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Hours &\; Admission

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Friday 12th September 2 014
18.00pm-22.00pm \;
The Private View and Champagne Re ception\, £\; 7 GBP per ticket. \;

Saturday 13th Se ptember 2014
11.00am-18.00pm
Free Entry \;

DTEND:20140913 DTSTAMP:20140829T011617 DTSTART:20140912 GEO:51.921435;4.4849056 LOCATION:Rotterdam International Art Fair\,De Laurenskerk Grotekerkplein 27 \nRotterdam\, 3011 GC SEQUENCE:0 SUMMARY: Rotterdam International Art Fair 2014 UID:353418 END:VEVENT BEGIN:VEVENT DTEND:20140912T220000 DTSTAMP:20140829T011617 DTSTART:20140912T180000 GEO:51.921435;4.4849056 LOCATION:Rotterdam International Art Fair\,De Laurenskerk Grotekerkplein 27 \nRotterdam\, 3011 GC SEQUENCE:0 SUMMARY: Rotterdam International Art Fair 2014 UID:353419 END:VEVENT BEGIN:VEVENT DESCRIPTION:

With Asger Jorn's comprehensive practice as their starting point\, artis ts Maria Pask and Frederique Bergholtz have developed a new project for the Cobra Museum. Their Tantric Ceramics installation is a continuation of the ir project\, A Way of Making\, for which ceramics also formed the principle material. At the Cobra Museum\, they have completed an installation with c eramic elements\, a new video work and a visual archive of ceramic objects from different periods in time and geographical regions. The work is inspir ed by the organic way that Asger Jorn related to architecture\, ceramics an d nature in his home and garden in Albissola\, Italy. We moreover recognize recurring working methods and subjects from the practice of Bergholtz and Pask\, including the relation between politics and the human body\, and the ir interest in popular and folk culture.

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Maria Pask's work has been seen at the Skulptur Project Mü\;nster\, Stedelijk Museum Bureau Amsterdam and the Museum of Modern Art in Oxford. Frederique Bergholtz is cofounder a nd director of If I Can&rsquo\;t Dance I Don&rsquo\;t Want to be Part of Yo ur Revolution\, an international\, travelling platform for the production o f visual arts and performance\, which has completed projects with the Tate Modern and the Reina Sofia in Madrid.

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Tantric Ceramics is part of the Co bra Museum's Open Collection programme and has been made possible with the support of the Mondriaan Funds\, the P.M. de Klerk Keramiek Fonds/Prins Ber nhard Cultuurfonds and Stichting Stokroos.

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Hedendaags kunstenare s Maria Pask en Frederique Bergholtz hebben met Asger Jorns veelomvattende praktijk als vertrekpunt een nieuw project ontwikkelt voor het Cobra Museum . Hun project &lsquo\;A way of Making&rsquo\; is een voortzetting op hun ee rder begonnen project &lsquo\;A Way of Making&rsquo\;\, waarin keramiek ook al het materië\;le uitgangspunt vormde. In het Cobra Museum realiseren zij een installatie met keramieken elementen\, nieuw videowerk en een beel darchief van keramieken objecten uit verschillende tijdperioden en geografi sche gebieden. Het werk is deels geï\;nspireerd door de organische wijz e waarop Asger Jorn omging met architectuur\, keramiek en natuur in zijn hu is en tuin in Albissola\, Italië\;. Daarnaast zijn er terugkerende werk wijzen en onderwerpen te herkennen uit de praktijk van Bergholtz en Pask\, zoals de relatie tussen politiek en het lichaam en een interesse in volks- en populaire cultuur.

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Het werk van Maria Pask werd onder meer getoond ti jdens Skulptur Project Mü\;nster\, in het Stedelijk Museum Bureau Amste rdam en het Museum of Modern Art Oxford. Frederique Bergholtz is mede-opric hter en directeur van If I Can&rsquo\;t Dance I Don&rsquo\;t Want to be Par t of Your Revolution\, een internationaal\, reizend platform voor productie van beeldende kunst/performance dat onder meer projecten realiseerde i.s.m . Tate Modern en het Reina Sofia\, Madrid.

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&lsquo\;A way of Making&rsquo \; vind plaats in het kader van het Open Collectie programma en wordt mede mogelijk gemaakt door het Mondriaan Fonds\, Het Prins Bernhard Cultuur Fond s / P.M. de Klerk Keramiek Fonds en Stichting Stokroos.

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DTEND:20150118 DTSTAMP:20140829T011617 DTSTART:20140928 GEO:52.3036838;4.8587015 LOCATION:Cobra Museum\,Sandbergplein 1 \nAmsterdam\, 1181 ZX SEQUENCE:0 SUMMARY:A Way of Making\, Frederique Bergholtz\, Maria Pask UID:353369 END:VEVENT BEGIN:VEVENT DTEND:20140928T170000 DTSTAMP:20140829T011617 DTSTART:20140928T110000 GEO:52.3036838;4.8587015 LOCATION:Cobra Museum\,Sandbergplein 1 \nAmsterdam\, 1181 ZX SEQUENCE:0 SUMMARY:A Way of Making\, Frederique Bergholtz\, Maria Pask UID:353370 END:VEVENT BEGIN:VEVENT DESCRIPTION:

An intimate festival in and ar ound the estate. Enjoy music\, visual arts\, theatre and Slow Food from 8 p m. With: band Tender Falcons\, DJ Marcel Barlag\, artist Merel de Haan\, st oryteller Sahand Sahebdivani\, the exhibition\, Slow Food and pleasure in t he garden&hellip\;

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Buy your tickets a t Restaurant Merkelbach (in Frankendael&rsquo\;s coach house) or at Ticketscript.

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Het laatste weekend van De Parade.
Restaurant Merkelbac h serveert haar goede vissoep.

Daarna doen we een eigen parade \, op donderdag 11 september\, op het huis\; een Soiree. Een avond met muzi ek\, theater\, beeldende kunst en goed voedsel. Geï\;nspireerd op de pl eziertuin van vroegere tijden\, toen Frankendael de speelplaats was voor vo lwassenen.

DTEND:20140911T220000 DTSTAMP:20140829T011617 DTSTART:20140911T200000 GEO:52.3520761;4.9331576 LOCATION:Huize Frankendael\,Middenweg 72 \nAmsterdam\, 1097 SEQUENCE:0 SUMMARY:Soiree in Frankendael UID:352939 END:VEVENT BEGIN:VEVENT DESCRIPTION:

A selection of photography fro m the impressive collection of Dutch collector Reyn van der Lugt. The selec tion of works is based on the house&rsquo\;s history and its current positi on within the urban landscape\, resulting in the exhibition &lsquo\;Wenn wi r dich nicht sehen\, siehst du uns auch nicht&rsquo\;. The exhibition follo ws two lines of thought within which the human figure takes a distinctive p osition. The salons are installed as a contemporary portrait gallery\; expl oring different notions of people &lsquo\;taking a pose&rsquo\; in front of the camera. On the first floor we zoom out on the contemporary environment \, in which human traces in the landscape attest to the determinative posit ion that man occupies in his surroundings.

DTEND:20141207 DTSTAMP:20140829T011617 DTSTART:20140911 GEO:52.3520761;4.9331576 LOCATION:Huize Frankendael\,Middenweg 72 \nAmsterdam\, 1097 SEQUENCE:0 SUMMARY:Wenn wir dich nicht sehen\, siehst du uns auch nicht\, Vincen Beeck man\, Gwenneth Boelens\, Peggy Buth\, Denis Guzzo\, Ulrik Helthoft\, Welmer Keesmaat\, Johan Nieuwenhuize\, Satijn Panyigay\, Bas Princen\, Timm Raute rt\, August Sander\, Viviane Sassen\, Sander van Wettum\, Malte Wandel\, Ma rco Maria Zanin UID:352938 END:VEVENT BEGIN:VEVENT DESCRIPTION:
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A photography collection can be seen as a dynamic part of a museum\, which can be regarded in various w ays. In this case\, the heart of the exhibition is formed by five photograp hers with whom Huis Marseille collaborated on multiple occasions in the rec ent past: Valé\;rie Belin\, Jacqueline Hassink\, Naoya Hatake yama\, Sarah Jones and Rob Nypels. They have each been invited to fill curate a gallery with their own work and combine topi cality with earlier purchases by Huis Marseille. In this way\, their own pe rsonal\, artistic growth in the past fifteen years becomes visible.< /p>\n

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Valé\ ;rie Belin (1964\, Boulogne-Billancourt)
Her work astonishes the viewer with the enormously incr eased complexity of her subject matter and the unbelievable amount of detai l that she succeeds in forging­\; into a whole\, then stretching it like a taut photographic skin of light and shadow­\; &ndash\; in her newest series she works both in colour and in black and white &ndash\; across the entire image.

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Jacqueline Hassink (1966\, Enschede)
View\, \;Kyoto\, the impressive series on Japanese temples and gardens on which she has worked s ince 2004\, shows the degree­\; to which Hassink\, the conceptual photog rapher of Tables of Power\, has blossomed­\; into a powerfully& shy\; analytical and lyrical image-maker­\;. The strong composition of&n bsp\;her photographs reveal her deep knowledge and understanding of Japanes e culture and of the inherent conflicts that must be resolved\, again and a gain\, to achieve a harmony between the natural world and modern\, industri al­\; civilization. The photographic series View\, \;Kyoto will be published for the first time in its entirety (Hatje Cantz\, design: Irma Boom).

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Naoya Hatakeyama (1958\, Rikuzentakata\, I wate)
Hatakeyama made his inte rnational reputation with Blasts (from 1995)\, in which he photogr aphed limestone being dynamited­\; for industrial purposes. Now he is me ticulously documenting the fragility of the defences being constructed in J apan today­\; to try to cope\, after the disaster of 11 \;March 2011 \, with the next earthquake. In \;this project\, on which he has worked ceaselessly since 2011\, he is focussing principally on the reconstruction work taking place in Rikuzentakata\, in north-eastern Japan &ndash\; where he himself was born\, and which was almost totally destroyed by the earthq uake and the tsunami that followed.

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Sarah Jones (1959\, London)
Sarah Jones gained in ternational recognition for her photographs­\; of psychoanalyst&rsquo\;s couches along with her studies of young women in domestic interiors\, draw ing studios­\; and urban­\; parks which draw attention to the relatio nship­\; between sitter\, location­\;\, photo­\;grapher and viewer . In her recent photographs­\;\, both black and white and colour\, she&n bsp\;continues to explore how subjects are measured and transcribed through the large format view camera and flattened in pictorial­\; space\, cont ained as if in a museum vitrine. This transition establishes looking as a v ertiginous experience.

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Rob Nypels (1951\, Leiden)
Nypels is the only one who wanted to show his own work in context of that of his peers in the Huis Marseille collection. Rob Nypels&rsquo\; eye for what landscape and nature have to of fer in terms of colour and sensibilities simply defies description. His wor k brings together places where magic comes to life\, whether they are in th e city or in the country­\;. He rides a fine line between abstraction an d expression. In his mastery of mood and colour he has revealed­\; himse lf to be a true magicien de la terre of our times.

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Alongside these five solo presentations\, a number of galleries have been installed by Els Baren ts and Rob Nypels with a selection of collected works.

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Een fotocollectie kan worde n gezien als het beweeglijk deel van een museum\, dat op verschillende mani eren tegen het licht kan worden gehouden. In dit geval wordt de kern van de tentoonstelling gevormd door vijf fotografen met wie Huis Marseille de afg elopen periode meermalen samenwerkte: Valé\;rie Belin\, Jacqu eline Hassink\, Naoya Hatakeyama\, Sarah Jones en Rob Nype ls. Zij zijn uitgenodigd om ieder een zaal met eigen werk in te ri chten en de actualiteit te combineren met eerdere aankopen uit de collectie van Huis Marseille. Zo wordt bij ieder van hen de persoonlijke\, artistiek e groei over de afgelopen vijftien jaar zichtbaar.

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Valé\;rie Belin
(1964\, Boulogne-Billancourt)
Haar werk verrast door d e enorm toegenomen complexiteit van haar onderwerpen\, een ongelooflijke ho eveelheid aan details\, die zij tot eenheid weet te smeden en als een fotog rafische huid van licht en schaduw &ndash\; zowel in zwart wit als in kleur &ndash\; over het gehele beeld weet te spannen.

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Jacqueline Hassink(1966\, Enschede)

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Jacqueline Hassink laat \;in View\, Kyo to (2004&ndash\;2014)\, haar actuele serie­\; over Japanse tempels en tuinen zien hoezeer zij \;sinds de Tables of Power van een conceptueel­\; fotograaf uitgegroeid is tot een ongeë\;venaard analy tisch é\;n lyrisch beeldenmaker. Achter de krachtige manier waarop zi j haar beelden componeert gaan een grote kennis en begrip van de Japanse cu ltuur schuil. Ook in haar foto&rsquo\;s sluimert het eeuwige conflict tusse n de natuurlijke wereld en de moderne\, geï\;ndustrialiseerde beschavin g dat iedere keer opnieuw in harmonie gebracht moet worden.
De fotoser ie View\, Kyoto van Jacqueline Hassink wordt in september voor het eerst in zijn geheel gepubliceerd bij Hatje Cantz. Ontwerp: Irma Boom.

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Naoya Hatakeyama (1958\ , Rikuzentakata\, Iwate)
Hatakeyama maakte destijds internationaal na am met zijn Blasts (vanaf 1995)\, waarin hij fotografeerde hoe kal ksteen voor industrië\;le doeleinden met dynamiet wordt opgeblazen. Nu documenteert hij nauw­\;gezet hoe fragiel de verdedigingsconstructies zi jn die momenteel in Japan worden opgericht om een volgende aardbeving na di e van 11 \;maart 2011 het hoofd te kunnen bieden. In \;dit project waar hij sinds 2011 onafgebroken­\; aan werkt volgt hij met name de hers telwerkzaamheden in zijn zwaar getroffen­\; geboortestad Rikuzentakata i n Noordoost Japan.

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Sarah Jone s (1959\, Londen)
Sarah Jones kreeg internationaal erkenning voor haar vele foto&rsquo\;s van de sofa van psychoanalytici­\;\, dit i n combinatie met haar studies van jonge vrouwen zowel binnenshuis­\;\, i n ateliers als in stadsparken. Bij Jones gaat het om de complexiteit in de verhoudingen die zowel tijdens het foto­\;graferen als bij het exposeren tussen de geportretteerde­\;\, de locatie\, de fotograaf en de toeschou wer kunnen worden opgeroepen. In haar recente werk &ndash\; zowel in zwart- wit als kleur &ndash\; reduceert zij haar beeldende middelen verder. De gro otbeeld camera waarmee ze werkt plat de beeltenis van haar personages zodan ig af dat er een andere­\;\, picturale ruimte ontstaat die ver­\;geli jkbaar is met die van een museum­\;vitrine. Een transitie die het kijken tot een duizelingwekkende ervaring maakt.

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Rob Nypels (1951\, Leiden)
Nypels heeft als en ige voor de optie gekozen om zijn werk in samenhang­\; met dat van ander e­\; gelijkgestemden uit de collectie van Huis Marseille te exposeren&sh y\;. Zijn oog voor wat het landschap en de natuur aan kleur en sensibilitei ten te bieden heeft gaat aan \;de ratio voorbij. In zijn werk verzamelt hij plaatsen waar een zekere magie tot leven­\; \;komt\, zowel in d e stad als in de natuur. Daarbij bewandelt hij het smalle pad dat zich tuss en abstractie en \;expressie bevindt. Zijn \;eigenzinnige­\; geb ruik van sfeer en kleur maakt hem tot \; ware magicien­\; de la terr e anno nu.

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Naast deze vijf solopresen taties zijn de overige zalen door Els Barents\, directeur van Huis Marseill e\, en Rob Nypels met hoogtepunten uit de collectie ingericht.

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DTEND:20141207 DTSTAMP:20140829T011617 DTSTART:20140913 GEO:52.3676378;4.8848239 LOCATION:Huis Marseille Museum voor Fotografie\,Keizersgracht 401 \nAmsterd am\, 1016 EK SEQUENCE:0 SUMMARY:The Marseillaise / fifteen years of collecting\, Valérie Belin\, Ja cqueline Hassink\, Naoya Hatakeyama\, Sarah Jones\, Rob Nypels UID:352936 END:VEVENT BEGIN:VEVENT DTEND:20140913T180000 DTSTAMP:20140829T011617 DTSTART:20140913T110000 GEO:52.3676378;4.8848239 LOCATION:Huis Marseille Museum voor Fotografie\,Keizersgracht 401 \nAmsterd am\, 1016 EK SEQUENCE:0 SUMMARY:The Marseillaise / fifteen years of collecting\, Valérie Belin\, Ja cqueline Hassink\, Naoya Hatakeyama\, Sarah Jones\, Rob Nypels UID:352937 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Discussions in Photography
The Unseen Living Room\, an informal meeting place for the exchange of dialogue and ideas and where dis cussions and lectures take place\, packs an exciting programme from Thursda y 18 September to Sunday 21 September. On Thursday 18 September\, visitors can enjoy \;talks \;by \;talented photographers \;Lorenzo V itturi (b. 1980\, Italy)\, Daniel Gordon (b. 1980\, USA) and Kate Steciw (b . 1978\, \;USA)\, a \;discussion of \;contemporary Japanese pho tography\, and a panel discussion with the \;2014 \;Foam Magazi ne \;Talents.

On Friday 19 September\, a symposium will be held on an important transition currently taking place in contemporary photography in which the meaning\, function and value of the photographic i mage have fundamentally changed. Two important developments within this fra mework will be discussed. In \;Under Construction\, confirmed guests Lo renzo Durantini (artist\, curator and writer\, Italy)\, Matthew Leifheit (i ndependent photographer\, writer and curator\, USA)\, Lucas Blalock (photog rapher and writer\, USA)\, Joshua Citarella (artist and curator\, USA) and Chris McCall (director of Pier 24 Photography\, USA) will focus on a new an d highly relevant generation of American visual artists for whom the creati ve process can be as much the subject of an image as its final result. In&n bsp\;Research: The Photograph as a Document\, Thomas Seelig (director Fotom usem Winterthur\, Germany)\, Thomas Keenan (professor at Bard College\, USA )\, Jan Rosseel (photographer\, Belgium) and \;Julian Stallabrass (lect urer\, writer\, photographer and curator\, UK) will discuss photography&rsq uo\;s potential to be used as a medium for visual storytelling in the 21st century.

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On Saturday 20 September\, various initiatives foc using on the places and the ways in which photography is presented\, includ ing Weekender (Netherlands)\, Probe (Netherlands)\, Der Greif (Germany) and SSZ Sued (Germany) will discuss \;Emerging Platforms. This talk will a lso focus on new \;hotspots with thriving photography scenes including< em> \;Zurich in Switzerland and Cluj in Romania.

The Un seen Talks will conclude on Sunday 21 September with \;Lunch Bytes\, a series of discussions that examine the increasing ubiquity of digital techn ologies in relation to artistic practices\, curated by Melanie Bü\;hler . In collaboration with the Goethe-Institut and Foam\, the Unseen edition o f \;Lunch Bytes \;will feature distinguished artists and t heorists in the field of image-making talking about Image Excess such as ar tists Hito Steyerl (b. 1966\, Germany)\, Oliver Laric (b. 1981\, Austria) a nd Katja Novitskova (b. 1984\, Estonia).

Interactive Artwork: Tr ust the Cloud
Unseen is proud to present the interactive photography p roject\, \;Trust the Cloud. Created by Phanta Visual in collaboration w ith Mulder Montage\, Publi-Air\, Studio Stomp and the Hogeschool van Amster dam\, the artwork transforms a riveting experience into a brief digital mom ent. After taking an escalator up several meters\, visitors are invited to jump into an inflatable cloud of light. The jump\, which will be photograph ed and uploaded to &lsquo\;the cloud&rsquo\;\, can be seen for a brief amou nt of time before disappearing\, much like the act itself. With the project \, Phanta Visual hopes to make the abstract &lsquo\;cloud&rsquo\; tangible\ , even if just for a moment. The artwork can be experienced and enjoyed by all.

Focus on Japan
The special exhibition \;Anima on Photography\, Japan\, will be presented at Unseen\, curated by Chih iro Minato (artist\, critic\, curator and professor at Tama Art University) and Shigeo Goto (professor at Kyoto University of Art and Design and direc tor of G/P gallery). The exhibition focuses on the silent existence of &lsq uo\;animism&rsquo\;\, or the concept that everything has a spirit or a soul \, in contemporary Japanese photography and exhibits the works of Japanese artists from the 20th century to the present. The exhibition is supported b y the Art Fair Support Project of the Cultural Agency of the Japanese Gover nment. A round table discussion will be \;dedicated to Japan \;in t he Unseen \;Living Room on Thursday 18 September with Shigeo Goto\, Sim on Baker (Tate)\, Ferdinand Bruggeman and Ivan Vartanian (Goliga Books)\, m oderated by Jö\;rg Colberg (Conscientious).

Unseen marks the launch of 2013 \;Foam Magazine \;Talent Sohei Nishino&rsq uo\;s (b. 1982\, Japan) latest \;diorama map of Amsterdam. After months of scaling the Dutch \;capital&rsquo\;s greatest heights and wandering its many streets\, the artist has painstakingly assembled roughly 8\,000 a nalogue images into a large scale work that will be made into individual ha ndmade boxes for purchase at Unseen.

10x10 Japanese Photobooks\, an overview o f post-war Japanese photobooks\, will be on view in the Unseen Living Room. The travelling reading room is sponsored by the non-profit 10x10 Photobook s organisation in association with the International Center of Photography Library and the Photobook Facebook Group.
DTEND:20140921 DTSTAMP:20140829T011617 DTSTART:20140918 GEO:52.3868241;4.869175 LOCATION:Unseen Photo Fair\,Westergasfabriek BV Klönneplein 1\n Amsterdam\, 1014 DA SEQUENCE:0 SUMMARY: Unseen Photo Fair 2014 - Program UID:352837 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Hours &\; Admission

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Opening hours:

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Thur sday 12.00 - 20.00
Friday 12.00 - 22.00
Saturday 11.00 - 20.00
Sunday 11.00 - 17.00

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Ticket:

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 \;&euro\;19.50

\nExhibitors\n

Aando Fine Art

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acb Gallery

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Alex Danie ls - Reflex Amsterdam

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Boetzelaer|Nispen

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Camilla Grimaldi

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d gallerie

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Division of Labour &\; The Library of Birmingha m

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East Wing

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Edel Assanti

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Flatland Gallery

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F lowers Gallery

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G/P Gallery

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Galeria Tagomago

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Galerie Anita Beckers

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Galerie Bart

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Galerie Christophe Gaillard

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Galerie Fons Welters

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Galerie Juliè\;tte Jongma

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G alerie Les Filles du Calvaire

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Galerie Madé\;

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Galerie Nicola von Senger

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Galerie Paul Andriesse

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Galerie Ron Mandos

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Galerie Ton de Boer

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Galerie van der Mieden

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Galerie Wouter van Leeuwen

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Gallery FELDBUSCHWIESNER

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Gallery Fifty One

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Gallery Taik Persons

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Gallery Vassie

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Gana Art

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Grundemark Nilsson Gallery

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HADA Contemporary

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Kahmann Gallery

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Kana Kawanishi

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Kaune\, Posnik\, Spohr Gallery

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KROKUS Galeria

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Kuckei + Kuckei

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LhGWR

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M97 Gallery

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Martin Asbaek Gallery

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METRONOM

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Mirko Mayer Gallery

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NextLevel Galerie

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Robert Morat Galerie

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Seelevel Ga llery

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Stieglitz19

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Stilll Gallery

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The Empire Project

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The Photographers' Gallery

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The Ravestijn Gallery

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W AGNER + PARTNER

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DTEND:20140921 DTSTAMP:20140829T011617 DTSTART:20140918 GEO:52.3868241;4.869175 LOCATION:Unseen Photo Fair\,Westergasfabriek BV Klönneplein 1\n Amsterdam\, 1014 DA SEQUENCE:0 SUMMARY: Unseen Photo Fair 2014 - Exhibitors UID:352835 END:VEVENT BEGIN:VEVENT DTEND:20140918T200000 DTSTAMP:20140829T011617 DTSTART:20140918T120000 GEO:52.3868241;4.869175 LOCATION:Unseen Photo Fair\,Westergasfabriek BV Klönneplein 1\n Amsterdam\, 1014 DA SEQUENCE:0 SUMMARY: Unseen Photo Fair 2014 - Exhibitors UID:352836 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Hours &\; Admission

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Opening hours
Thursday 18 - Saturday 20 September: 11 AM - 7 PM
Sunday 21 S eptember: 11 AM - 5 PM

Entrance fee
&euro\ ; 10\,00
&euro\; 7\,50 for CJP card holders and students

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Exhi bitors

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GALERIE RIANN E GROEN\, ROTTERDAM
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TOMIO KOYAMA GALLERY\, TO KYO
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RENTO BRATTINGA | GALERIE\, AMSTERDAM\n
DAM GALLERY\, BERLIN
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BARB ARA SEILER GALERIE\, ZURICH
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GALLERY SIDE 2\, TOKYO
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C&\;H ART SPACE\, AMSTERDAM
\n< div class="exhibitor">GALERIE NOUVELLES IMAGES\, THE HAGUE
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TORCH GALLERY\, AMSTERDAM
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GALERIE VAN DEN BERGE\, GOES
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PHOEBUS | ROTTERDAM
\n< div class="exhibitor">LUMEN TRAVO GALLERY\, AMSTERDAM
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GALERIE RAMAKERS\, THE HAGUE
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MARIAN CRAMER PROJECTS\, AMSTERDAM
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GALERIE BERNARD JORDAN\, PARIS
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GALERIE ELISABETH &\; KLAUS THOMAN\ , VIENNA
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BRUTTO GUSTO\, BERLIN
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GALLERY JOE\, PHILADELPHIA
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LMAKPROJE CTS\, NEW YORK
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KRISTOF DE CLERCQ GALLERY\, GH ENT
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AKINCI\, AMSTERDAM
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ZERP GALERIE\, ROTTERDAM
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GALERIE ALEX DANIEL S - REFLEX AMSTERDAM
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APICE FOR ARTISTS GALLER Y\, AMSTERDAM
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GALERIE MAURITS VAN DE LAAR\, THE HAGU E
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PATRICK HEIDE CONTEMPORARY ART\, LONDON\n
ART AFFAIRS\, AMSTERDAM
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R&\;R REUTENGALERIE AMSTERDAM
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SERIEUZE ZAKE N STUDIOOS\, AMSTERDAM
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GERHARD HOFLAND\, AMST ERDAM
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GALERIE DE EXPEDITIE / ZSA-ZSA EYCK\, A MSTERDAM
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WILLEM BAARS PROJECTS\, AMSTERDAM\n
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\nGALERIE GABRIEL ROLT\, AMSTERDAM
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SLEWE GALLERY\, AMSTERDAM
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GALERIE VA N GELDER\, AMSTERDAM
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KERS GALLERY\, AMSTERDAM
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GALERIE ONRUST\, AMSTERDAM
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GALERIE PAUL ANDRIESSE\, AMSTERDAM
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GALE RIE TATJANA PIETERS\, GHENT
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ORNIS A. GALLERY\ , AMSTERDAM
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MARTIN VAN ZOMEREN\, AMSTERDAM
\nLIVINGSTONE GALLERY\, THE HAGUE
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COKKIE SNOEI\, ROTTERDAM
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STIGTER VAN DOESBURG\, AMSTERDAM
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GALERIE MARTIN KUDLEK\, COLOGNE
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GALERIE RON MANDOS\, AMSTERDAM
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GALERIE JEAN BROLLY\, PARIS
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HIDDE VAN SEGGELEN GALLERY\, LONDON
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RON LANG ART\, A MSTERDAM
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ANNET GELINK GALLERY\, AMSTERDAM\n
WITTEVEEN VISUAL ART CENTRE\, AMSTERDAM
\n< div class="exhibitor exhibitor-hover">GALERIE MICHAEL STURM\, STUTTGART\n
DTEND:20140921 DTSTAMP:20140829T011617 DTSTART:20140918 GEO:52.400942;4.891737 LOCATION:Amsterdam Drawing\,NDSM-werf \nAmsterdam-Noord\, SEQUENCE:0 SUMMARY: Amsterdam Drawing 2014 UID:352759 END:VEVENT BEGIN:VEVENT DTEND:20140918T190000 DTSTAMP:20140829T011617 DTSTART:20140918T110000 GEO:52.400942;4.891737 LOCATION:Amsterdam Drawing\,NDSM-werf \nAmsterdam-Noord\, SEQUENCE:0 SUMMARY: Amsterdam Drawing 2014 UID:352760 END:VEVENT BEGIN:VEVENT DESCRIPTION:

in Galerie van Gelder &\; AP

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ADITYA MANDAYAM

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'Sukuranburu Kousaten by Indigenous Genitalman'

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OPENING: Saturd ay 6th of September 2014\, 17.00-19.00 hours

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17.30 uur: performance

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&lsquo\;In the B eginning was the Safe Word\, and the Safe Word was Forgotten&rsquo\;

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DTEND:20140906T190000 DTSTAMP:20140829T011617 DTSTART:20140906T170000 GEO:52.3874859;4.8855832 LOCATION:Galerie van Gelder\,Planciusstraat 9 A \nAmsterdam\, 1013 MD SEQUENCE:0 SUMMARY:ADITYA MANDAYAM - Sukuranburu Kousaten by Indigenous Genitalman\, A ditya Mandayam UID:352699 END:VEVENT BEGIN:VEVENT DESCRIPTION:

The Food Chain Project is a pop-up supermarket made entirely of sculpture groceries that represent Itamar Gilboa's consumption over 365 days.

DTEND:20141214 DTSTAMP:20140829T011617 DTSTART:20141107 GEO:52.4003833;4.89202 LOCATION:Nieuw Dakota\,Ms. van Riemsdijkweg 41 b \nAmsterdam\, 1033 RC SEQUENCE:0 SUMMARY:Food Chain Project\, Itamar Gilboa UID:352418 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20141103 DTSTAMP:20140829T011617 DTSTART:20141005 GEO:52.4003833;4.89202 LOCATION:Nieuw Dakota\,Ms. van Riemsdijkweg 41 b \nAmsterdam\, 1033 RC SEQUENCE:0 SUMMARY:TimeZone UID:352417 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20140921 DTSTAMP:20140829T011617 DTSTART:20140917 GEO:52.4003833;4.89202 LOCATION:Nieuw Dakota\,Ms. van Riemsdijkweg 41 b \nAmsterdam\, 1033 RC SEQUENCE:0 SUMMARY:Amsterdam Drawing XL UID:352416 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20140907T160000 DTSTAMP:20140829T011617 DTSTART:20140907T150000 GEO:52.4003833;4.89202 LOCATION:Nieuw Dakota\,Ms. van Riemsdijkweg 41 b \nAmsterdam\, 1033 RC SEQUENCE:0 SUMMARY:Symposium Kunst Openbare Ruimte UID:352415 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Galerie Roger Katwijk is pleas ed to announce the exhibition \;'TRIPPLE A' \;with 3 German artists Bodo Korsig\, Jü\;rgen Paas \;an d \;Dirk Salz. \;

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After Es sen and Vienna\, this interesting exhibition will now be shown in Amsterdam . With their abstract\, material and technique tapered work each of them ex plains  \;different accents\, making new connections. Their work varies significantly but there are also obvious similarities\, if only in color a nd materials. The dialogue between these works is interesting: the abstract installations Jü\;rgen Paas\, consisting of plastic ties and colored a luminum coils\, compete strongly with the character like figures and relief s from Bodo Korsig.  \;The transparent paintings by Dirk Salz\, in whic h time\, space and structure play a role\, by contrast are entirely indepen dent with their thin\, reflective surfaces.

DTEND:20141011 DTSTAMP:20140829T011617 DTSTART:20140907 GEO:52.3626417;4.8865255 LOCATION:Galerie Roger Katwijk\,Lange Leidsedwarsstraat 198-200 \nAmsterdam \, 1017 NR SEQUENCE:0 SUMMARY:Tripple A\, Jürgen Paas\, Bodo Korsig\, Dirk Salz UID:352397 END:VEVENT BEGIN:VEVENT DTEND:20140907T180000 DTSTAMP:20140829T011617 DTSTART:20140907T160000 GEO:52.3626417;4.8865255 LOCATION:Galerie Roger Katwijk\,Lange Leidsedwarsstraat 198-200 \nAmsterdam \, 1017 NR SEQUENCE:0 SUMMARY:Tripple A\, Bodo Korsig\, Jürgen Paas\, Dirk Salz UID:352398 END:VEVENT END:VCALENDAR