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ARTSLANT INTERVIEWS

More Dark Than Shark: Wesley Kimler + Bradley Rubenstein  
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6/23/14 Posted 6/23/14

Chicago, Jun. 2014: Wesley Kimler, the irascible painter and raconteur, spoke with me in August 2013 about doing an interview for ArtSlant magazine. What started as a short conversation turned into an extended dialogue over the next few months that covered the current state of painting, film, and theater, the 2014 Whitney Biennial, and a glimpse into Kimler's unique education as an artist. Kimler is outspoken, often attacking what he views as the neo-conceptual academy of the artworld, advocatin... [more]

Interview with Abner Preis: Hitting the heart with a story  
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6/16/14 Posted 6/16/14

Amsterdam, Jun. 2014: The first time I met Abner Preis was at Scope in Miami. He succeeded in making me and my companion dress up like superheroes: masks, oversized gloves, glittery capes, and a fluffy toy animal as a personal mascot. While we were assuming our best victory poses Preis was snapping away. Still, whenever I look at the picture he sent me afterwards I have to smile and part of me feels the urge to leave my everyday Clark Kent incarnation in a nearby phone booth and go rescue a school... [more]

The Inextricability of the Image: an Interview with Ran Huang  
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6/9/14 Posted 6/9/14

Beijing, May/June 2014: Ran Huang recently became the first artist and filmmaker from China to be selected for the Short Film Palme d’Or competition at the Cannes Film Festival. Huang possesses a multidisciplinary practice, but he is known for creating video works of sinuous beauty that examine the sinister articulations of power on and through the body. His works vibrate from the collision of an intense formalism with supple, fleshy tenderness in which control often emerges through sexua... [more]

The Psychopathology of Kipple: Unpacking House Clearance with Fay Ballard  
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6/2/14 Posted 6/2/14

London, May, 2014: Stuff, things, rubbish, detritus. We willingly bury ourselves in it. If the wild animals that live closest to man are most reviled for their proximity, then the useless and near-to-useless everyday objects we surround ourselves with must take a further pasting, even. And yet not. We all seem to carry on the most intimate of love affairs with the objects that surround us. A million, million fingers smear their grease onto the handles of habitual coffee mugs; teeth nibble absentmin... [more]

Untitled: Agatha Gothe-Snape on the threshold of the 8th Berlin Biennale  
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5/25/14 Posted 5/25/14

Berlin, May 2014: An artist rejects the visual to provide words for a Biennale without a title. Since January this year, Melbourne-based artist Agatha Gothe-Snape has been stringing together compositions of words. Her enigmatic phrases appear splayed across the splash page of the Berlin Biennale, placed where you would ordinarily expect to see a curatorial concept. No explanation provided. Title: Untitled. {EVERYTHING HAS TWO HANDLES} was my first hit. Yours might be something else. {ACCRUE! ACCRUE!} or {OCEANIC FEELING}... [more]

Constructing Discoveries: An Interview with Thijs Ebbe Fokkens  
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5/18/14 Posted 5/18/14

Den Haag, May 2014 - Since gaining consciousness humans have had the urge to find answers to their questions. People used to rely on seers, shamans, and priests but over time we became wiser and more professional in our attempts to gain knowledge. Thankfully, we no longer expect individuals to have the capability to develop into polymaths or Renaissance men with the ability to achieve an all-encompassing understanding of the world. We have entrusted scientists, philosophers, and artists with the... [more]

Raising a Glass to Apocalypse Postponed: An Interview with Nadim Abbas  
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5/11/14 Posted 5/11/14

Shanghai/Hong Kong, May 2014: Hong Kong-based artist Nadim Abbas has long created environments that explore the patterned and structural features of space. At ARTHK11 in 2011, Abbas created Marine Lover: A Hermatypic Romance, an intricate installation of wall-mounted white polyresin coral casts and backlights extending the length of a narrow corridor. Abbas returns to the Hong Kong fair in a scaled up and out manner with a commission for the nearly 300 square meter Absolut Art Bar. Apocalypse Post... [more]

Participant and Audience: A Conversation with Koki Tanaka  
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5/5/14 Posted 5/5/14

New York, May 2014: This weekend New York’s Randall’s Island becomes a contemporary art mecca as Frieze New York kicks off for its third iteration. A troupe of black sedans will storm the RFK bridge (while the rest of us take the ferry) to an onslaught of gallery booths, lectures, performances, and installations that capture the contemporary art market’s voracious appetite for the new and the now. The fair features a specially curated program of contemporary artists working at th... [more]

Interview With Despina Stokou: Putting it all into context…  
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4/27/14 Posted 4/27/14

Berlin, Apr. 2014: Athens-born, Berlin-based artist Despina Stokou always has several projects going on at any given time. She believes contemporary artists should be active players in the art world and her involvement in Berlin's ever-changing, always-moving art scene goes beyond her studio practice to include writing, editing bpigs.com, and the organization of events to support young artists and curators. By all accounts, her hard work seems to be paying off. Following a flurry of successful show... [more]

Confronting the Body Con: an Interview with Ivonne Thein  
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4/21/14 Posted 4/21/14

Berlin, Apr. 2014: Ivonne Thein creates polished and apparently unbiased images that confront our messy aesthetic prejudices. In 2008, she debuted a series of coolly composed and conceptually chilling photographs titled Thirty-Two Kilos. These images show impossibly thin models dressed in stylish white attire and contorted in yogic poses. Their bodies push beyond fashion’s waif aesthetic into a realm of real illness, desperation, and morbidity. Inspired by a rash of "pro-ana" websites, where eating... [more]

Seventy-Two Photographs, Seven Seconds Apart: An Interview with Daniel Gustav Cramer  
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4/14/14 Posted 4/14/14

Basel, Apr. 2014: Daniel Gustav Cramer is a Berlin-based artist. He has exhibited internationally at the Kunsthalle Mulhouse, France, Kunsthaus Glarus, Switzerland, Kunsthalle Lissabon, and many other international venues. His work, which can take the form of installations, printed matter, photography, and objects, deals mainly with memory. Olga Stefan interviewed Daniel Gustav Cramer on the occasion of his recent exhibition at SALTS, Basel, 01-72. Olga Stefan: It seems that in your artisti... [more]

Untitled: an interview with Xaviera Simmons  
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4/6/14 Posted 4/6/14

New York, Apr. 2014: Xaviera Simmons is a New York-based artist whose practice manifests in performance, photography, sculpture, installation, sound, video, and more. That dynamic interdisciplinary material is fueled by research, contemplation, and feeling, three modes that enable Simmons to not only reflect the complexity of the human condition but also empathize with it. No subject would seem unconquerable: she tackles history, the landscape, and the human figure within it; she plays with cultural... [more]

Glitter and Doom: Allison Schulnik + Bradley Rubenstein  
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3/31/14 Posted 3/31/14

Los Angeles, Mar. 2014: Allison Schulnik’s second New York solo exhibition at ZieherSmith, Eager, included a startling array of painting, sculpture, drawing, and film, creating a beautiful, yet haunting world. Her work is currently on view in a solo exhibition at the Wadsworth Atheneum Museum of Art in Hartford, Connecticut. Schulnik talks with Bradley Rubenstein about her new show, her dance background, the difference between working in New York and Los Angeles, and, of course, cats. Allison Schulnik, Blue Dancer #3... [more]

Queering Process + Material Strategies: An Interview with Derek Dunlop  
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3/23/14 Posted 3/23/14

Winnipeg, Canada, Mar. 2014: I first wrote about Derek Dunlop’s work on ArtSlant in January 2013, for the group exhibition Reconfiguring Abstraction. I remember initially walking into the exhibition and feeling agitated. I left the space to get some air and caffeine and tried to pin down what it was about the exhibition that was troubling me. When I returned I realized that Dunlop’s paintings were bothering me. And I was starting to like how much they bothered me and how they ultimatel... [more]

The Poetics of Collaboration and Collision: An Interview with EcoArtTech  
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3/16/14 Posted 3/16/14

Rochester, NY, Feb. 2014: I met up with Leila Nadir and Cary Peppermint at Equal Grounds, a cafe in Rochester’s South Wedge neighborhood, on an unusually sunny winter day. While I opted for coffee, Nadir and Peppermint are serious tea drinkers and brought their own special blend. Longtime partners in life and art, together they form EcoArtTech, a new media collaborative dedicated to exploring the environmental imagination through blurring the boundaries of natural, built, and technological spaces. D... [more]

From Censored to Celebrated: An Interview with Betty Tompkins  
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3/9/14 Posted 3/9/14

New York, Mar. 2014: Before Jeff Koons, Thomas Ruff, Terry Richardson and their raffish ilk appropriated porn for high-art settings, Betty Tompkins was meticulously reproducing scenes of heterosexual penetration in pencil, acrylic, airbrush and ink. Her monochrome images make it clear that porn, not real-life sex, is her subject and underscore the harsh binary responses to her controversial subject and artwork, and to her identity as a woman artist. Tompkins’ large-scale images of furry, shaved and pierced vagina... [more]


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