands <p>DE RIJK CONTEMPORARY ART  presenteert hedendaagse abstracte kunst van o.a. Jakob Gasteiger, Ewerdt Hilgemann, Klaus Staudt, Thomas Pihl, Sigurd Rompza, Chen Ruo Bing, Jean Pierre Maury, Andreas Brandt, Bob Bonies, Martin Gerwers, Takashi Naraha, Huibertje Kant en Bernard Aubertin.</p> Thu, 08 Dec 2011 20:57:11 +0000 Eduard Planting Gallery | Fine Art Photographs, Eerste Bloemdwarsstraat 2 links, 1016 KS Amsterdam, Netherlands <p><strong>Eduard Planting Gallery | Fine Art Photographs</strong> specializes in selling and buying photographs by (inter) nationally well-known artists. Besides that, we regularly give attention to upcoming talent.</p> <p>In our opinion this creates an interesting mix and contrast between famous and unknown photographers. That same tense mix applies to the different styles and periods the photographs descends from, to the different materials used (from gelatin silver print to cibachrome) and the manner of framing (from classic black ebony to eye-catching dibond on aluminum). This mixture ensures that for every budget and for every interior an appropriate artwork can be found, for individual collectors as well as for collecting companies.</p> <p>Next to this, since 2010 Eduard is also head-curator of the <strong>Foto Festival Naarden</strong>, the oldest photo festival in The Netherlands. The last edition of this renowned festival was from 21 May - 19 June 2011 and was the one ever, with more then 24.000 paying visitors.</p> Wed, 07 Aug 2013 15:37:54 +0000 Ellen de Bruijne Projects, Rozengracht 207 A, 1016 LZ Amsterdam, Netherlands <p style="text-align: justify;"><span style="font-size: small;">Ellen de Bruijne PROJECTS is a gallery and project space situated in Amsterdam. </span></p> <p style="text-align: justify;"><span style="font-size: small;">Dolores is the project-space of the Ellen de Bruijne Projects gallery in Amsterdam. Dolores was conceived by Falke Pisano, and curated by Falke Pisano, Ellen de Bruijne, Joris Lindhout and Karin Hasselberg.</span></p> Mon, 22 Oct 2012 16:07:41 +0000 Encounter Contemporary, Laurierstraat 248, Amsterdam, Netherlands Wed, 13 Aug 2014 11:29:08 +0000 Flatland Gallery, Lijnbaansgracht 314, 1017 WZ Amsterdam, Netherlands <p style="text-align: justify;">Flatland Gallery is a Dutch contemporary art gallery founded by Martin Rogge. The gallery is internationally acclaimed (especially) in the field of contemporary photography and has a high reputation for film, video, installations, sculptures and drawings. Based in the heart of Amsterdam, in a beautiful &ndash; bricks - gallery complex the gallery is located near Foam, the Rijksmuseum and Stedelijk Museum. In 2007 Flatland Gallery opened an office and viewing space in Paris, on the edge of the Marais and the artistic Oberkampf area, adding an additional 300 square meters to its exhibition space. Flatland Paris is located in the gallery of Gallery Magda Danysz, a contemporary and highly credited Parisian gallery whose focus is digital, urban and visual art.</p> Wed, 02 Mar 2016 13:12:16 +0000 Foundation ArtZuid, Keizersgracht 478 huis, 1017 EG Amsterdam, Netherlands <p>Foundation ArtZuid is an initiative of a number of residents from Amsterdam South.</p> Wed, 26 Aug 2009 12:27:55 +0000