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VIVID Gallery

Exhibition Detail
Out of Storage
Red Apple building
Scheepmakershaven 17
3011VA Rotterdam

October 7th, 2012 - October 27th, 2012
October 7th, 2012 4:00 PM - 6:00 PM
Out of Storage , EventarchitectuurEventarchitectuur, Out of Storage , 2011
© Timmerfabriek Maastricht, photo: Johannes Schwartz
+31 10 4136321
tue - sun: 12pm - 6pm

A presentation in two parts about exhibition design

Out of Storage part 1: October 7 - October 27, 2012

opening: Sunday, October 7, 16.00 hrs, invitation

The first part shows furniture and display material of the Out of Storage exhibition in the Timmerfabriek in Maastricht organized by Marres, Centre for Contemporary Culture in 2011.
EventArchitectuur (Herman Verkerk and Paul Kuipers) in collaboration with graphic designer Maureen Mooren were responsible for this exhibition design.

The Out of Storage exhibition was well balanced and had surprising solutions for tables, stools and walls.
Galerie VIVID presents an installation that will consist a number of original elements from this exhibition.

The design was based on two principles: Proportions that were generated from the paper din series, A4, A3 etc. and the use of exhibition design models from the 19th, 20th and 21st century.
Without art the focus will this time be on the beauty of the display material.


Out of Storage Part 2: October 28 t / m 30 November 2012
Piet Paris

Sunday, October 28, 16.00 hrs

In the second part of the exhibition the installation by EventArchitectuur will get back it's original function: it will show 'Art'. You can seen the world famous fashion illustrations of Piet Paris.

Paris commisioned EventArchitectuur to design the setting for the 2005 and 2007 Arnhem Fashion Biennial, which he curated. In 2010 EventArchitectuur worked with Piet Paris on his Hirsch Department Store exhibition in Amsterdam. 

Piet Paris makes illustrations and designs products that stem from a pronounced engagement with fashion design. He has been working for magazines and corporate clients all over the world for more than twenty years. Paris developed a technique that makes his work unique in its multi-layeredness and vigorous composition.




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