This exhibition singles out two periods when the Buddhist Tibetan tradition drew from outside influences to develop new vocabularies of form. In the eleventh and twelfth centuries, after a period of political and religious disruption, contact with the great monasteries of North India led to considerable exchange. Looking from the Indian perspective, the exhibition examines how esoteric imagery, texts, and Vajrayana ritual practices contributed to reshaping the complex religious landscape of Tibet. Today, contemporary Tibetan artists are again addressing and incorporating ideas central to the current global reality, in an effort to recontextualize long-standing core Buddhist ideals. The exhibition will include five loans and eighteen objects drawn from department holdings.