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Sneak peek en aftrap K unstverzamelaars Bië\;nnale

In 2012 vond \;The Artery Show \;plaats in TETEM kunstruimt e\; een tentoonstellings- en lezingenprogramma dat de focus legde op het aa nkopen en verzamelen van kunst. Ruim 30 kunstverzamelaars presenteerden in deze tentoonstelling een deel van hun privé\;collectie en lichtten hu n beweegredenen en hun passie voor het verzamelen toe. Voortbouwend op het gedachtegoed van The Artery Show vindt er van 23 oktober t/m 23 november 20 14 een nieuwe tentoonstelling plaats met werken uit privé\;collecties met als thema: &lsquo\;IMPULSIEF&rsquo\;. Een &lsquo\;sneak peek&rsquo\; e n tevens de eerste editie van de Kunstverzamelaars Bië\;nnale die vanaf nu tweejaarlijks plaatsvindt in TETEM kunstruimte. \;

Impulsieve aankopen
De tentoonstelling &lsquo\;IMPULSIEF&r squo\; wordt georganiseerd door de verzamelaars zelf. Tien kunstverzamelaar s tonen in deze eerste editie hun meest impulsieve aankopen. Van internatio naal bekende kunstenaars als Larry Clark tot lokaal talent als Sarah Grothu s en Tessa Lieffering. Op welke manier hebben de kunstwerken de verzamelaar s geprikkeld en welk verhaal schuilt er achter?

Startpun t platform en discussieavond
De tentoonstelling &lsquo\;IMPUL SIEF&rsquo\; is een startpunt voor een platform waar kunstverzamelaars krac hten bundelen. Een podium voor kunstverzamelaars om hun passie voor kunst\, ervaringen en praktische voordelen van het bezitten van een kunstcollectie te delen. En een podium voor gevestigde en jonge lokale kunstenaars om in contact te komen met de verzamelaars. In de tentoonstellingsperiode wordt d aarom een discussieavond georganiseerd om de contouren van een dergelijk pl atform vorm te geven. Het organiseren van de Bië\;nnale zal daar een on derdeel van zijn. De discussieavond vindt plaats op dinsdag 4 november van 19.30-21.30 (19.00 inloop) in TETEM kunstruimte. Meer info over het program ma wordt binnenkort bekend gemaakt.

Samenstelling / init iatiefnemers: \;
René\; Polman\, Kasper van Zuileko m en Astrid Camerik

Deze tentoonstelling is mede mogelijk ge maakt door de \;Gemee nte Enschede

DTEND:20141123 DTSTAMP:20140930T062424 DTSTART:20141023 GEO:52.2339261;6.8948925 LOCATION:TETEM kunstruimte\,Stroinksbleekweg 16 \nEnschede\, 7523 ZL SEQUENCE:0 SUMMARY:Impulsief: Aftrap Kunstverzamelaars Biënnale UID:358383 END:VEVENT BEGIN:VEVENT DTEND:20141023T190000 DTSTAMP:20140930T062424 DTSTART:20141023T170000 GEO:52.2339261;6.8948925 LOCATION:TETEM kunstruimte\,Stroinksbleekweg 16 \nEnschede\, 7523 ZL SEQUENCE:0 SUMMARY:Impulsief: Aftrap Kunstverzamelaars Biënnale UID:358384 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Wil je meer horen over de sixt ies in de kunst van nu en de totstandkoming van de tentoonstelling? Op zate rdag 27 september\, de dag na de opening van When elephants come marching i n\, vindt er een Q&\;A plaats met curator Mark Kremer en deelnemende kun stenaars Roland Schimmel\, Hugo Canoilas en Taf Hassam. De middag wordt gem odereerd door Guus van Engelshoven (de Appel arts centre).

Graag vooraf reserveren door een e-mail te sturen naar: \;reservation@deappel.nl

DTEND:20140927T170000 DTSTAMP:20140930T062424 DTSTART:20140927T153000 GEO:52.3733534;4.9063163 LOCATION:de Appel Arts Centre\,Prins Hendrikkade 142 \nAmsterdam\, 1011 AT SEQUENCE:0 SUMMARY:Q&A When Elephants come marching in\, Roland Schimmel\, Hugo Canoil as\, Taf Hassam UID:358382 END:VEVENT BEGIN:VEVENT DESCRIPTION:

A note to the reader: Read this as fast as you can.

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There is a trend developing\, maybe it is fully developed\, it&rsquo\;s a mentality that believes today is synonymous with passé\;. The Modern isms of the 20th century or rather Modernism 1.0\, which used today as a pl atform for making a better tomorrow and Postmodernism or Modernism 2.0\, wh ich used today to criticize yesterday have run their course.

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They are of course still here but neither holds pol e position. The 21st century&rsquo\;s idea of Modernism\, mODERNISM \;3 .0\, uses today to make a newer tomorrow. mODERNISM \;3.0 \;is not concerned with what is better or worse. If you went to architecture school you saw Modernism 1.0 fail* in its attempt to make change for the better. m ODERNISM \;3.0 \;has nothing to do with changing for the better\, i t&rsquo\;s only concerned with changing. This type of change is not to be c onfused with the change that comes about through progress. \;

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mODERNISM \;3.0 \;is about the type of change that simply gives the impression of progress. Today will fossilize overnight\, ancient by breakfast tomorrow and replaced by noon. Fossilizati on will set in again by dinner. At this time I would like to bring to your attention that this was first written in 2007. I alter this text every once in a while to mark the many things that make these words feel out of date. Many of those antiquated words occupy the following paragraph.

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Some of these words are left in because they ser ve to remind me of the long forgotten not so distant past. It sounds twiste d to me but in between clicking through websites searching for a newer pair of Levi&rsquo\;s&trade\; jeans and being a voyeur on Myspace&trade\; I can open up YouTube&trade\; in a new tab and watch the hanging of Saddam Husse in followed by the beheading of a journalist by ISIS all while blocking Pop -ups and seeing I have new mail through Growl&trade\;\, all in the middle t hird of my screen. In the meantime\, on the starboard side I&rsquo\;ve open ed Mail&trade\; through Quicksilver&trade\; and scanned articles about glob al warming and the war in my NyTimes&trade\; RSS feed. Simultaneously\, on the wayward side I decided to get a Matcha Green Tea Blast with a free prot ein boost\, I&rsquo\;m kind of skinny\, at Jamba Juice&trade\; with my budd y via iChat&trade\;\, on my way to Whole Foods&trade\; via DSW&trade\; to g et a new pair of Vans&trade\; after I window shop at Forever21&trade\; (the y carry guys stuff now\, but they are already cutting back on the selection \, which doesn&rsquo\;t matter because I hate that store\, even though it c arries clothes that look exactly like the ones I&rsquo\;m wearing only chea per). And I can do all this in a single window in Safari&trade\; (sorry\, F irefox&trade\; and Internet Exploder&trade\;) on my new Apple&trade\; iMac& trade\; G5&trade\;. It sounds ludicrous that this is actually happening but it&rsquo\;s totally normal and I didn&rsquo\;t even mention one of my thre e iPods&trade\; (Sorry iPod but you are officially gone now) or my new iPho ne&trade\; or my pre-ordered iPhone6. All of this happens in less than ten seconds and I thought I was doing good. I don&rsquo\;t even have a T.V. I d on&rsquo\;t even do drugs. Maybe I should. This is the Landscape that I liv e in. A fully intoxicated landscape.

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We are living longer but I feel like my life is getting shorter. Things are being abbreviated into stutters** because you can fit more in. I can reduc e everything to Icons\, Tabs\, Emails\, RSS\, apple+Cs\, apple+Vs\, LOLs\, AOLs\, MOVs\, MP3s\, pr0n\, BRBs (take a sip of coffee)\, OMGs\, RGBs\, MBs \, MFAs\, DVDs\, TXTs\, PPIs\, PNGs\, HTTPs and ADD. The funny thing is tha t I&rsquo\;m speaking in code and you know exactly what I&rsquo\;m talking about. If you don&rsquo\;t you are probably a painter. I didn&rsquo\;t lear n this stuff in school and I&rsquo\;ve been in school for almost twenty-eig ht years of my life. I move effortlessly through this trash at a rate of 64 5 bytes per second and since this was originally written this has been upda ted to 7.51 Mbps. On a side note: 1\,680 x 1\,050 = 1\,764\,000. That&rsquo \;s the number of pixels on my screen that has also been updated since 2007 to 2\,560 x 1\,440 = 3\,686\,400. This new monitor looks like it has more surface area than my head and more pixels than I have cells. I&rsquo\;m get ting paler and it&rsquo\;s getting more saturated\, I&rsquo\;m getting dumb er and it&rsquo\;s getting smarter\, I don&rsquo\;t have to move anymore wh ile it gets more efficient. I don&rsquo\;t even need to know anything becau se it knows everything. This is the Landscape that I live in. Everything I have described about this landscape is more or less immaterial but this lan dscape has a physical side to it as well.

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So what is HUNKY DORY HONKY TONK?

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Have a look and see.

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Originally written in May\, 2007 and continually modified up unt il September\, 2014.

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* The e xplosion of Pruitt-Igoe urban housing project

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** Google search &ldquo\;max headroom&rdquo\;

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About Nick van Woert

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Nick van Woert (1979) born in Reno\, Nevada\, lives and works in Brooklyn\, New York. In 2002 he obtained a degree in architecture at the University of Oregon\, Eugene and Parsons in New York. His work was first exhibited by GRIMM Gallery in the group show Hi\, Low and in Betw een in 2009\, followed by the solo presentation SHE-WOLF in 2 010 and \;Improvised Munition in 2012. In 2011 Yvon Lambert ho sted Van Woert&rsquo\;s first Paris show Anatomy as well as his fi rst New York show Breaking and Entering. In 2012 his work was part of the group show Science \;on the back end at Hause r &\; Wirth in New York. His first museum solo exhibition Nature Cal ls opened earlier this year at MAMbo\, Museum of Modern Art in Bologna \, Italy. Nick van Woert is currently working on a extensive monograph desi gned by Sagmeister &\; Walsh.

DTEND:20141122 DTSTAMP:20140930T062424 DTSTART:20141018 GEO:52.3575334;4.8888493 LOCATION:GRIMM Gallery\,Frans Halsstraat 26 \nAmsterdam\, 1072 BR SEQUENCE:0 SUMMARY:Hunky Dory Honky Tonk\, Nick van Woert UID:358184 END:VEVENT BEGIN:VEVENT DTEND:20141018T190000 DTSTAMP:20140930T062424 DTSTART:20141018T170000 GEO:52.3575334;4.8888493 LOCATION:GRIMM Gallery\,Frans Halsstraat 26 \nAmsterdam\, 1072 BR SEQUENCE:0 SUMMARY:Hunky Dory Honky Tonk\, Nick van Woert UID:358185 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20141116 DTSTAMP:20140930T062424 DTSTART:20141004 GEO:51.9129011;4.476732 LOCATION:Phoebus Rotterdam\,Eendrachtsweg 61 NL \nRotterdam\, 3012 LG SEQUENCE:0 SUMMARY:point - type\, Dominique De Beir UID:358082 END:VEVENT BEGIN:VEVENT DTEND:20141005T170000 DTSTAMP:20140930T062424 DTSTART:20141005T150000 GEO:51.9129011;4.476732 LOCATION:Phoebus Rotterdam\,Eendrachtsweg 61 NL \nRotterdam\, 3012 LG SEQUENCE:0 SUMMARY:point - type\, Dominique De Beir UID:358083 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Hosted by Galerie Juliette Jon gma \;and Kunstverein.

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Ea u de Cologne \;is an anti-fashion show and a raw punk\, fuzz-p op festival.

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Eau de Cologne \;takes its name from Monika Sprü\;th&rsquo\;s radical fema le only in-house gallery magazine by the same title\, published only three times between 1985-1993.

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With k.i. Be yoncé\;\, Michiel Ceulers and Anthony Salvador\, Echo + Seashell\, La urent-David Garnier\, Richard John Jones\, Nancy Acid\, Ana Navas and intro ducing I&rsquo\;m With Her Records. Hot dogs by Ron Blaauw.

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Line-up:
17.00  \;Ana Navas performance
 \;  \;  \;  \;  \;  \;Michiel Ceulers and Anthony Salvador \;solo exhibition at Galerie Juliette Jongma
18.00   \;Hot dogs food
19.00  \;Richard John Jones performance
20.00  \;Echo + Seashell plugged
21.00  \;Nancy Acid unplugged  \;
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Thanks to Stadsdeel Zuid and Amster dams Fonds voor de Kunst

DTEND:20140927T220000 DTSTAMP:20140930T062424 DTSTART:20140927T170000 GEO:52.3559633;4.8934992 LOCATION:Galerie Juliètte Jongma\,Gerard Doustraat 128a \nAmsterdam\, 1073V X SEQUENCE:0 SUMMARY:Eau de Cologne UID:357794 END:VEVENT END:VCALENDAR